Bücher von Adam Roberts

Between 2013 and 2015, A Nos Amours presented in London a complete retrospective of the films of the celebrated film-maker Chantal Akerman, the only complete retrospective given to date. Rights and screening copies turn out to be widely scattered and incredibly difficult to access. The research needed to present this retrospective is offered in this book so that others may more easily follow suit. Also included are the texts, journalism and blogging that was offered to the audience as a means to engage with film-works that are at once radical, wildly varied in style and content, and surprisingly often, on account of their rarity, little known. The book aims to be accurate and a reliable source of detailed information about the films. The book is intended to serve as an Akerman companion and a key reference work.Many texts are included to provide invaluable insights, from the likes of Raymond Bellour, Richard Brody, Ivone Margulies, Marion Schmid and Ginette Vincendeau.Laura Mulvey (whose phrase 'the male gaze' has revolutionised film theory) has written the foreword, surveying Akerman's achievement, making use of this book as an aide-mémoire for what stands as one of the astonishing bodies of work in all cinema:"As a collage of writing of many different kinds, the Handbook crucially bears witness to the effect that Akerman has had on the film community, from her earliest movies until her last... The high quality of the texts included in the book are all a reminder of the way that her 'cinematic' qualities have advanced our understanding of film."A Nos Amours was founded in London by Joanna Hogg and Adam Roberts, to present screenings, events and art shows.

When two strangers ask the manager at Kabul Station to take them into the Afghanizone he refuses. What sane person wouldn't? Thought to be the result of an alien visitation, the zone is deadly. Nothing works there. Electrical items are your enemy; they malfunction or simply blow up. The pair go in anyway, and the biggest surprise is when one of them walks out again. Nobody survives the zone, so how has she?In The Man Who Would Be Kling, award-winning author Adam Roberts delivers an intriguing story that evokes the spirit of the Strugatsky Brothers' Roadside Picnic while also paying homage to both Rudyard Kipling's classic tale and to fans of Star Trek.One of four independent novellas by four different authors that form NewCon Novella Set 5: The Alien Among Us

Adam Roberts' incomparable versions of Vergil's Ecologues are wise, witty, reeking, rollicking, knurled, greenly flourishing, leaking and shimmering with fusions and fissions. These zephyrs have the guts to zigzag when requisite to give it to us straight. "Nature is always the resource that has always already been worked. The landscape is not 'nature'; it is what cultivation has made of the natural resource. Nature is worked, and therefore Pastoral is always reworked-practically speaking, an eclogue is always a reworking of Hughes as a reworking of Wordsworth as a reworking of Vergil as a reworking of Theocritus (for example). Pastoral is a kind of blockchain, and in a more acute and formally self-reflexive sense than the standard 'intertextuality' argument might suggest, the generalist insistence that all literature is a kind of blockchain. Pastoral is much more specifically so."

A volume written as homage to Arthur C. Clarke's Tales from the White Hart, featuring original stories from many of today's top genre writers, including Neil Gaiman, Charles Stross, Stephen Baxter, James Lovegrove, Liz Williams, Adam Roberts, Eric Brown, Ian Watson, and David Langford.The Fountain: a traditional London pub situated in Holborn, just off Chancery Lane, where Michael, the landlord, serves excellent real ales and dodgy ploughman's, ably assisted by barmaids Sally and Bogna.The Fountain, in whose Paradise bar a group of friends - scientists, writers and genre fans - meet regularly on a Tuesday night to swap anecdotes, reveal wondrous events from their past, tell tall tales, talk of classified invention and, maybe, just maybe, save the world…1. Introduction - Peter Weston2. No Smoke without Fire - Ian Whates3. Transients - Stephen Baxter4. Forever Blowing Bubbles - Ian Watson5. On the Messdecks of Madness - Paul Graham Raven6. The Story Bug - James Lovegrove7. "And Weep Like Alexander" - Neil Gaiman8. The Ghost in the Machine - Colin Bruce9. The Hidden Depths of Bogna - Liz Williams10. A Bird in Hand - Charles Stross11. In Pursuit of the Chuchunaa - Eric Brown12. The Cyberseeds - Steve Longworth13. Feathers of the Dinosaur - Henry Gee14. Book Wurms - Andy West15. The Pocklington Poltergeist - David Langford16. The Last Man in Space - Andrew J Wilson17. A Multiplicity of Phaedra Lament - Peter Crowther18. The Girl With the White Ant Tattoo - Tom Hunter19. The 9,000,000,001st Name of God - Adam Roberts20. About the Authors

Editor Donna Scott has selected the very best short fiction by British authors published during 2017. Twenty-two stories, from established names and rising stars of genre fiction.Introduction - Donna ScottBlinders - Tyler KeevilIn the Night of the Comet - Adam RobertsThe Walls of Tithonium Chasma - Tim Major3.8 Missions - Katie GrayOver You - Jaine FennThe Ghosts of Europa Will Keep You Trapped in a Prison You Make for Yourself - Matt DoveyUniquo - Aliya WhiteleyLooking for Laika - Laura MauroA Good Citizen - Anne CharnockMercury Teardrops - Jeff NoonThe Nightingales in Plàtres - Natalia TheodoridouThe Road to the Sea - Lavie TidharWhen I Close My Eyes - Chris BarnhamTargets - Eric BrownLondon Calling - Philip A. SuggarsThe Last Word - Ken MacLeodAfter the Atrocity - Ian CreaseyVoicemail - Karen McCreedyGreen Boughs Will Cover Thee - Sarah ByrneAirless - N.J. RamsdenProduct Recall - Robert BagnallThe Endling Market - E. J. SwiftAbout the Authors.

This is the first new complete literary biography of H G Wells for thirty years, and the first to encompass his entire career as a writer, from the science fiction of the 1890s through his fiction and non-fiction writing all the way up to his last publication in 1946.

The author's groundbreaking thesis that science fiction is born out of the 17th-century Reformation is here bolstered with a wide range of new supporting material and many hundreds of 17th- and 18th-century science fiction texts, some of which have never been discussed before.

A nightmarish vision of future war from a literary master of SF.

Includes a history of science fiction, and the ways in, which the genre has been used and defined. This book provides explanations of key concepts in science fiction criticism and theory. It introduces the reader to nineteenth-century, Pulp, Golden Age, New Wave, Feminist, and Cyberpunk science fictions.

Widely recognised as one of today's most important cultural critics, Adam Roberts offers an engaging introduction to this crucial figure, which will convince any student of contemporary theory that Jameson must be read.