Bücher von Emma Donoghue

Love between women crops up throughout literature: from Chaucer and Shakespeare to Charlotte Bronte, Dickens, Agatha Christie, and many more. In Inseparable Emma Donoghue examines how desire between women in literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the 'unspeakable subject', examining whether such desire between women is freakish or omnipresent, holy or evil, heart-warming or ridiculous as she excavates a long-obscured tradition of female friendship, one that is surprisingly central to our cultural history. A revelation of a centuries-old literary tradition - brilliant, amusing, and until now, deliberately overlooked.

'Excellent new collection... Her touch is so light and exuberantly inventive, her insight at once so forensic and intimate, her people so ordinary even in their oddities. ... Unnervingly exact.' ? GuardianIn this sparkling collection of nineteen stories, the bestselling author of Slammerkin returns to contemporary affairs, exposing the private dilemmas that result from some of our most public controversies. A man finds God and finally wants to father a child?only his wife is now forty-two years old. A coach's son discovers his sexuality on the football field. A repressed young woman finds liberation in her roommate's bizarre secret.Many of these stories involve animals and what they mean to us, or babies and whether to have them; some reimagine biblical plots in modern contexts. With characters old, young, straight, gay, and simply confused, Donoghue dazzles with her range and her ability to touch lightly but penetrate deeply into the human condition.

Irland Mitte des 19. Jahrhunderts: In einem kleinen Dorf, dessen Bewohner tief im katholischen Glauben verwurzelt sind, staunt man über ein leibhaftiges Wunder. Seit vier Monaten hat die kleine Anna O'Donnell keine Nahrung zu sich genommen und ist doch durch Gottes Gnade gesund und munter. Die unglaubliche Geschichte lockt viele Gläubige an, aber es gibt auch Zweifler. Schließlich beauftragt man die resolute englische Krankenschwester Lib Wright, das elfjährige Mädchen zu überwachen. Auch ein Journalist reist an, um über den Fall zu berichten. Werden sie Zeugen eines ausgeklügelten Schwindels oder einer Offenbarung göttlicher Macht?

In this profile, Emma Donoghue tells the story of two eccentric Victorian spinsters: Katherine Bradley (1846-1914) and her niece Edith Cooper (1862-1913); poets and lovers, who wrote together under the name of Michael Field. They wrote eleven volumes of poetry and thirty historical tragedies, but perhaps their best work - richest in emotional honesty and wit - was the diary that the two women shared for a quarter of a century, and these unpublished journals and letters form the basis for the groundbreaking We are Michael Field.The Michaels lived in a contradictory world of inherited wealth and terrible illness, silly nicknames and religious crises. They preferred men to women, and yet their greatest devotion was saved for their dog. Snobbish, arrogant eccentrics who faced bereavement and death with great courage, the Michaels never lost their appetite for life or their passion for each other.

An eleven-year-old girl stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story . . .Set in the Irish Midlands in the 1850s, Emma Donoghue's The Wonder - inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth - is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes. Pitting all the seductions of fundamentalism against sense and love, it is a searing examination of what nourishes us, body and soul.

The story of a mother, her son, a locked room and the outside world. Shortlisted for the Man Booker Prize. Filmed as a major motion picture, directed by Lenny Abrahamson.

Passions Between Women looks at stories of lesbian desires, acts and identities from the Restoration to the beginning of the nineteenth century. Far from being invisible, the figure of the woman who felt passion for women in this period was a subject of confusion and contradiction: she could be put in a freak show as a 'hermaphrodite', denounced as a 'tribade' or 'lesbian', revered as a 'romantic friend', jailed as a 'female husband' or gossiped about as a 'woman-lover', 'tommy' or 'Sapphist'. Through an examination of a wealth of new medical, legal and erotic source material, together with re-readings of classics of English literature, Emma Donoghue uncovers the astonishing range of lesbian and bisexual identities described in British texts between 1668 and 1801. Female pirates and spiritual mentors, chambermaids and queens, poets and prostitutes, country idylls and whipping clubs all take their place in an intriguing panorama of lesbian lives and loves.'Controversial, erotic and radical, Emma Donoghue's lesbian voyage of exploration outlines an astonishing spectrum of gender rebellion which creates a new map of eighteenth-century sexual territories and identities.' Patricia Duncker

The Woman Who Gave Birth to Rabbits is a book of fictions, but they are also true. Over the last ten years, I have often stumbled over a scrap of history so fascinating that I had to stop whatever I was doing and write a story about it. My sources are the flotsam and jetsam of the last seven hundred years of British and Irish life: surgical case-notes; trial records; a plague ballad; theological pamphlets; a painting of two girls in a garden; an articulated skeleton. Some of the ghosts in this collection have famous names; others were written off as cripples, children, half-breeds, freaks and nobodies. The Woman Who Gave Birth to Rabbits is named for Mary Toft, who in 1726 managed to convince half England that she had done just that.So this book is what I have to show for ten years of sporadic grave-robbing, ferreting out forgotten puzzles and peculiar incidents, asking 'What really happened?', but also, 'What if?