Bücher von Czeslaw Milosz

Available again with 10 new images by master of photography Josef Koudelka, this remains one of the most powerful documents of the spiritual and physical state of exile ever published.

Czeslaw Milosz war ein großartiger Essayist und ein begnadeter Analytiker des Kommunismus; er war unmittelbar nach dem Krieg im diplomatischen Dienst, emigrierte dann aus Polen in die USA und ging 1960 als Professor nach Berkeley: ein vielsprachiger Intellektueller und Schriftsteller. Aber er war vor allem ein Dichter, der in seinem Werk die Abgründe des 20. Jahrhunderts beschrieben hat. Immer auf der Suche nach dem ¿ewigen Augenblick¿ (Christian Heidrich), hat er ein poetisches Panorama unserer Zeit hinterlassen. Adam Zagajewski hat aus dem Werk des 1980 mit dem Nobelpreis für Literatur ausgezeichneten Autors rund hundert Gedichte ausgewählt und in seinem Nachwort dessen Biografie nachgezeichnet.

The long-awaited paperback edition of Selected Poems, revised and updated with more than forty new poems never before published in English2011 marks the centenary year of one of the twentieth century's most important poets, Nobel laureate Czeslaw Milosz. To mark the occasion, Anthony Milosz has translated into English the last poems his father wrote, granting readers new insight into the work of an unparalleled master of the form. Life opened for Czeslaw Milosz with the clash of civilizations in northeastern Europe. What unfolded around him was a century of catastrophe and madness: two world wars, revolutions, invasions, and the murders of tens of millions of people. In the thick of this upheaval, wide awake and in awe of living, Milosz tried to understand both history and the moment, with humble respect for the suffering of each individual. He wrote masterful poetry infused with a tireless spirit and a penetrating insight into fundamental human dilemmas and the staggering yet simple truth that ?to exist on the earth is beyond any power to name.?

Polish Wilno-now Vilnius, in Lithuania-was the city of Czeslaw Milosz's youth and adolescence. In this collection of essays and reminiscences, written over a span of three decades, the Nobel Prize-winning poet traces an informal autobiography against the street map of an extraordinary city-a crossroads of languages, cultures, and beliefs-that lies at the very heart of his internal geography.Beginning with My Streets, available for the first time in paperback, gathers portraits of the writers Aleksander Wat, Dwight MacDonald, and Fyodor Dostoevsky, as well as the great Swedish scientist Emanuel Swedenborg; an exchange of letters from the 1950s with the novelist and diarist Witold Gombrowicz; and a selection of speeches delivered between 1967 and 1987, including Milosz's Nobel Lecture. These diffuse reckonings, distinguished throughout by the flavor of personality and the aura of place, have a cumulative power-they are quintessential Milosz.

Interrelated essays by the Nobel Laureate on his adopted home of California, which Lewis Hyde, writing in The Nation, called "remarkable, morally serious and thought-provoking essays, which strive to lay aside the barren categories by which we have understood and judged our state . . . Their subject is the frailty of modern civilization."

Like Native Realm, Czeslaw Milosz's autobiography written thirty years earlier, A Year of the Hunter is a "search for self-definition." A diary of one year in the Nobel laureate's life, 1987-88, it concerns itself as much with his experience of remembering as with the actual events that shape his days. Shuttling between observations of the present and reconstructions of the past, he attempts to answer the unstated question: Given his poet's personality and his historical circumstances, has he managed to live his life decently?From Milosz's thoughts on the Catholic Church and his conversations with Pope John Paul II to his impatience with sixties American radicalism and his reflections on the avant-garde, A Year of the Hunter brims with caustic wit and shrewd observations about people, places, politics, and literature. Milosz also gives us a deeply personal portrait of life in pre-war Poland in which he charts his conflicting feelings about Poland and the Polish people.Lively in tone, impressive in its intellectual breadth, A Year of the Hunter offers a splendid introduction to Milosz for new readers and, for those who know his essays and poetry, the pleasure of watching him master another genre."This lively journal shows Milosz grappling with his thoughts on evil, death, sex, vanity, music and spirituality." - Publishers Weekly

Thomas, the child-protagonist of The Issa Valley, is subject to both the contradictions of nature in this severe northern setting and sometimes enchanting, sometimes brutal timbre of village life. There are the deep pine and spruce forests, the grouse and the deer, and the hunter's gun. There is Magdalena, the beautiful mistress of the village priest, whose suicide unleashes her ghost to haunt the parish. There are also the loving grandparents with whom Thomas lives, who provide a balance of the not-quite-Dostoevskian devils that visit the villagers. In the end, Thomas is severed from his childhood and the Issa River, and leaves prepared for adventures beyond his valley. Poetic and richly imagined, The Issa Valley is a masterful work of fiction from one of our greatest living poets.

Czeslaw Milosz did not believe he would ever return to the river valley in which he grew up. But in the spring of 1989, exactly fifty years after he left, the new government of independent Lithuania welcomed him back to that magical region of his childhood. Many of the poems in Facing the River record his experiences there, where the river of the Issa Valley symbolizes the river of time as well as the river of mythology, over which one cannot step twice. This is the river Milosz faces while exploring ancient themes. He reflects upon the nature of imagination, human experience, good and evil--and celebrates the wonders of life on earth.In these later poems, the poems of older age, this Nobel laureate takes a long look back at the catastrophic upheavals of the twentieth century; yet despite the soberness of his themes, he writes with the lightness of touch found only in the great masters.

The autobiography of the Nobel laureateBefore he emigrated to the United States, Czeslaw Milosz lived through many of the social upheavals that defined the first half of the twentieth century. Here, in this compelling account of his early life, the author sketches his moral and intellectual history from childhood to the early fifties, providing the reader with a glimpse into a way of life that was radically different from anything an American or even a Western European could know. Using the events of his life as a starting point, Native Realm sets out to explore the consciousness of a writer and a man, examining the possibility of finding glimmers of meaning in the midst of chaos while remaining true to oneself. In this beautifully written and elegantly translated work, Milosz is at his very best.

A comprehensive selection of essays--some never before translated into English--by the Nobel Laureate.To Begin Where I Am brings together a rich sampling of poet Czeslaw Milosz's prose writings. Spanning more than a half century, from an impassioned essay on human nature, wartime atrocities, and their challenge to ethical beliefs, written in 1942 in the form of a letter to his friend Jerzy Andrzejewski, to brief biographical sketches and poetic prose pieces from the late 1990s, this volume presents Milosz the prose writer in all his multiple, beguiling guises. The incisive, sardonic analyst of the seductive power of communism is also the author of tender, elegiac portraits of friends famous and obscure; the witty commentator on Polish complexes writes lyrically of the California landscape. Two great themes predominate in these essays, several of which have never appeared before in English: Milosz's personal struggle to sustain his religious faith, and his unswerving allegiance to a poetry that is "on the side of man."