Bücher von Andrew Kim

By combining just-war ethics and sustained explorations of major works of twentieth and twenty-first century American war writing, this study offers the first book-length reflection on how JWT and literary studies can inform one another fruitfully.

This introduction provides a comprehensive overview of the development of Catholic ethics in the wake of the Second Vatican Council (1962-5), an event widely considered crucial to the reconciliation of the Catholic Church and the modern world. Andrew Kim investigates Catholic responses to questions of moral theology in all four principal areas: Catholic social teaching, natural law, virtue ethics, and bioethics. In addition to discussing contemporary controversies surrounding abortion, contraception, labor rights, exploitation of the poor, and just war theory, he explores the historical sources of the Catholic worldview. Beginning with the moral vision revealed through the person of Jesus Christ and continuing with elaborations on this vision from figures such as Augustine and Aquinas, this volume elucidates the continuity of the Catholic moral tradition. Its balance of complexity and accessibility makes it an ideal resource for both students of theology and general readers.

Seminar paper from the year 2011 in the subject Didactics - English - Literature, Works, , language: English, abstract: It is predictable to find the term tragic when discussing the marriage between two poets, Ted Hughes and Sylvia Plath. This sense of tragedy is often expressed as relating to human emotions of sadness. In The Birth of Tragedy, however, Nietzsche uses the term to discuss attic tragedy, or also known as ancient Greek drama. Nietzsche sets forth the concept of the Apollonian and Dionysian duality, and the perpetual strife between these two opposite forces can be applied to other aesthetic inquiries. Most understandably, the method of looking at the two poets should be our priority in discussing their poetry. In order to incorporate Nietzsche¿s aesthetic framework, we must dispel the view of Plath as a confessional poet while inspecting some of Hughes¿ consistent poetic techniques. Although the two poets find common ground on some of their style and themes, Plath and Hughes can be distinguished based on their approach to their poems. In light of Nietzsche¿s view of tragic forces, Hughes is revealed as driven mainly through Apollonian sense of craft while Plath embodies the Dionysian spirit in her poems.