Bücher von Billy Aronson

This collection includes 15 comic one-acts: REUNIONS, THE NEWS, LITTLE DUCK, IN THE MIDDLE OF THE NIGHT, NIGHT RULES, LIGHT YEARS, LITTLE RED RIDING HOOD, NEGOTIATION, GUILT, BLEEP THIS BLEEP, OF TWO MINDS, BEATLES FOREVER, AT THE BEACH, FREE WILL, and COMPLETE UNKNOWNS. REUNIONS: Graduates return to show off the incredible things they've become. THE NEWS: Karen has some really weird news. As people realize what it is they start acting really weird. LITTLE DUCK: A children's television company blends sweetness with sadism. IN THE MIDDLE OF THE NIGHT: What begins as a romantic rendezvous between two college students turns into something else entirely when the boy's mother visits, and a terrible truth is revealed. NIGHT RULES: Young parents battle the forces of darkness. LITTLE RED RIDING HOOD: The classic fairytale, thoroughly bastardized. NEGOTIATION: An employer and a freelancer try to settle on a fee, and a job, and a species. GUILT: Someone is guilty of something. BLEEP THIS BLEEP: Four people who seem to be in a reality show seem to share certain basic values until they seem to start strangling one another. OF TWO MINDS: A mother and her teenage daughter become involved with the same man. BEATLES FOREVER: Four female fans have a ticket to ride with The Beatles. AT THE BEACH: Mid-life love. FREE WILL: Eight iconic characters from different Shakespeare plays wind up on an island. Comedy/tragedy/romance ensues. COMPLETE UNKNOWNS: Ellen has written a play. Molly intends to produce it."Aronson has demonstrated he has a keen sense of what makes a good one act. Madcap mayhem worthy of the Marx Brothers without censorship. Bravo." -CurtainUpREUNIONS"The play takes a decidedly loopy turn, and the delight is all the more piquant for being a surprise. From then on, the alumni who show up (including a major celebrity whom you'll know but never guess) have, suffice it to say, unusual résumés. That the reunion proceeds with every familiar emotional trapping nonetheless is funny and even touching." -New York TimesTHE NEWS"Touching and surreal. Depicts that strange period of time when one realizes the death of a loved one is inevitable and that knowledge makes time with the person change shape; even the cell phones take on a new, magical meaning." -VarietyLITTLE DUCK"Highly amusing look at the boiling sexual intrigue and artistic warfare behind the scenes of a children's television program. These battles explode in a Bacchanalian conclusion that makes the murderous gunslingers of the Wild West look rather civilized." -New York TimesIN THE MIDDLE OF THE NIGHT"A mother's surprise visit to her son at college reveals the shocking extent of his emotional instability." -New York TimesNIGHT RULES"Takes its on-target premise to the horizon of absurdity. The denouement is a wicked reversal of rules about who sleeps in whose bed, and the logic is priceless. Aronson has nailed these parental holy wars and couples' skirmishes with a keenly observant eye." -Village VoiceLIGHT YEARS"Deft shifts in the tone and meaning of Mr Aronson's dialogue that you only catch when they trigger emotional explosions ... the shock of totally unexpected passions ... it all works perfectly." -New York TimesLITTLE RED RIDING HOOD"An adult re-telling of Little Red Riding Hood ... has moments of real richness. Mr. Aronson clearly has a respect for words and uses them well, creating humor and depth ..." -nytheatrereviewOF TWO MINDS"Mordantly funny. The playwright finds a formula for family and love in an age of fractured marriages, lack of communication and yearning for union." -New York Times

A Feydeau farce re-imagined in a mental ward."Leave any expectations of conventional theater at home. Billed as half farce and half romance, THE ART ROOM is a relentlessly wicked little comedy by Billy Aronson. Aronson's script tosses the audience into the lives of four mental-ward patients, along with the nurse who cares for them and the husband of the newest arrival. All of the patients seem to have multiple personalities upon which to draw. And when added in with the nurse's double life, the husband's philandering, a stage full of doors, and the occasional lice check, things certainly become - in a word - crazy. The craziness has a tenderness to it, which makes a lot of the twitches, outbursts, and mistaken identities enjoyable." -Gina Perille, Boston Globe

A sly, funny, twisted, and surreal sex farce in which the parents of schoolchildren ponder how to spend a day free from work and the duties of parenthood."Good sex comedy should surprise you with how long it can keep its premise up and satisfying. By that measure, Billy Aronson's new farce, FIRST DAY OF SCHOOL, is a humdinger. But it gets A's in other departments too, like playing well with others, and having something interesting to say when the panting stops." -Avila, San Francisco Bay Guardian"... the rapid fire of witty dialogue and never wasting an opportunity for laughter ... FIRST DAY OF SCHOOL is an engaging and thoughtful comedy. What starts as a lighthearted subversion of suburban life slows its speed in the end and takes on a philosophical mood ..." -Jennafer McCabe, The Daily Californian"... a highly sophisticated sex farce that skewers middle-class suburbanites (we would have once called these characters 'yuppies') and their values. It is sly and witty and shifts from realism to surrealism at will. It has the kind of barb and bite that might be found in sources stretching from the plays of Molière to the novels of John Updike, and creates the sort of alternate reality found in Edward Albee's humorous satires. This is edgy, tricky stuff ..." -Punch Shaw, Star Telegram (Dallas)