Bücher von Eleanor Gates

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The Plow-Woman, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Ph¿be, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

As Gwendolyn stared at the line the reflection of her small face in the mirror grew suddenly all white as if some rude hand had reached out and brushed away the pink from cheeks and lips. Eleanor Gates was an American playwright who created seven plays that were staged on Broadway. Her best known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936. Excerpt from The Poor Little Rich Girl Whatever otherwise the pretty virtues of our Amer ican drama, the quality of fanciful imagination is of the catalogue no (or at best, small) part. We have seen amongst us farce writers of light and facile finger; we have seen drama framers of intermittently rugged, if consistently yoke], philosophic vision. Yet, the writer of exploring phantasies, the writer of caprices that violate the neutrality of the sacrosanct Broadway commonplace, is but dimly silhouetted against the borning native sun.

As Gwendolyn stared at the line the reflection of her small face in the mirror grew suddenly all white as if some rude hand had reached out and brushed away the pink from cheeks and lips. Eleanor Gates was an American playwright who created seven plays that were staged on Broadway. Her best known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936. Excerpt from The Poor Little Rich GirlWhatever otherwise the pretty virtues of our Amer ican drama, the quality of fanciful imagination is of the catalogue no (or at best, small) part. We have seen amongst us farce writers of light and facile finger; we have seen drama framers of intermittently rugged, if consistently yoke], philosophic vision. Yet, the writer of exploring phantasies, the writer of caprices that violate the neutrality of the sacrosanct Broadway commonplace, is but dimly silhouetted against the borning native sun.

Eleanor Gates (26 September 1874 - 7 March 1951) was an American playwright who created seven plays that were staged on Broadway. Her best-known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936. Gates had worked initially as a writer for a newspaper in San Francisco, as well as writing novels. In 1907, one of her novels was illustrated by Arthur Rackham. Her best known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913. At the beginning of 1915, Gates founded the Liberty Feature Film Company, which was said by Motion Picture News to be the only film company to be owned and managed by women.

Eleanor Gates (26 September 1874 - 7 March 1951) was an American playwright who created seven plays that were staged on Broadway. Her best-known work was the play The Poor Little Rich Girl, which was produced by her husband in 1913 and went on to be made as films for Mary Pickford in 1917 and for Shirley Temple in 1936.The film story, created to cash in on the talents of the eight-year-old Temple and the rights to the "changing places" story, was obtained for $40,000 to Gates and an additional $20,000 to Mary Pickford''s company which had made the 1917 film. The new film had made two million dollars by the end of 1939.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We havent used any OCR or photocopy to produce this book. The whole book has been typeset again to produce it without any errors or poor pictures and errant marks.