Bücher von Carlos Fuentes

Published in its entirety, Frida Kahlo's amazing illustrated journal documents the last ten years of her turbulent life.

From Mexico's preeminent man of letters, ?a Balzacian novel in nine masterly stories? (Vanity Fair) that explores the ?uneven and painful meshing of two North american cultures? (Washington Post Book World). A New York Times Notable Book of the Year. A Los Angeles Times Best Book of the Year. Translated by Alfred Mac Adam.

In Myself with Others, Fuentes has assembled essays reflecting three of the great elements of his work: autobiography, love of literature, and politics. They include his reflections on his beginning as a writer, his celebrated Harvard University commencement address, and his trenchant examinations of Cervantes, Gabriel Garcia Marquez, and Borges.

The Good Conscience is Carlos Fuentes's second novel. The scene is Guanajuato, a provincial capital in Central Mexico, once one of the world's richest mining centers. The Ceballos family has been reinstated to power, and adolescent Jaime Ceballos, its only heir, is torn between the practical reality of his family's life and the idealism of his youth and his Catholic education. His father is a good man but weak; his uncle is powerful, yet his actions are inconsistent with his professed beliefs. Jaime's struggle to emerge as a man with a "good conscience" forms the theme of the book: can a rebel correct the evils of an established system and at the same time retain the integrity of his principles?

Romanen ser det tjuende århundret gjennom øynene til en kvinne som blir like mye en del av vår historie, som av den meksikanske historien hun observerer og er med på å skape. Laura Díaz blir født i 1898, og blir gift, får barn, er mektige menns elskerinne, og før hun dør i 1972 blir hun hedret som en politisk engasjert kunstner. Hun lever et lykkelig liv til tross for de tragedier og tap hun opplever.

Gabriel Atlan-Ferrara, a fabled orchestral conductor, and Inez Prada, a red-haired Mexican diva, are brought together in a passion by Berlioz's music for The Damnation of Faust. Meanwhile, the mysterious tale of Neh-el and Ah-nel - the first lovers in human history - unfolds, seductively echoing the Faustian pact of love an death. Linking these narratives is a beautiful crystal seal that belongs to Atlan-Ferrara, its meaning an obsession and its power an enigma.

A critical edition of Carlos Fuentes' 1962 novel, Aura, accompanied by an introduction and notes on the text. -- .