Bücher von Albrecht Classen

The Secret in Medieval Literature: Alternative Worlds in the Middle Ages explores the many strange phenomena, both in the Middle Ages and today, that do not find any good rational explanations. Those do not pertain to magic or to religion in the traditional sense of the word; they are secrets of an epistemological kind and tend to defy human rationality, without being marginal or irrelevant. At first sight, we might believe that we face elements from fairy tales, but the medieval cases discussed here go far beyond such a simplistic approach to the mysterious dimension of secrets. In fact, as this book argues, medieval poets commonly engaged with alternative forces and described their workings within the human context (both in the Latin West and in the East), without being able to come to terms with them critically. Those mysteries appear both in heroic epics and courtly romances, among other genres, and they figure more frequently than we might have assumed. On the one hand, we could conceive of those secrets as the product of literary liberties and imagination; on the other, those secrets prove to be rather serious agents intervening in the lives of the fictional protagonists. By the same token, our modern world is not all rationality and material conditions either. The study of secrets in the Middle Ages thus opens the pathway toward a new epistemology both for the people in the pre-modern age and us today.

Literatur setzt sich aus vielen verschiedenen Texten zusammen - solchen, die zum Kanon gerechnet werden, und solchen, die, trotz ihres quantitativen Übergewichts, am Rande an gesiedelt sind, d.h. insbesondere Trivialliteratur, die wir gerade aus literatursoziologischer Sicht nicht ignorieren dürfen. Das Schlagwort ,trivial' fällt leicht, aber es genau zu definieren erweist sich als problematisch. Gab es z.B. Trivialliteratur auch schon in der Vormoderne? Warum entstehen überhaupt triviale Texte? Welche Bedürfnisse befriedigen sie? Welche Gestaltungs techniken werden dort eingesetzt? Was sagt die Trivialliteratur über das Lesepublikum bzw. deren Autoren aus? Diese und weitere Fragen werden von den Beiträgern zu diesem Band kritisch unter die Lupe genommen und anhand von exemplarischen Fällen sorgfältig analysiert.

The Middle Ages were not only times of military conflicts, the formation of nations, and the rise of the Catholic Church, but also an era defined by profound exploration of what is magnificent and sublime in all aspects of life, including spirituality, aesthetics, architecture, ethics, religion, and philosophy. Rather than focusing extensively on historical events, as is done in many traditional textbooks on the Middle Ages, Medieval Answers to Modern Problems instead focuses on critical issues that have concerned people throughout time, and illustrates how studying the Middle Ages from an interdisciplinary perspective can shed light on contemporary efforts to deal with these issues. Topics covered in this book include the mind-body dichotomy, the relevance of the divine in material existence, interpretations of death and how to cope with death constructively, the pursuit of love in spiritual and earthly terms, and the ideals of honor. Initially the Middle Ages seem completely alien to modern ways of thinking, yet they still speak deeply to our need for both human and divine values, and inner growth. The broad range of documents presented in the book will challenge readers, provoke thought, and demonstrate just how much can be learned from the past. Dr. Albrecht Classen is a university distinguished professor of German studies at the University of Arizona, where he teaches and researches medieval and early modern European literature, culture, and art history. He has published close to ninety scholarly monographs, editions, translations, critical volumes, and textbooks, and more than 600 articles. Most recently he published Sexual Violence and Rape in the Middle Ages (2011); Sex im Mittelalter (in German, 2011); War and Piece: Critical Issues in European Societies 800-1800 (2011); Friendship in the Middle Ages and Early Modern Age (2011); Mental Health, Spirituality, and Religion in the Middle Ages and Early Modern Age (2014); The Forest in Medieval German Literature (2015); and Reading European Medieval Women Writers (2016). In 2010, he published the standard-setting three volume Handbook of Medieval Studies, followed by the Handbook of Medieval Cultures (2015). He serves as editor of the journals Mediaevistik and Humanities. He has received numerous teaching and research awards, most notably the Bundesverdienstkreuz am Band (Order of Merit) from the German government in 2004 and the 2012 Arizona Professor of the Year in 2014.

Some of the articles in this volume tackle theoretical issues as illustrated by translation examples, highlighting major flaws and successes in translation practice, while other contributors approach the phenomenon of translation from a more socio-cultural, ideologically critical angle, thus reflecting the current wide scope of theoretical and practical aspects of literary translation. The practical aspects include various kinds of literary discourses, which are analysed with a view toward gaining a good understanding of the characteristics of the literary genres involved. In sum, this volume embraces a whole range of topics that are currently discussed both in university classes as well as in most well known translation journals. The present collection of papers is a good introduction to topical work carried out in literary translation and its applications.

This study discusses medieval texts that contain profound statements determined by wisdom. These continue to be of timeless relevance, such as fables, verse narratives, and didactic tales. Using the lens of 'wisdom,' this book brings to light the enormous value of medieval literature for the modern quest for truth and the meaning of life.

