Bücher von David Walsh

The Röntgen Rays in Medical Work is an unchanged, high-quality reprint of the original edition of 1899.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Modern Philosophical Revolution breaks new ground by demonstrating the continuity of European philosophy from Kant to Derrida. Much of the literature on European philosophy has emphasised the breaks that have occurred in the course of two centuries of thinking. But as David Walsh argues, such a reading overlooks the extent to which Kant, Hegel, and Schelling were already engaged in the turn toward existence as the only viable mode of philosophising. Where many similar studies summarise individual thinkers, this book provides a framework for understanding the relationships between them. Walsh thus dispels much of the confusion that assails readers when they are only exposed to the bewildering range of positions taken by the philosophers he examines. His book serves as an indispensable guide to a philosophical tradition that continues to have resonance in the post-modern world.

Readers expecting a traditional philosophical work will be surprised and delighted by David Walsh's Politics of the Person as the Politics of Being, his highly original reflection on the transcendental nature of the person. A specialist in political theory, Walsh breaks new ground in this volume, arguing, as he says in the introduction, "e;that the person is transcendence, not only as an aspiration, but as his or her very reality. Nothing is higher. That is what Politics of the Person as the Politics of Being strives to acknowledge."e; The analysis of the person is the foundation for thinking about political community and human dignity and rights. Walsh establishes his notion of the person in the first four chapters. He begins with the question as to whether science can in any sense talk about persons. He then examines the person's core activities, free choice and knowledge, and reassesses the claims of the natural sciences. He considers the ground of the person and of interpersonal relationships, including our relationship with God. The final three chapters explore the unfolding of the person, imaginatively in art, in the personal "e;time"e; of history, and in the "e;space"e; of politics. Politics of the Person as the Politics of Being is a new way of philosophizing that is neither subjective nor objective but derived from the persons who can consider such perspectives. The book will interest students and scholars in contemporary political philosophy, philosophy of religion, and any groups interested in the person, personalism, and metaphysics.

It has been generally accepted that the eighteenth century witnessed a series of transformative processes that dramatically changed the social, political and economic fabric of Britain, yet few have determined just when and where the transformation began to have meaningful effects. The process of industrialisation had undoubted revolutionary significance, not only in the manner in which it became integral to the commercial prospects of the country, but also that it gave birth to a distinctly different set of interpretations of how the economic process would take place.The region that initially saw the dawn of these new processes and industrial practices was the North-West of England. This book investigates how this process was begun, how the communities of working people were affected by these developments, and how they reacted. It looks at these transformations in a regional context and how this inter-related with national developments. The framework is widened to include important national and regional political and social developments that intersected with the momentous economic conversion from a system that had been in place for generations to one which was radically different and contained a set of values and practices which had far-reaching ramifications.The labouring classes held that the preservation of customary practices were both a guarantee of their established rights and were integral to the functioning of the industrial system. Indeed, they were convinced that they possessed the right to protest and to take matters into their own hands.

Though there have been many histories of the theater and specifically the theatrical musical, none has done quite what Musical Theater and American Culture achieves: it explores how the musical emerged in the late-18th and 19th centuries as a specifically American form of entertainment and went on to become a powerful medium of popular and political collective expression, articulating the tensions and reconciliations of everyday relations between individuals and society. Intimately related to the forging of social, cultural, and political American identities, the musical-often dismissed as merely entertainment-is tied inextricably to America's sense of itself as a New World, a land of opportunity, and above all, the emblem of modern culture. Including material on genres ranging from minstrel shows to melodrama to the development of the contemporary book musical and the megamusical, Musical Theater and American Culture delves into such important shows as Anything Goes, West Side Story, Evita, and Rent; it represents the first sustained analysis of this medium as a social and political vehicle.Authors David F. Walsh and Len Platt further consider how the current condition of the musical, the emergence of specialist musicals, revivals, and blockbuster musicals intended for a globalized audience relate both aesthetically and culturally to their Broadway progenitors. Tackling the much broader question of what the fragmentation of this popular culture now indicates about contemporary America, they forge a new and unique study sure to appeal to both scholars of the theater and fans of its ongoing and always -fascinating new forms.