Bücher von Anne Edwards

This book brings together a range of socio-cultural perspectives to examine digitalisation, identity, work design, and affordances for learning, mediated by the ecosystems within which work, and the workplace is positioned. An appealing resource for researchers, academics, adult educators, and human resource personnel.

Maria Callas continues to mesmerize us decades after her death, not only because she was indisputably the greatest opera diva of the 20th century, but also because both her life and death were shrouded in a Machiavellian web of scandal, mystery and deception. Now Anne Edwards, well known for her revealing and insightful biographies of some of the world's most noted women, tells the intimate story of Maria Callas-her loves, her life, and her music, revealing the true woman behind the headlines, gossip and speculation.The second daughter of Greek immigrant parents, Maria found herself in the grasp of an overwhelmingly ambitious mother who took her away from her native New York and the father she loved, to a Greece on the eve of the Second World War. From there, we learn of the hardships, loves and triumphs Maria experienced in her professional and personal life. We are introduced to the men who marked Callas forever-Luchino Visconti, the brilliant homosexual director who she loved hopelessly, Giovanni Battista Meneghini, the husband thirty years her senior who used her for his own ambitions, as had her mother, and Aristotle Onassis, who put an end to their historic love affair by discarding her for the widowed Jacqueline Kennedy. Throughout her life, Callas waged a constant battle with her weight, a battle she eventually won, transforming herself from an ugly duckling into the slim and glamorous diva who transformed opera forever, whose recordings are legend, and whose life is the stuff of which tabloids are made. Anne Edwards goes deeper than previous biographies of Maria Callas have dared. She draws upon intensive research to refute the story of Callas's "mystery child" by Onassis, and she reveals the true circumstances of the years preceding Callas's death, including the deception perpetrated by her close and trusted friend. As in her portraits of other brilliant, star-crossed women, Edwards brings Maria Callas-the intimate Callas-alive.

The Reagans: Portrait of a Marriage is a penetrating portrayal of one of the most powerful couples of the twentieth century. Distinguished biographer Anne Edwards paints the first in-depth, intimate portrait of the man who became our fortieth president and the woman without whom he might never have reached such heights. It was a dramatic love story from the start: Nancy was always first in Reagan's thoughts and he was paramount in Nancy's actions. But this obsessional love had a darker side for the four Reagan children. Anne Edwards brings the Reagans' dysfunctional family life into sharp focus, along with a fascinating array of supporting players such as Reagan's evangelistic mother, Nelle, Frank Sinatra, and Gerald Ford. Few first ladies had as much power as Nancy Reagan, and few were so widely disliked. Anne Edwards shows a side of her never before revealed---from Nancy's ardent defense of Reagan's interests with both opponents and supporters, to the most difficult battle yet, the struggle to maintain her husband's dignity through his descent into Alzheimer's disease.The Reagans is an original and mesmerizing look at one of America's most important presidential marriages.

At the age of five, Shirley Temple became the world's most famous and acclaimed child-the most talented, beautiful child performer ever to capture the public's imagination. By the time she was ten, she had either met or had received words of admiration from almost everyone of distinction. Nine-tenths of the world could recognize her on sight. She single-handedly cheered an entire nation caught in the firm grip of a depression. Her films saved a major studio from bankruptcy. She earned more than the President of the United States and lived in her own junior-sized San Simeon. As lionized, idolized and protected as royalty, Shirley Temple was the one and only American Princess. Shirley Temple is brought into focus in this definitive, intimate portrait of her as a child and as the woman that child became: a woman forced to live her entire life in the shadow of her own past glory. We follow the tumultuous events and disappointments that marked Shirley Temple's meteoric rise to unprecedented fame as a child star, her fall as an adolescent who had outgrown her appeal, and her surprising ascent into a word figure as ambassador to the United Nations, Chief of Protocol for the United States, and Ambassador to Ghana; her "princess in the tower" upbringing that isolated her from friends and real child's play and from studio co-workers as well; her obsessive relationship with her mother, Gertrude, who lived her life through her famous daughter; her power over one of Hollywood's greatest despots-Darryl Zanuck; her fairy-tale marriage to John Agar that became a nightmare filled with flaunted infidelities and alcoholism; her romance with Charles Black and her transformation from film start to society matron, television tycoon, to American diplomat; her courageous battle with cancer; and her ever-present realization that "little Shirley Temple's" greatness would always exceed that of the grown woman. Shirley Temple's most notable diplomatic achievement was her appointment by President H.W. Bush as the first and only female ambassador to Czechoslovakia. She was present during the Velvet Revolution, which brought about the end of Communism in the country, and she played a critical role in hastening the end of the Communist regime by openly sympathizing with anti-Communist dissidents and later establishing formal diplomatic relations with the newly elected government led by Václav Havel. She took the unusual step of personally accompanying Havel on his first official visit to Washington, riding along on the same plane. Anne Edwards has had the cooperation of those who have been closest to Shirley Temple in all stages of her unique life. She has written a book that does not spare the truth, and is as glittering an expose of Hollywood and its power brokers as any bestselling novel of that genre. Shirley Temple: American Princess is a moving and inspirational story that gives great insight into the privileged corridors of fame and glory where only the legendary figures of our times have walked.

