Bücher von Claude Fayette Bragdon

"The Beautiful Necessity" is a book written by Claude Fayette Bragdon, first published in 1910. Bragdon was an American architect, writer, and designer associated with the Arts and Crafts movement. In this book, Bragdon explores the relationship between art and nature, with a particular focus on the role of geometry in the creation of beautiful and harmonious designs.The central theme of the book revolves around the idea that beauty is not a mere luxury or indulgence but a fundamental and necessary aspect of life. Bragdon argues that beauty is inherent in the natural world and that human creativity is a means of expressing and embodying this inherent beauty. He delves into the idea that geometry, when used in art and architecture, serves as a bridge between the physical and the spiritual, connecting the material world with higher, abstract principles.Bragdon draws on various artistic and cultural traditions, including ancient mysticism, mathematics, and symbolism, to support his arguments. The book is known for its philosophical exploration of aesthetics and its attempt to bridge the gap between the pragmatic and the spiritual aspects of human existence."The Beautiful Necessity" has been considered a notable work within the context of the Arts and Crafts movement, as well as in the broader discussions of art, design, and philosophy. It reflects the author's belief in the significance of beauty as an essential element in the human experience and offers insights into the relationship between the natural world, artistic expression, and the pursuit of a more harmonious and meaningful life.

"Architecture and Democracy" is a thought-provoking book written by Claude Bragdon, exploring the relationship between architecture and the principles of democracy. With a keen understanding of both architectural theory and democratic ideals, Bragdon delves into the ways in which architecture can reflect and shape the social fabric of a democratic society. Bragdon explores various architectural styles, urban planning principles, and historical examples to illustrate the relationship between built environments and democratic values. He advocates for the democratization of architecture, where the design and development of public spaces are driven by the needs and aspirations of the people they serve. "Architecture and Democracy" challenges readers to reevaluate their understanding of architecture as more than just a functional endeavor, but as a means to foster social cohesion, equality, and democratic ideals. Bragdon's book serves as a call to architects, urban planners, and policymakers to consider the social and political implications of their work, and to embrace a design philosophy that prioritizes inclusivity, accessibility, and the well-being of the community.

The book "" Four-Dimensional Vistas "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

The book, The Beautiful Necessity; Seven Essays on Theosophy and Architecture , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Architecture And DemocracyThis book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Escaped from bondage, questing every sort of knowledge and experience, [woman] has for the moment ethically and culturally outstripped her companion, man... -from "The New Image" Though known primarily as an architect and, later, as a stage designer, Claude Bragdon dabbled in mysticism and the philosophical discipline of theosophy, and here, in this 1925 volume, he turns his charming outlook on Jazz Age society on the fairer sex. These twelve essays, about "the predicament of woman in the modern world, and the changed relation between the sexes by reason of her so-called emancipation," explore: . the "psychic sensitivity" of women . the "eternal feminine" symbolism in Christianity . new attitudes about the "cosmic hunger" for sex . the flowering of women's "unsuspected strengths and latent finesesses" . and more. Other works by Bragdon available from Cosimo Classics: The Beautiful Necessity, More Lives Than One, The Beautiful Necessity, Architecture and Democracy, and A Primer of Higher Space (The Fourth Dimension). American architect, stage designer, and writer CLAUDE FAYETTE BRAGDON (1866-1946) helped found the Rochester Architectural Club, in the city where he made his greatest mark as a building designer with structures including Rochester Central Station, Rochester Institute of Technology, and the First Universalist Church; he also designed Peterborough Bridge in Ontario. In later life, Bragdon worked on Broadway as scenic designer for 1930s productions of Cyrano de Bergerac and Hamlet, among others.

More and more science is coming to recognize, what theosophy affirms, that the spiral vortex... both in its time and its space aspects is the universal archetype... -from "Changeless Change" First published in 1910 and updated in 1922-this is a reproduction of that second edition-this is architect and theosophist Claude Bragdon's exploration of art as an "expression of the cosmic life." And what a glorious exploration is it. The essay titles hint at the lyricism of Bragdon's prose: · "The Art of Architecture" · "Unity and Polarity" · "Changeless Change" · "The Bodily Temple" · "Latent Geometry" · "The Arithmetic of Beauty" · "Frozen Music" Accompanied by lovely and informative line drawings, these essays constitute a master class in the philosophy of art, beauty, science, and the intersection of all three. Other works by Bragdon available from Cosimo Classics: More Lives Than One, Architecture and Democracy, Episodes from An Unwritten History, and A Primer of Higher Space (The Fourth Dimension). American architect, stage designer, and writer CLAUDE FAYETTE BRAGDON (1866-1946) helped found the Rochester Architectural Club, in the city where he made his greatest mark as a building designer with structures including Rochester Central Station, Rochester Institute of Technology, and the First Universalist Church; he also designed Peterborough Bridge in Ontario. In later life, Bragdon worked on Broadway as scenic designer for 1930s productions of Cyrano de Bergerac and Hamlet, among others.