Bücher von David Ellis

Given the increasing number of old people, the proliferation of books about old age is hardly surprising. Most of these come from cultural historians or social scientists and, when those with a literary background have tackled the subject, they have largely done so through what are known as period studies. In Blasted with Antiquity, David Ellis provides an alternative. Skipping nimbly from Cicero to Shakespeare, and from Wordsworth to Dickens and beyond, he discusses various aspects of old age with the help of writers across European history who have usually been regarded as worth listening to. Eschewing extended literary analyses, Ellis addresses retirement, physical decay, sex in old age, the importance of family, legacy, wills and nostalgia, as well of course as dying itself. While remaining alert to current trends, his approach is consciously that of the old way of teaching English rather than the new. Whether ¿blasted with antiquity¿ like Falstaff in Henry IV Part Two, or with the ¿shining morning face¿ of an unwilling student, his accessible and witty style will appeal to young and old alike.

Featured in the New York Times for his haiku poetry that he paints on driftwood and first poetry book Beach in City Island, David Ellis has been working in Harlem as a teacher for almost two decades. David fell in love with Harlem the moment he entered. "I feel the souls of those that were here before I was born, especially when I walk down Lenox Avenue." Most of the poems written in this poetry book are on display at many restaurants and cafes in Harlem, hand painted on canvas and written in frames.

"What to make of the British?" is a question that puzzled Stendhal throughout his whole life. In this new work, which is both a biography and an exercise in cultural history, David Ellis brings to bear on the issues it raises much new and unfamiliar information. Italy is the foreign country with which Stendhal is most commonly associated. The multiplicity of his Italian connections makes it less surprising that so much has been written about them, and so comparatively little about his consuming interest in British culture. Yet this book makes a strong case for believing that Britain mattered just as much to him, if not often more, than Italy, especially as far as his interest in literature and politics is concerned. In these days when Anglo-French relations are about to enter a new phase, much of what is discussed here remains surprisingly relevant. After the fall of Napoleon, and the restoration of British links with the European continent, Stendhal was by no means the only French writer who was anxious to know more about this comparatively small island which had emerged victorious from more than twenty years of warfare. How had the wealth that had financed so many alliances against the French Empire been generated and what were the consequences of rapid industrialisation on the country's social fabric? More importantly, how had it managed to be so effective and influential when power was not in the hands of a single authority but divided between a king and two houses of parliament? These were questions which Stendhal felt were highly relevant, not only to the political future of his own country but also to Europe in general. As a writer, he was however also fascinated by Britain's literature, both of the past and present. From the beginning of his literary education, Shakespeare struck him as the most impressive dramatist he had ever read and when he himself made a modest entry on the literary scene, after Waterloo, the most famous poet in Europe was Byron. Among many other matters, Ellis examines the significance of Stendhal's meeting with Byron and the impact on him of the novels of Scott, at a time when these two writers were dominating the European scene. He describes the efforts Stendhal made to learn enough English to be able to read in the original, not only both of these contemporary writers but Shakespeare, Fielding as well as many other British authors from the past. He shows how the political ideas about Britain which Stendhal had developed during the years of separation were modified by personal contacts, new reading and the three trips he made across the Channel in the 1820s. That was the decade when he was also writing hundreds of articles for publication in London journals and it is in these years especially that Stendhal's own literary development is intertwined with his numerous British contacts (who include Hazlitt). At the end of his book, Ellis reflects on how far the relationship was reciprocal. That is to say that it is one thing to investigate what Stendhal thought of the British as well as what he might have gained from them, which is the major part of this study; and another to wonder what they could gain from him.

A Traditional Irish Cookery book, written by David Ellis, owner and operator of The Shack Restaurant, the Traditional Irish Restaurant located next-door to the famous Temple Bar Pub. Over the past 25 years, The Shack Restaurant has served almost 2 Million guests. The recipe book contains Traditional, Classic and Modern recipes from our menu and specials board. This book takes us on a time Journey through the old Temple Bar district of Dublin, Ireland, right through to the present-day where the area has become one of the busiest tourist and cultural areas in Dublin City. We will also 'Journey through the History of Irish Food and the Irish Famine' providing the reader with an insight into what shaped our traditional fares, and this journey could not be complete without the personal experience of food and cooking of the author.

This final 1998 volume of the Cambridge Biography of D. H. Lawrence chronicles his progress from leaving Europe in 1922 to his death in Venice in 1930. He is revealed as a man both more complex and more humorous than is usually allowed, and exemplary in his resolute grappling with the central problems of his age.

David Ellis and Howard Mills challenge the automatic relegation to secondary status suffered by the works included here and suggest a radical reassessment of Lawrence's literary profile of how his writings relate to one another and of where his greatest power and originality lie.

David Ellis sets out to resolve the meaning behind the 'spots of time' in the Prelude. Since the passages which concern him deal with very private moments in Wordsworth's life and have an interest which is largely psychological, he considers how far a knowledge of Freud might be relevant to their understanding.

Decades after his poetry and short stories were published in the early to mid 1800's, we still respect, revere and admire the writings of Edgar Allan Poe, celebrated master of the macabre, suspense and horror. Within this collection of found poems, David Ellis has examined the collected poetry works of Edgar Allan Poe and crafted new poetry that will move you and inspire you as much as the original works themselves. In this book, you will find many new ways to appreciate the words of Edgar and his distinguished poetic works. Poems like The Raven, Annabel Lee, Lenore, A Dream Within A Dream, Alone and many other literary gems are used as foundations that pave the way for a whole different kind of intimate poetic experience that will surprise you time and again. For Poe fans, this collection is an essential purchase. Edgar Allan Poe may be long gone but within these pieces, his spirit continues to shine and live on.

"What to make of the British?" is a question that puzzled Stendhal throughout his whole life. In this new work, which is both a biography and an exercise in cultural history, David Ellis brings to bear on the issues it raises much new and unfamiliar information.