In his many years as a Commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native Venice to discover the person responsible.
'The climax is nothing less than a trip - across the laguna - into the heart of darkness ... Leon's special skill is to splice glimpses of la dolce vita with acute analysis of moral and ethical dilemmas ... The series that has shadowed Brunetti for three decades is an epic achievement.' The TimesChosen as Star Pick in the Sunday Times Crime Club__________________________________In his many years as a Commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native Venice to discover the person responsible. Now, in the thirtieth novel in Donna Leon's masterful series, he faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured in a boating accident, joy riding in the Laguna with two young Italians. However, Brunetti's curiosity is aroused by the behaviour of the young men, who abandoned the victims after taking them to the hospital. If the injuries were the result of an accident, why did they want to avoid association with it?As Brunetti and his colleague, Claudia Griffoni, investigate the incident, they discover that one of the young men works for a man rumoured to be involved in more sinister night-time activities in the Laguna. To get to the bottom of what proves to be a gut-wrenching case, Brunetti needs to enlist the help of both the Carabinieri and the Guardia di Costiera. Determining how much trust he and Griffoni can put in these unfamiliar colleagues adds to the difficulty of solving a peculiarly horrible crime whose perpetrators are technologically brilliant and ruthlessly organised.Donna Leon's thirtieth Brunetti novel is as powerful as any she has written, testing Brunetti to his limits, forcing him to listen very carefully for the truth.
As Venice experiences a debilitating heatwave, Commissario Brunetti escapes the city to spend time with his family. Intrigued, Brunetti asks Signorina Elettra to find out what she can while he's away. When news reaches Brunetti that the usher from the Courthouse has been viciously murdered, he returns to investigate.
For Commissario Guido Brunetti it began with an early morning phone call. A sudden act of vandalism has just been committed in the chill Venetian dawn, a rock thrown in anger through the window of a building in the deserted city. But soon Brunetti finds out that the perpetrator is no petty criminal intent on some annoying anonymous act.
In Death at La Fenice, Donna Leon s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy s finest living sopranos, Flavia Petrelli then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca.As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers. But when one anonymous admirer inundates her with bouquets of yellow roses on stage, in her dressing room and even inside her locked apartment it becomes clear that this fan has become a potentially dangerous stalker. Distraught, Flavia turns to an old friend for help. Familiar with Flavia s melodramatic temperament, Commissario Brunetti is at first unperturbed by her story, but when another young opera singer is attacked he begins to think Flavia s fears may be justified. In order to keep his friend out of danger, Brunetti must enter the psyche of an obsessive fan and find the culprit before anyone comes to harm.
Caterina Pellegrini is a young Venetian musicologist hired to find the rightful heir to an alleged treasure concealed by a once-famous, but now almost forgotten, baroque composer. Sworn to secrecy, Caterina can solve the mystery only by searching through the papers contained in two chests that have not been opened for centuries.
Then something very incriminating is discovered in the dead man's flat - something which points to the existence of a high-level cabal - and Brunetti becomes convinced that somebody, somewhere, is taking great pains to provide a ready-made solution to the crime ...
Having recently celebrated her eightieth birthday, Leon now confronts the dual challenges and pleasures of aging, whilst looking back on her adventurous life. Complete with a brief letter dissuading those hoping to meet Guido Brunetti at the Questura, and always suffused with music, food, and her fierce sense of humour.
'Donna Leon provides another delectable slice of the thoughtful policeman's life at work and at home... So Shall You Reap is as witty and wise as anything Leon has written. To read her is to restore the soul.' The TimesOn a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice's canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man's presence in Venice exists, Brunetti is forced to use the city's far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a garden house on the grounds of a palazzo owned by a university professor, in which Brunetti discovers books revealing the victim's interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s.As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signorina Elettra each assemble pieces of a puzzle-random information about real estate and land use, books, university friendships-that appear to have little in common. Until Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to revelation.PRAISE FOR DONNA LEON'A splendid series . . . with a backdrop of the city so vivid you can almost smell it' Sunday Telegraph'One of the most exquisite and subtle detective series ever' Washington Post'Rich entertainment' Sunday Times
"First published in Great Britain in 2008 by William Heinemann"--Title page verso.
"A gripping first mystery, as beguiling and secretly sinister as Venice herself. Sparkling and irresistible." -- Rita Mae BrownThe first book in the internationally bestselling Guido Brunetti detective series in which a high society murder leads Guido to investigate the darker side of beautiful Venice.There is little violent crime in Venice, a serenely beautiful floating city of mystery and magic, history and decay. But the evil that does occasionally rear its head is the jurisdiction of Guido Brunetti, the suave, urbane vice-commissario of police and a genius at detection. Now all of his admirable abilities must come into play in the deadly affair of Maestro Helmut Wellauer, a world-renowned conductor who died painfully from cyanide poisoning during an intermission at La Fenice.But as the investigation unfolds, a chilling picture slowly begins to take shape--a detailed portrait of revenge painted with vivid strokes of hatred and shocking depravity. And the dilemma for Guido Brunetti will not be finding a murder suspect, but rather narrowing the choices down to one.
Warum lieben Leser allerorten Brunetti wie einen Freund, mit dem man durch dick und dünn gegangen ist? Wohl weil er ebenso Philosoph ist wie Polizist. Unermüdlich versucht er seine Mitmenschen zu verstehen. Als Italiener, Genießer und Familienmensch glaubt er an das gute Leben, trotz aller Widernisse und Schurken um uns her. Dieses Buch versammelt die besten Gedanken des bekanntesten, klügsten und sympathischsten Commissario: ein abc der Lebenskunst.
Der Spanier Gonzalo Rodríguez de Tejeda hat im Kunsthandel ein Vermögen gemacht. Nun verbringt er seinen Lebensabend in Venedig. Was kommt dann? Soll die rigide Familie, die mit seinem freizügigen Lebenswandel noch nie einverstanden war, seine Schätze erben? Brunettis Schwiegervater fürchtet, seinem Freund Gonzalo könne Übles zustoßen. Der Commissario soll helfen - und verläuft sich beinahe in den Abgründen des menschlichen Herzens.
Schwächeanfall in der Questura. Das Räderwerk des Alltags hat Brunetti zermürbt. Krankgeschrieben, soll sich der Commissario in der Lagune von Venedig erholen. Wie wunderbar, einmal nicht Verbrechern hinterherzujagen, sondern in ländlicher Idylle seine Gedanken mit den Wolken ziehen zu lassen! Doch zwischen Bienen und Blumen kommt er einem größeren Fall als je zuvor auf die Spur.
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