Bücher von Aeschylus

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Three classic Greek tragedies are translated and critically introduced by Edith Hamilton.

First published in 1939, this book presents R. C. Trevelyan's English metrical translation of Aeschylus' Prometheus Bound. The aim of the text was to reproduce the form, phrasing and movement of the original for the benefit of readers without knowledge of Greek.

Originally published in 1899, this book contains the Greek text of Aeschylus' Prometheus Bound. The tragedy is prefaced with a history of Prometheus in Greek myth and an attempted reconstruction of the other two plays in the Prometheus trilogy, of which Prometheus Bound is the only extant piece.

"Choephori" is the second play in the Oresteian trilogy. This edition takes into account recent research on the play and tackles problems presented by an unusually corrupt text. It looks at the questions of style, dramatic technique and interpretation.

Treating ancient plays as living drama.