"Ladies and gentlemen: THIS IS CINERAMA." With these words, on September 30, 1952, the heavy red curtains in New York's Broadway Theatre opened on a panoramic Technicolor image of the Rockaways Playland Atom-Smasher Roller Coaster--and moviegoers were abruptly plunged into a new and revolutionary experience. The cinematic transformation heralded by this giddy ride was, however, neither as sudden nor as straightforward as it seemed. "Widescreen Cinema" leads us through the twists and turns and decades it took for film to change its shape and, along the way, shows how this fitful process reflects the vagaries of cultural history. Widescreen and wide-film processes had existed since the 1890s. Why, then, John Belton asks, did 35mm film become a standard? Why did a widescreen revolution fail in the 1920s but succeed in the 1950s? And why did movies shrink again in the 1960s, leaving us with the small screen multiplexes and mall cinemas that we know today? The answers, he discovers, have as much to do with popular notions of leisure time and entertainment as with technology. Beginning with film's progress from peepshow to projection in 1896 and focusing on crucial stages in film history, such as the advent of sound, Belton puts widescreen cinema into its proper cultural context. He shows how Cinerama, CinemaScope, Vista Vision, Todd-AO, and other widescreen processes marked significant changes in the conditions of spectatorship after World War 11 -and how the film industry itself sought to redefine those conditions. The technical, the economic, the social, the aesthetic -every aspect of the changes shaping and reshaping film comes under Belton's scrutiny as he reconstructs the complex history of widescreen cinema and relates this history to developments in mass-produced leisure-time entertainment in the twentieth century. Highly readable even at its most technical, this book illuminates a central episode in the evolution of cinema and, in doing so, reveals a great deal about the shifting fit between film and society.
No detailed description available for "Robert Greville, Lord Brooke".
No detailed description available for "The Poetry of Giacomo da Lentino".
No detailed description available for "The Origin of the Right of Fishery in Territorial Waters".
No detailed description available for "Ballad Books and Ballad Men".
No detailed description available for "Massachusetts People and Politics, 1919-1933".
No detailed description available for "Letters of a Loyalist Lady".
No detailed description available for "Readings in American Legal History".
No detailed description available for "The Formation of Thomas Fuller's "Holy and Profane States"".
No detailed description available for "English Villagers of the Thirteenth Century".
No detailed description available for "Toward the Image of Tammuz and Other Essays on Mesopotamian History and Culture".
No detailed description available for "The Human Measure".
Is our logical form of thought merely one among many, or must it be the form of thought as such? From Kant to Wittgenstein, philosophers have wrestled with variants of this question. This volume brings together nine distinguished thinkers on the subject, including James Conant, author of the seminal paper "The Search for Logically Alien Thought."
Many scientists and scientifically-minded commentators are skeptical that free will exists. In clear, scientifically rigorous terms, Christian List explains that free will is like other real phenomena that emerge from physical processes but are autonomous from them-like an ecosystem or the economy-and are indispensable for explaining our world.
In a new retelling of the romantic rationalist adventure of ideas that is Hegel's classic The Phenomenology of Spirit, Robert Brandom argues that when our self-conscious recognitive attitudes take Hegel's radical form of magnanimity and trust, we can overcome a troubled modernity and enter a new age of spirit.
No detailed description available for "A Concordance to the Divine Comedy of Dante Alighieri".
No detailed description available for "John Marston of the Middle Temple".
At the heart of representative government is the question: "What makes government and its agents legitimate authorities?" The notion of consent to a social contract between the citizen and his government is central to this problem. What are the functions of public authority? What are the people's rights in a self-governing and representative state? Patrick Riley presents a comprehensive historical analysis of the meaning of contract theory and a testing of the inherent validity of the ideas of consent and obligation. He uncovers the critical relationship between the act of willing and that of consenting in self-government and shows how "will" relates to political legitimacy. His is the first large-scale study of social contract theory from Hobbes to Rawls that gives "will" the central place it occupies in contractarian thinking.
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