Bücher der Reihe Greek Studies: Interdisciplinary Approaches

Lowell Edmunds combines two readings of the "Oedipus at Colonus" to arrive at a fresh way of looking at Greek tragedy. He sets forth a semiotic theory of theatrical space and then applies his theory to the visual and spacial dimensions of the "Oedipus at Colonus".

This text examines the theme of heroic exile and return in Greek poetic tradition, from the archaic epic of Homer to modern Greek folk poetry and song. The author argues that the hero's reputation, his glory, is managed by women - especially his wife and mother.

This text explores the concept of the "iambic" as a genre. In a set of detailed studies, the contributors examine, across time, the idea of the iambic through a wide variety of cultural settings: Greek, Hellenistic, Roman, and Late Antiquity.

This study represents a radical rethinking of traditional distinctions involving the term "religion" in the ancient Greek world and beyond, through late antiquity to the 17th century, and promotes the fluidity of such concepts as religion and magic.

An examination of Sophocles' "Antigone" in the context of its setting in 5th-century Athens. The authors attempt to create an interpretive environment that is true to the issues and interests of 5th-century Athenians, as opposed to those of modern scholars and philosophers.

The Philosopher's Song is a full-length treatment of Plato and the dynamic course of his philosophical thought, regarded from a distinctly poetic point of view. Kevin Crotty demonstrates how Plato's invention of philosophy needs to be situated within the context of a society where poets were cultural authorities, whose teachings emphasized such tragic themes as the instability of things and the indeterminacy of moral terms. The interest of Plato's philosophy lies to a great extent in the compelling interest of what he sought to repress-the poetic and political heritage of a world tragically conceived. Plato's attacks on the poets are notorious. Despite his apparently frank hostility, however, his relation to the poets was exceedingly complex, argues Crotty. Even the banishment of the poets in the Republic turns out to be, more deeply, a recruitment of mimetic poetry for Plato's metaphysics. Once endowed with a metaphysical significance, however, the poets posed a serious challenge to Platonic idealism, and spurred Plato to revise considerably his metaphysical scheme. Crotty ultimately concludes that the views of politics and ethics in Plato's later works return in many ways to the insights of the poets.

Light and Darkness in Ancient Greek Myth and Religion is a ground-breaking volume dedicated to a thorough examination of the well known empirical categories of light and darkness as it relates to modes of thought, beliefs and social behavior in Greek culture. With a systematic and multidisciplinary approach, the book elucidates the light/darkness dichotomy in color semantics, appearance and concealment of divinities and creatures of darkness, the eye sight and the insight vision, and the role of the mystic or cultic.

This collection of essays examines the linguistic and rhetorical features of Homer's work. Arguing that there can be no purely historical interpretation, Pucci focuses on two features of Homer's rhetoric - repetition of expression and its effects on meaning, and the issue of intertexuality.

When Worlds Elide responds to the various incarnations of "the Greek" legacy that continues to mark our politics, our society, and our education. It offers both an elaboration of these incarnations and a critique of how they are understood and used politically, culturally, theoretically, and pedagogically.

This volume explores the ways local communities perceive, experience, and interact with archaeological sites in Greece, as well as with the archaeologists and government officials who construct and study such places. In so doing, it reveals another side to sites that have been revered as both birthplace of Western civilization and basis of the modern Greek nation. The conceptual terrain of those who live near such sites is complex and furrowed with ambivalence, confusion, and resentment. For many local residents, these sites are gated enclaves, unexplained and off limits, except when workers are needed. While cleavages between residents and archaeologists have received attention elsewhere, they have been little examined in Greece, where they are often masked by sweeping statements on the glory of antiquity that overlook the extent to which ordinary Greeks have become disconnected from these places in their midst. The complexity of this situation, freighted as it is with two centuries of archaeological practice, is explored in this volume from multiple viewpoints and with respect to sites from prehistoric to Ottoman and beyond. Several chapters trace the origins of the disconnection between archaeological sites and communities, relating it to the ways in which early travelers appropriated sites for their own purposes, the subsequent move of archaeology onto the slippery slope created by the travelers, and the concurrent depiction of Greek peasants as passive and uninformed. Other chapters chronicle the active ways in which communities have contested the development and representation of particular sites and even sometimes created alternative landscapes with other points of entry to the valued Greek past. Still others recount and assess recent archaeological efforts to reconnect residents to the sites in their midst. Archaeology in Situ will be of particular value to those interested in modern Greek studies, Greek archaeology, Classics, public archaeology, archaeological ethics, anthropology, cultur

This study is an interpretation of the choices the tragedians made in regard to certain forms of standardized variations in word order and prosody. Those choices were made in response to the competing demands of metrical constrain and the poets' sense of what was stylistically appropriate for tragic trimeters.

Choral Identity and the Chorus of Elders in Greek Tragedy challenges the commonly held view that choruses are marginalized by the roles they play in classical Athenian tragedy. Focusing on those tragedies that feature a chorus representing old men who are elders of the community where the action is taking place, Dhuga argues that these elders, as elders, are not necessarily marginal and can even become in some ways central to the represented action.