Bücher von David Foxton

M4 F2. The living room of a country house A comedy of manners set in the late 1920s, Mirage takes place at the country house party of Gerald and Evadne Fairfax.

Unknown to the present-day tourists, they are accompanied in the room by Anne who lived in the manor 500 years previously as a servant girl to its lord, James Darlow. She is soon joined by a group of other servants who have been stealing from their master, and by Susan Makem, an eccentric loner rumoured to be a witch.

Plotting abounds among the individuals in an animated deck of playing cards, as the greediest of the cards hatch a plan to steal the trophies and gate money from a stadium event.

Confusion ensues when Marcel Morisot arrives at the Signac home hoping for a glimpse of his beloved Marie-Celeste, a dancer. Set in 19th-century France, this is a raucous, swiftly-moving comedy of mistaken identities, shotguns and confusion, with an unexpectedly happy ending for all concerned.

This delightful comedy of errors follows the fortunes of Perkin and Wat. Perkin is royal odd-job man to the court of the Emperor. His friend, Wat, has recently been demoted from court pastrycook following a disastrous batch of cakes (Wat swears he was framed by the head cook). Wat is the comic focus, meaning well, but repeatedly foiled. Our heroes triumph at the last, Wat regaining his status and Perkin winning the heart of Princess Sophie.|Large flexible cast

This perceptive play for young adults, set ten years after the bomb, portrays with frightening clarity the destruction of human character as social standards are lost in a struggle for power and survival. In the ruins of an abandoned building fifteen teenage survivors struggle to make sense of the desolation. Ironically, they begin to repeat their parents' mistakes. The play ends with a thought provoking clash of personalities.Flexible cast

Karl Llewellyn described Thomas Scrutton as 'the greatest English-speaking commercial judge of a century'. Scrutton played a key role in a number of politically sensitive court cases from the Great War to the 1930s. This biography draws on unpublished sources to evaluate his contribution as counsel, campaigner and judge in a number of areas: the development of a modern law of copyright; the checking of executive power in and after the Great War; and his attempt to develop English commercial law on a basis which reflected the practices and expectations of the commercial community. In addition to providing valuable insights into the nature of legal practice and advancement in the Victorian and Edwardian eras, the book examines Llewellyn's claim that Scrutton adopted a 'realist' approach to the development of commercial law, and uses the body of Scrutton's judgments to explore the limits of a 'realist' approach to jurisprudence.