Bücher von Donald Hall

Donald Hall's remarkable life in poetry ? a career capped by his appointment as U.S. poet laureate in 2006 ? comes alive in this richly detailed, self-revealing memoir.Hall's invaluable record of the making of a poet begins with his childhood in Depression-era suburban Connecticut, where he first realized poetry was ?secret, dangerous, wicked, and delicious,? and ends with what he calls ?the planet of antiquity,? a time of life dramatically punctuated by his appointment as poet laureate of the United States. Hall writes eloquently of the poetry and books that moved and formed him as a child and young man, and of adolescent efforts at poetry writing ? an endeavor he wryly describes as more hormonal than artistic. His painful formative days at Exeter, where he was sent like a naive lamb to a high WASP academic slaughter, are followed by a poetic self-liberation of sorts at Harvard. Here he rubs elbows with Frank O'Hara, John Ashbery, and Edward Gorey, and begins lifelong friendships with Robert Bly, Adrienne Rich, and George Plimpton. After Harvard, Hall is off to Oxford, where the high spirits and rampant poetry careerism of the postwar university scene are brilliantly captured. At eighty, Hall is as painstakingly honest about his failures and low points as a poet, writer, lover, and father as he is about his successes, making Unpacking the Boxes ? his first book since being named poet laureate ? both revelatory and tremendously poignant.

This original paperback brings together for the first time all of Donald Hall's writing on Eagle Pond Farm, his ancestral home in New Hampshire, where he visited his grandparents as a young boy and then lived with his wife, the poet Jane Kenyon, until her death. It includes the entire, previously published Seasons at Eagle Pond and Here at Eagle Pond; the poem ?Daylilies on the Hill? from The Painted Bed; and several uncollected pieces. In these tender essays, Hall tells of the joys and quiddities of life on the farm, the pleasures and discomforts of a world in which the year has four seasons -- maple sugar, blackfly, Red Sox, and winter. Lyrical, comic, and elegaic, they sing of a landscape and culture that are disappearing under the assault of change.

A contemplative selection of twelve short stories from the celebrated author Donald Hall, Willow Temple focuses on the effects of divorce, adultery, and neglect. Hall's stories are reminiscent of those of Alice Munro and William Maxwell in their mastery of form and their ability to trace the emotional fault lines connecting generations. "From Willow Temple" is the indelible story of a child's witness of her mother's adultery and the loss that underlies it. Three stories present David Bardo at crucial junctures of his life, beginning as a child drawn to his parents' "cozy adult coven of drunks" and growing into a young man whose intense first affair undergirds a lifelong taste for ardor and betrayal. In this superbly perceptive collection, Hall gives memorable accounts of the passionate weight of lives.

Donald Hall's fourteenth collection opens with an epigraph from the Urdu poet Faiz: "The true subject of poetry is the loss of the beloved." In that poetic tradition, as in THE PAINTED BED, the beloved might be a person or something else - life itself, or the disappearing countryside. Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.

HERE AT EAGLE POND is Donald Hall's remarkable collection of essays about the permanent and transparent memory of place and of his coming home to Eagle Pond, New Hampshire, where he grew up and returned to live with his wife Jane Kenyon at the age of 45, where he began writing poems at the age of twelve, and where his ancestors made their livings by free-lancing as farmers. In these tender essays, Hall tells of the joys and quiddities of life in the ancestral New Hampshire place formerly worked as a dairy farm by his grandparents; of the comforts and discomforts of a world in which the year has four seasons -- maple sugar, blackfly, Red Sox, and winter. These essays are also Donald Hall's letters to friends, answers to such life-altering questions as: "What would our lives be like, living here at Eagle Pond, in solitude among relics and memories, in a countryside of birches and GMC pickups?" And they are ghost stories as well: vivid descriptions of Hall's intimate connection with the land and with his family past. Most importantly, HERE AT EAGLE POND is Donald Hall's coming home to language.

Donald Hall's poignant and courageous poetry speaks of the death of the magnificent, humorous, and gifted Jane Kenyon. Hall speaks to us all of grief, as a poet lamenting the death of a poet, as a husband mourning the loss of a wife. Without is Hall's greatest and most honorable achievement-his gift and testimony, his lament and his celebration of loss and of love.

This volume contains the finest short poetry Donald Hall has written, poems of landscape and love, of dedication and prophecy, poems that have won thousands of readers, as well as various prizes and honors.

Winner of the National Book Critics Circle Award in poetry, this serious, ambitious, and graceful book-length poem is the masterwork of one of America's foremost contemporary poets.

The essays in Fathers Playing Catch with Sons are a wonderful mixture of reminiscence and observation, of baseball and of fathers and sons, of how a game binds people together and bridges generations.In the pantheon of great sports literature, not a few poets have tried their hand at paying tribute to their love affair with the game--Walt Whitman, Marianne Moore, and William Carlos Williams among them. This elegant volume collects Donald Hall's prose about sports, concentrating on baseball but extending to basketball, football and Ping-Pong.

For nearly forty years, Donald Hall has stood in the front rank of American poets. The title poem, an autobiographical sequence, takes Hall from his boyhood to his growing acquaintance with poets--seniors like Robert Frost and contemporaries like Robert Bly. It sees him growing into manhood, fatherhood, grandfatherhood, and a happy second marriage. When his life inevitably moves into vicissitude, even tragedy, he will tell the dreadful truth about himself and the challenges of his time on earth.

This is Donald Hall's most advanced work, extending his poetic reach even beyond his recent volumes. Conflict dominates this book, and conflict unites it. Hall takes poetry as an instrument for revelation, whether in an elegy for a (fictional) contemporary poet, or in the title series of poems, whose form imitates the first book of the Odes of Horace. The book's final section, "Extra Innings," moves with poignancy to questions about the end of the game.

One of America's finest poets joins forces with one of baseball's most outrageous pitchers to paint a revealing portrait of our national game. Donald Hall's forceful, yet elegant, prose brings together all the elements of Dock Ellis's story into a seamless whole.  The two of them, the pitcher and the poet, give us remarkable insight into the customs and culture of this closed clannish world.  Dock's keen vision, filtered through Hall's extraordinary voice, shows us the hardships and problems of the thinking athlete in an unthinking world.