Bücher von Christopher Goldsack

This comprehensive little book takes a refreshing and accessible look at some of the most detailed and complex ideas in voice science as it applies to singing, but tells the story in simple language. The science of the voice is not simple and it is not intuitive. This book makes no assumptions of prior knowledge. The fundamentals of the nature of sound and the anatomy of the voice are introduced sympathetically. The author studied physics and was a physics teacher before having a career as an opera singer, but now devotes his time to teaching singing.

This anthology of arias for countertenors and female altos and mezzo-sopranos drawn from Oratorios and Cantatas is beautifully presented and clear to read. Wherever an aria was composed with a preceding recitative this has also been included. An essential collection for students and teachers, and an invaluable resource for professional singers. All the alto oratorio repertoire for public examinations has been included. Contents include arias from: Vivaldi's Gloria RV 588 and 589; Purcell's Come, ye Sons of Art; Bach's St John Passion, St Matthew Passion, Magnificat, Christmas Oratorio and Easter Oratorio; Handel's Dixit Dominus, Israel in Egypt, L'Allegro, Messiah, Samson, Semele, Joshua, Solomon, Theodora, Hercules, Judas Maccabaeus, Jephtha; Pergolesi's Stabat Mater, Haydn's Stabat Mater; C.P.E.Bach's Magnificat; Mozart's Mass in C minor; Mendelssohn's St. Paul and Elijah; Verdi's Requiem, Rossini's Petite messe solennelle, Mahler's 2nd Symphony, Elgar's The Dream of Gerontius

Aimed at English speaking singers, SINGING IN FRENCH is a complete introduction to the French language and stylistic guide to French classical art song, known as Mélodie. The volume is an anthology of songs, carefully annotated making extensive use of the International Phonetic Alphabet to guide pronunciation. All the songs are chosen to be appealing and accessible to young or inexperienced singers They cover a variety of composers and periods and each still deserves its place on the modern professional concert platform. The songs included are: Jeunes fillettes - arr. Weckerlin, Tyndaris - Hahn, Guitare - Lalo, Ici-bas! - Faure, Viens! les gazons sont verts! - Gounod, Chanson de Fortunio - Offenbach, En prière - Faure, A Lucette - Pierné, Lydia - Faure, Chanson d'amour - Fauré, Le secret - Faure, Bonjour, Suzon! - Delibes, Ma poupée chérie - de Séverac, Le charme - Chausson, Psyché - Paladilhe, Oiseaux, si tous les ans - Mozart, Ouvre tes yeux bleus - Massenet, Chanson d'avril - Bizet.

Aimed at English speaking singers, SINGING IN FRENCH is a complete introduction to the French language and stylistic guide to French classical art song, known as Mélodie. The volume is an anthology of songs, carefully annotated making extensive use of the International Phonetic Alphabet to guide pronunciation. All the songs are chosen to be appealing and accessible to young or inexperienced singers They cover a variety of composers and periods and each still deserves its place on the modern professional concert platform. The songs included are: Jeunes fillettes - arr. Weckerlin, Tyndaris - Hahn, Guitare - Lalo, Ici-bas! - Faure, Viens! les gazons sont verts! - Gounod, Chanson de Fortunio - Offenbach, En prière - Faure, A Lucette - Pierné, Lydia - Faure, Chanson d'amour - Fauré, Le secret - Faure, Bonjour, Suzon! - Delibes, Ma poupée chérie - de Séverac, Le charme - Chausson, Psyché - Paladilhe, Oiseaux, si tous les ans - Mozart, Ouvre tes yeux bleus - Massenet, Chanson d'avril - Bizet.