Bücher von Anthony Slide

Cultural Historian Anthony Slide, who has been described by the Los Angeles Times as a one-man publishing phenomenon, strikes again with a book guaranteed to contain something OFFENSIVE for everyone.Chapters on subjects as varied as CAMP, FASCISM in Hollywood, Hedda Hopper and the PORKY'S movies. The latest topical jokes on Helen Keller, Eleanor Roosevelt and the Challenger disaster.Subjects such as ALCOHOL, DRUG and SPOUSAL ABUSE, COMMUNISM, ETHNICITY, GAYS and LESBIANS and RELIGION. Commentary on leading figures of the era, including Father Coughlin, Kinky Friedman, Tom Lehrer and John Wayne. They are all here in this QUIRKY, OUTRAGEOUS, informative, and above all, ENTERTAINING overview of POLITICAL INCORRECTNESS and BAD TASTE in 20th century popular entertainment, including film, theatre, music, radio, television and vaudeville.

Just a Regular Bloke: The Ted Ray Story is the third in a trilogy of volumes on legends of British comedy, that began with Jimmy Edwards and continued with Arthur Askey. Ted Ray became a star as British Music Hall came to an end, and continued into radio, television and motion pictures. He never stopped performing on stage as Music Hall morphed into Variety, and could always be relied upon to make audiences laugh with his quick wit and rapid-fire humor. It might be said that it was on radio with Ray's a Laugh that he became a star throughout the U.K., but, in reality, he had appeared as a Music Hall comedian in just about every city in the country. Just a Regular Bloke documents Ted Ray's career, and also examines the work of his two sons, Robin and Andrew, who became a star in his own right with his first film, The Mudlark. It is an informative and entertaining volume that should appeal to readers interested not only in British stand-up comedy in the 20th Century but also with the development of British popular culture.

Just a Regular Bloke: The Ted Ray Story is the third in a trilogy of volumes on legends of British comedy, that began with Jimmy Edwards and continued with Arthur Askey. Ted Ray became a star as British Music Hall came to an end, and continued into radio, television and motion pictures. He never stopped performing on stage as Music Hall morphed into Variety, and could always be relied upon to make audiences laugh with his quick wit and rapid-fire humor. It might be said that it was on radio with Ray's a Laugh that he became a star throughout the U.K., but, in reality, he had appeared as a Music Hall comedian in just about every city in the country. Just a Regular Bloke documents Ted Ray's career, and also examines the work of his two sons, Robin and Andrew, who became a star in his own right with his first film, The Mudlark. It is an informative and entertaining volume that should appeal to readers interested not only in British stand-up comedy in the 20th Century but also with the development of British popular culture.

American women who contributed their talents to the silent film industry are still largely unrecognized, in spite of their great influence. This book details the lives and careers of America's first women directors, unveiling the history of those who, with little recognition, helped pave the way for females in the film industry today.

Provides a record of what was once America's pre-eminent form of popular entertainment from the late 1800s through the early 1930s. This title includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms.

"Jimmy Edwards was a Great British Entertainer"- Ken Dodd"Not merely a peculiarly British comedian but an authentic English character"- The Times

''¿Jimmy Edwards was a Great British Entertainer¿'' Ken Dodd''¿Not merely a peculiarly British comedian but an authentic English character¿¿'' The TimesComedians in 20th Century Britain might well be divided into two categories: those who gained international fame, particularly in the United States, and those whose comedic style was so resolutely British, so insular that recognition beyond the shores of their native land was as incomprehensible as some, or perhaps much, of their humor. In the former category are those whose fame in the United States far outreached anything that might have been accomplished in the United Kingdom - with the obvious examples being Charlie Chaplin and Stan Laurel, as well, and to a lesser extent, the likes of Terry-Thomas and Norman Wisdom. The resolutely British brigade includes brilliant stand-up comedian Ken Dodd, screwed-up magician Tommy Cooper, the stars of the "Carry On" films, Bud Flanagan, Chesney Allen and the other members of the "Crazy Gang," and those who made an easy transition from British music hall, in its dying days, to radio and/or television, including Tony Hancock, Eric Morecambe and Ernie Wise, Harry Worth, Hylda Baker, Bruce Forsyth, Ted Ray, and, of course, the "star" of this volume, Jimmy Edwards.

Impressed by the success of The Birth of a Nation, Robert Goldstein, owner of a well-known Los Angeles costume supply house, produced his own epic film drama, The Spirit of ''76 and screened it in Los Angeles shortly after America''s entry into World War I. The film was denounced as anti-British and treasonous. Arrested under the Espionage Act, Goldstein became the first and only American jailed for the crime of producing a patriotic film. Film historian Tony Slide includes an introductory essay, reprints contemporary documentation, and publishes a 1927 manuscript by Goldstein, in which he fully documents the background to the film, its making, his arrest and trial, and his later suffering.

Collects together Knox's writings, published and unpublished, on various performers with whom he worked or was familiar, and on the art and craft of acting.

The autobiography of Joseph Henabery, the director of some of the biggest Hollywood stars of the 1920s including Douglas Fairbanks, Fatty Arbuckle, and Rudolph Valentino.

In Silent Topics, film historian Anthony Slide looks at various under-discussed and generally undocumented areas of silent film. The two lengthiest essays discuss the release of British silent films in the United States and the contribution of gays and lesbians to American silent film.

Cultural Historian Anthony Slide, who has been described by the Los Angeles Times as a one-man publishing phenomenon, strikes again with a book guaranteed to contain something OFFENSIVE for everyone.Chapters on subjects as varied as CAMP, FASCISM in Hollywood, Hedda Hopper and the PORKY'S movies. The latest topical jokes on Helen Keller, Eleanor Roosevelt and the Challenger disaster.Subjects such as ALCOHOL, DRUG and SPOUSAL ABUSE, COMMUNISM, ETHNICITY, GAYS and LESBIANS and RELIGION. Commentary on leading figures of the era, including Father Coughlin, Kinky Friedman, Tom Lehrer and John Wayne. They are all here in this QUIRKY, OUTRAGEOUS, informative, and above all, ENTERTAINING overview of POLITICAL INCORRECTNESS and BAD TASTE in 20th century popular entertainment, including film, theatre, music, radio, television and vaudeville.

Thorne Smith is a unique figure in American literature, one who thrived during prohibition creating comic novels that ridiculed the morality of the times and involved extensive drinking, nudity, frivolity, and general debauchery. A Man Named Smith: The Novels and Screen Legacy of Thorne Smith is the first book-length study of Thorne Smith's work. It provides background information on his life and early death, discusses all of his novels in detail, and also provides extensive new documentation on their screen adaptations, including Topper, Night Life of the Gods, and Turnabout. Also discussed is Thorne Smith's brief time in Hollywood at MGM in 1933, and the influence that his books have had on later films and television productions.As an added bonus, reprinted here in its entirety is the 1934 promotional monograph, Thorne Smith: His Life and Times with a Note on His Books & a Complete Bibliography.

Provocatively capturing the controversy and sentiments surrounding this period of political imbalance, Actors on Red Alert explores the repercussions of the 1940s blacklist through career interviews with five prominent actors and actresses.

Documents the work of America's first major film company, Vitagraph, from its beginnings in the 1890s through its sale to Warner Bros. in 1925.