Bücher von Andrew Fox

Jacob Zvi has turned his back on everything he was taught to value. His faith, his family, his citizenship, and even his morals. Yet seemingly divine fate introduces Jacob to the struggling members of an Orthodox congregation in the middle of ghetto in New Orleans while terrorists explode a purloined Soviet nuclear artillery shell atop the Temple Mount in Jerusalem.But things quickly take a turn for the Biblical, for the worthy dead are returning to life to build a Third Temple atop the now radioactive Temple Mount, scoured empty by the atomic blast. They return not to bodies of flesh and blood, but to cybernetic bodies produced in an advanced robotics lab on the Tulane campus, part of a secret project funded by the Department of Homeland Security.The End of Days has begun, but unlike anything that has been anticipated by Christians, Buddhists, Hindus, or Muslims. When Jacob is inexplicably selected to serve as God's mouthpiece, and he finds he makes for a clownishly awkward prophet of God's Kingdom on Earth.But he will have to up his game immeasurably in order to broker peace with all the factions who bitterly reject this version of the End Times-chief among them progressive Jews themselves! THE END OF DAZE, a science fiction eschatological satire fitting for the End Times encroaching on the twenty-first century.

Media events have been described as broadcasts that involve an engaged audience viewing the same event simultaneously; though this definition is still relevant, the way media outlets interact with and react to their audiences has greatly changed. This is in part due to the emergence of social media platforms which allow a participatory audience, something that genre-specific television channels now rely on. Because these genre-specific, 24-hour channels seek to hook viewers with hyperbolic presentation and the illusion of large media events, the original definition must be adapted. Global Perspectives on Media Events in Contemporary Society seeks to re-define the role of the media in relaying information about current events within a modern context. Determining what constitutes as and the proper presentation of a media event is of great importance given the ubiquity of media consumption. This book approaches the topic from historical, ceremonial, and globally cultural perspectives while addressing news, sports, and other significant current events. It is a vital resource for students and teachers of communication, media, and journalism, professionals in the media industry, policy makers, and sociologists.

After morphing into 187 very large white rats in the name of self-preservation, Jules Duchon is back to his portly self, a member of that secret class of New Orleans citizens known as the undead. Though he would like nothing better than to spend his nights raising hell and biting flesh in his beloved French Quarter, duty calls when an exclusive club of blue blood vampires demands that the 450-pound cabbie find out who is attacking its young and beautiful members. Adding insult to injury, he has to enlist the help of a former foe: a black vampire named Preston. What's a vampire to do? Without the love of a woman to ease his pain, Jules isn't convinced that his undead life is worth living. He doesn't desire Doodlebug (she may be a woman now but Jules knew her back when she was just a boy) any more than he longs for Daphne, a rat catcher who nourishes a crush the size of Jules. No, only Maureen will do. Once a beautiful stripper with nothing but curve after curve to her bodacious body, now she is mere dust in a jar. But Jules will move heaven and earth to get her back . . . even if it means pulling her back from the dead.