In Royal Sisters, Anne Edwards, author of the best-selling Vivien Leigh: A Biography and Matriarch: Queen Mary and the House of Windsor, has written the first dual biography of Elizabeth, the princess who was to become Queen, and her younger sister, Margaret, who was to be her subject. From birth to maturity, they were the stuff of which dreams are made.ΓÇ£IΓÇÖm three and youΓÇÖre four,ΓÇ¥ the future Queen, then a child, imperiously informed her sister. The younger girl, not understanding this reference to their position in the succession, proudly countered, ΓÇ£No, youΓÇÖre not. IΓÇÖm three, youΓÇÖre seven.ΓÇ¥The royal sisters had no choice in their historic positions, but behind the palace gates and within the all-too-human confines of their personalities, they displayed tremendous individuality and suffered the usual symptoms of sibling rivalry. Royal Sisters provides an unprecedented and intimate portrait of these most famous siblings during their formative and dramatic youthful years. It is also one of the twentieth centuryΓÇÖs most fascinating stories of sisterly loyalty. EdwardsΓÇÖs book is an honest look at how the royal sisters feel toward each other, their parents, their close relations and the men whom they have loved. It openly discusses, with new insights and information, the romance of Elizabeth and Philip and the tragic aborted love affair between Margaret and Group Captain Peter Townsend, and it has a cast of characters ranging from the youthful sistersΓÇÖ suitors to Winston Churchill and the entire Royal Family. It is also the story of the making of a queen, of the high drama of her situation in the Townsend affair, of the real effect their uncleΓÇÖs abdication had on the sistersΓÇÖ lives, and of the internecine feuds that have brewed within the Royal Family since that time.Brought vividly to life through the many personal interviews of close royal associates, filled with new facts, previously unpublished anecdotes and photographs, Royal Sisters is a never-before-glimpsed look at the relationship of the Queen and Princess Margaret.

Margaret Mitchell was as complex and compelling as her legendary heroine, Scarlett O'Hara, and her story is as dramatic as anything out of her own imaginationindeed, it is the basis for the legend she created. Gone With the Wind took the American reading public by storm and went on to become the most popular motion picture of all time. It was a phenomenon whose success has never been equaledand it shattered Margaret Mitchell's private life. In this commemorative reprint of Road to Tara, Anne Edwards tells the real story of Margaret Mitchell and the extraordinary novel that has become part of our heritage.

Edwards's biography presents a complete picture of the late actressand not just the boozing, drug-addicted caricature of a woman central to lesser biographies. We learn, for example, that Garland saw it as her duty to provide for her family financially, a generosity that her mother Ethel exploited with disastrous results. Above all, Judy Garland sought to please, whether it was an audience or a studio head, and therein lies her powerful and heartbreaking story.

This is the story of the actress who became a Hollywood legend by winning the coveted role of Scarlett O'Hara in Gone with the Wind, and whose circle included both theatrical and political celebrities, from Winston Churchill to Noel Coward, John Gielgud, and Marlon Brando. But behind the dazzling exterior lay the sinister shadow of another Vivien Leigha shadow which pursued her throughout her aristocratic upbringing, her frustrating first marriage, her tempestuous romance with Laurence Olivier, and her meteoric rise to stardom. As The New York Times wrote of the hardcover edition, ';To read her story is to be inspired with pity and terror.'

This book examines the concept of relational agency which, in brief, is the capacity to work with others to interpret a problem of practice and so expand understandings of the problem and work with others to respond to the expanded interpretation.