This is an anthology of literary, religious, and philosophical texts from the entire Middle Ages and the early modern age that address already quite explicitly religious toleration and even tolerance.

The study takes the received view among scholars that women in the Middle Ages were faced with sustained misogyny and that their voices were seldom heard in public and subjects it to a critical analysis. The ten chapters deal with various aspects of the question, and the voices of a variety of authors - both female and male - are heard. The study opens with an enquiry into violence against women, including in texts by male writers (Hartmann von Aue, Gottfried von Straburg, Wolfram von Eschenbach) which indeed describe instances of violence, but adopt an extremely critical stance towards them. It then proceeds to show how women were able to develop an independent identity in various genres and could present themselves as authorities in the public eye. Mystic texts by Hildegard of Bingen, Marie de France and Margery Kempe, the medieval conduct poem known as Die Winsbeckin, the Devout Books of Sisters composed in convents in South-West Germany, but also quasi-historical documents such as the memoirs of Helene Kottaner or Anna Weckerin's cookery book, demonstrate that far more women were in the public gaze than had hitherto been assumed and that they possessed the self-confidence to establish their positions with their intellectual and their literary achievements.

Medieval historians and literary scholars have not ignored the topic of sexual violence and rape, but the primary focus has regularly rested on English, French, or Italian documents. Here we have the first book-length study that investigates the treatment of sexual crimes in medieval and early modern German and Latin literature, making great efforts to shed light on often ignored scenes and episodes even in some of the classical' works such as Wolfram von Eschenbach's Parzival or the anonymous Nibelungenlied. As this monograph reveals, many times we face situations where we cannot easily determine whether rape has occurred or not. Consequently, we recognize an important discourse in these literary examples concerning the question of how to view and deal with sexual violence, which could also involve men as victims. This critical examination extends toward sixteenth-century jest narratives (Schwanke) where the issue of rape continued to occupy the authors' minds. Moreover, as numerous side glances to contemporary European literature indicate, the theme of sexual violence was of universal concern and critical importance during the entire premodern era.

Using an interdisciplinary approach and incorporating sources from across the entire European continent dating from the early Middle Ages to the sixteenth century, this book examines the phenomenon of prostitution in a variety of contexts and highlights the extent to which the institution mattered for both the higher and the lower classes.

This book uncovers the tremendous importance of water for European medieval literature, focusing on a large number of writers and poets. Water proves to be highly meaningful in religious, literary, and factual narratives insofar as it emerges as a central catalyst to bring about epiphany and epistemological and spiritual illumination.

This book offers the first complete English translation of the poems by the late-medieval German (Tyrolean) Oswald von Wolkenstein (1376/1377-1445). German scholarship and musicologists have long recognized the extraordinary strength and power of Oswald s Middle High German songs, both in terms of his poetic imagery and his musical performance.

Although courtly literature is often associated with a chivalrous and idyllic life, the essays in this collection demonstrate that the quest for love in medieval courtly literature was underpinned by violence.

By pursuing an ecocritical reading, The Forest in Medieval German Literature examines passages in medieval German texts where protagonists operated in the forest and found themselves either in conflictual situations or in refuge. By probing the way the individual authors dealt with the forest, illustrating how their characters fared in this sylvan space, the role of the forest proved to be of supreme importance in understanding the fundamental relationship between humans and nature. The medieval forest almost always introduced an epistemological challenge: how to cope in life, or how to find one's way in this natural maze. By approaching these narratives through modern ecocritical issues that are paired with premodern perspectives, we gain a solid and far-reaching understanding of how medieval concepts can aid in a better understanding of human society and nature in its historical context. This book revisits some of the best and lesser known examples of medieval German literature, and the critical approach used here will allow us to recognize the importance of medieval literature for a profound reassessment of our modern existence with respect to our own forests.

The history of the United States has been deeply determined by Germans throughout time, but hardly anyone has noticed that this was the case in the Southwest as well, known as Arizona/Sonora today, in the eighteenth century as Pimera Alta. This was the area where the Jesuits operated all by themselves, and many of them, at least since the 1730s, originated from the Holy Roman Empire, hence were identified as Germans (including Swiss, Austrians, Bohemians, Croats, Alsatians, and Poles). Most of them were highly devout and dedicated, hard working and very intelligent people, achieving wonders in terms of settling the native population, teaching and converting them to Christianity. However, because of complex political processes and the effects of the ';black legend' all Jesuit missionaries were expelled from the Americas in 1767, and the order was banned globally in 1773. As this book illustrates, a surprisingly large number of these German Jesuits composed extensive reports and even encyclopedias, not to forget letters, about the Sonoran Desert and its people. Much of what we know about that world derives from their writing, which proves to be fascinating, lively, and highly informative reading material.

Presentation and critical reading of medieval women writers on a pan-European level. This book brings us up-to-date on research pertaining to women in the pre-modern era and highlights the strong impact, which women poets enjoyed after all.