Bücher von Barbara Pym

London in den 1970er-Jahren, Edwin, Norman, Letty und Marcia arbeiten als kleine Angestellte im selben Büro und leiden unter demselben Problem: Einsamkeit. Sie alle sind unverheiratet, leben zurückgezogen, nähern sich dem Rentenalter. Seit vielen Jahren teilen sie Teekanne und Kaffeedose, kennen voneinander Vorlieben und Abneigungen und bleiben doch auf Distanz. Sie beobachten, beargwöhnen, beraten einander, sprechen über Urlaubspläne oder Wohnungsprobleme und versuchen, über die jeweilige Ereignislosigkeit hinwegzuspielen. Alle vier kämpfen allein mit ihren Sorgen, ihren Irritationen und mit der Angst, das Leben verpasst zu haben - und wagen am Ende doch einen Neuanfang.Liebevoll, schwarzhumorig und doch voller Optimismus zeigt Barbara Pym in >Quartett im Herbst

Wilmet Forsyth is well dressed, well looked after, suitably husbanded, good looking and fairly young - but very bored. Her husband Rodney, a handsome army major, is slightly balder and fatter than he once was. Wilmet would like to think she has changed rather less.Her interest wanders to the nearby Anglo-catholic church, where at last she can neglect her comfortable household in the more serious-minded company of three unmarried priests, and, of course, Piers Longridge, a man of an unfathomably different character altogether.

Dulcie Mainwearing is always helping others, but never looks out for herself - especially in the realm of love. Her friend Viola is besotted by the alluring Dr Aylwin Forbes, so surely it isn't prying if Dulcie helps things along? Aylwin, however, is smitten by Dulcie's pretty young niece. And perhaps Dulcie herself, however ridiculous it may be, is falling, just a little, for Aylwin. Once life's little humiliations are played out, maybe love will be returned, and fondly, after all . . .

It was odd that Harriet should always have been so fond of curates. They were so immature and always made the same kind of conversation. Now the Archdeacon was altogether different . . . 'Together yet alone, the Misses Bede occupy the central crossroads of parish life. Harriet, plump, elegant and jolly, likes nothing better than to make a fuss of new curates, secure in the knowledge that elderly Italian Count Ricardo Bianco will propose to her yet again this year. Belinda, meanwhile has harboured sober feelings of devotion towards Archdeacon Hochleve for thirty years.Then into their quiet, comfortable lives comes a famous librarian, Nathaniel Mold, and a bishop from Africa, Theodore Grote - who each take to calling on the sisters for rather more unsettling reasons.

Less Than Angels follows the loves, works and hopes of a group of young anthropologists. Catherine Oliphant is a writer and lives with handsome anthropologist Tom Mallow. Their relationship runs into trouble when he begins a romance with student Deirdre Swann, so Catherine turns her attention to the reclusive anthropologist Alaric Lydgate, who has a fondness for wearing African masks. Added to this love triangle are the activities of Deirdre's fellow students and their attempts to win the competition for a research grant. The course of true love or academia never did run smooth.

Mildred Lathbury is one of those 'excellent women' who is often taken for granted. She is a godsend, 'capable of dealing with most of the stock situations of life - birth, marriage, death, the successful jumble sales, the garden fete spoilt by bad weather'. As such, she often gets herself embroiled in other people's lives - especially those of her glamorous new neighbours, the Napiers, whose marriage seems to be on the rocks. One cannot take sides in these matters, though it is tricky, especially as Mildred, teetering on the edge of spinsterhood, has a soft spot for dashing young Rockingham Napier. This is Barbara Pym's world at its funniest and most touching.

Over the years, as Barbara Pym replaced Nancy Mitford, Georgette Heyer, even Jane Austen, as my most loved author, I devoured all her books, but JANE AND PRUDENCE remains my favourite. Even an umpteenth reading this weekend was punctuated by gasps of joy, laughter and wonder that this lovely book should remain so fresh, funny and true to life' Jilly Cooper'The setting of this very funny novel, one of Barbara Pym's earliest, is an English village where Jane's husband is the newly appointed vicar, and where Prudence will pay Jane a visit and find herself courted by a fatuous young widower. Prudence, at twenty-nine, has achieved nothing in life but a dull research job in London and a string of dud affairs; Jane, now in her forties, was Prudence's tutor at Oxford. Jane cheerfully concedes that she is an incompetent housewife, but she hopes that the move to a rural parish may transform her into a Trollopean vicar's wife, as well as a crafty matchmaker. There are many comic complications here, as Jane learns that matchmaking has as many pitfalls as does housewifery' The New Yorker

'Could one write a book based on one's diaries over thirty years? I certainly have enough material,' wrote Barbara Pym. This book, selected from the diaries, notebooks and letters of this much loved novelist to form a continuous narrative, is indeed a unique autobiography, providing a privileged insight into a writer's mind. Philip Larkin wrote that Barbara Pym had 'a unique eye and ear for the small poignancies of everyday life'. Her autobiography amply demonstrates this, as it traces her life from exuberant times at Oxford in the thirties, through the war when, scarred by an unhappy love affair, she joined the WRNS, to the published novelist of the fifties. It also deals with the long period when her novels were out of fashion and no one would publish them, her rediscovering in 1977, and the triumphant success of her last few years. It is now possible to describe a place, situation or person as 'very Barbara Pym'. A Very Private Eye, at once funny and moving, shows the variety and depth of her own story.

Barbara Pym was an incomparable chronicler of ordinary, quiet lives. With warmth, humour, precision and great vividness, she gave her best characters an independent life we recognise as totally familiar. In A Few Green Leaves, her last novel, her heroine is Emma Howick, anthropologist. Through her eyes Barbara Pym examines in her own ironic and individual style the quiet revolution in English village life, combining the rural settings of her earliest novels with the themes and characters of her later works. The result is a compelling portrait of a town that seems to be forgotten by time, but which is unmistakably affected by it. Romance shares the pages with death in this engaging novel that is the culmination of Barbara Pym's acclaimed writing career. 'I could go on reading her for ever' A L Rowse, Punch 'A vivid sense of how we live now' New Statesman 'Her sense of brilliant comedy is a direct inheritance from Jane Austen' Hibernia 'A beautifully written, very delicate comedy' The Times Literary Supplement