Bücher von Caroline Joan S. Picart

Explores how filmmakers and screenwriters have used comedy and science fiction to extend the boundaries of the Frankenstein narrative.

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.