Bücher von Clive Scott

With examples drawn from different literatures, this exciting new departure in translation theory has much to offer to students of literature and of comparative literary criticism. It also encourages all readers of literature to use translation to express and give shape to their encounters with texts.

This 1980 book is designed to help university students to master the technicalities and techniques of French verse. It aims to provide the groundwork of a terminology, to discuss the origins and implications of that terminology, and to show how terminological knowledge can be translated into critical speculation about poetry.

Dr Scott argues that only by attending to the precise locations of words in line or stanza, and to the specific value of syllables, or by understanding the often conflicting demands of rhythm and metre, can the reader of poetry acquire a real grasp of the intimate life of words in verse with all their fluctuations of meaning, mood and tone.

This book is the record of an apprenticeship in translating Baudelaire, and in translating poetry more generally. Re-assessing the translator's task and art, Clive Scott explores various theoretical approaches as he goes in search of his own style of translation.