Bücher von Doctor Gerald Abraham

First published in 1936, Calvocoressi's and Abraham's study was the first complete account of its subject to appear in any language, including Russian, and was based on a large amount of original first-hand research. Over 75 years later Masters of Russian Music retains its power - as any study of Tchaikovsky, Mussorgsky, Rimsky-Korsakof, Scriabin, Borodin et al really ought to, since these were composers whose extraordinary musical accomplishments still left room in their lives for all manner of other interesting (and sometimes eccentric) activities. The portraits in this volume are scholarly, authoritative, and highly lively - as befitting the eminent talents under discussion.

Among the first of Gerald Abraham's many books were studies of Tolstoy and Dostoevsky, and his knowledge of Russian literature and culture has provided the key to his extensive research into the history of Slavonic music.

Among the first of Gerald Abraham's many books were studies of Tolstoy and Dostoevsky, and his knowledge of Russian literature and culture has provided the key to his extensive research into the history of Slavonic music.

First published in 1939, On Russian Music was conceived by Gerald Abraham as a sequel to his earlier Studies in Russian Music (1935, also in Faber Finds), and complements the previous work in many useful respects. Glinka moves to the forefront via close study of both of his operas. A historical account of the composition of Borodin's Prince Igor enriches the critical study made in the first book. And chapters on Mlada and Tsar Saltan round out Abraham's appreciations of the major operas of Rimsky-Korsakov.There are also critical and historical essays on works by Mussorgsky, Dargom,zhsky, Tchaikovsky and other composers, and analyses that, in their time, threw new light on the programmatic meaning of such well-known compositions as Scheherazade and the Path,tique symphony. The book is superbly illustrated with music examples throughout.