Bücher von François Fénelon

François Fénelon: Die Abenteuer des Telemach»Les avantures de Télémaque«. Erstdruck: Paris, 1699. Hier nach einer Ausgabe von 1840, Wien, Verlag von Mich. Schmidls Witwe und Ign. Klang unter dem Titel »Die Begebenheiten des Telemach«. Der Übersetzer wird in der Ausgabe nicht genannt.Neuausgabe.Herausgegeben von Karl-Maria Guth.Berlin 2023.Der Text dieser Ausgabe wurde behutsam an die neue deutsche Rechtschreibung angepasst.Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Charles Monnet, Telemach und Mentor langen nach erlittenem Schiffbruch auf der Insel der Göttin Kalypso an, 1774.Gesetzt aus der Minion Pro, 11 pt.Henricus - Edition Deutsche Klassik GmbH

This collection of five books contains F?nelon's outstanding teachings on prayer, suffering, the achievement of virtue, and other spiritually crucial tenets.Uniting aspects of philosophy with Christian theology and spiritualist thought, F?nelon presents here a lively set of treatises where esoteric knowledge and concepts are put to singular good purpose: enhancing and informing the spiritual life of the reader. Although at times arcane, the advice given is rooted in the Christian tradition and scriptures. F?nelon never attained mainstream popularity as an author during or after his life, however he was and remains a favorite of scholars and religious adherents seeking to explore the deepest channels of their faith. Although more difficult than other inspirational authors, F?nelon's authenticity and depth cannot be doubted.

Stories by Catherine Bernard, François Fénelon, Louis de Mailly and Jean de Préchac. This volume includes three tales by Catherine Bernard (1662-1712), one of the originators of contes de fées, that deliberately subvert not merely their narrative strategy, but also their entire mythology; two enigmatic allegories of French history as seen through the prism of faerie by Jean de Préchac (1647-1720); four stories by François Fénelon (1651-1715), and The Illustrious Fays, a collection of tales by Chevalier de Mailly (1657-1724), which shows how the contes de fées quickly became suited to very different narrative purposes. The variety embraced by these stories is a striking illustration of the versatility of a format that seemed, at first, to be rather narrow. If some of stories seem more stereotyped and less ambitious, the spectrum they display is not lacking in color and variety, and the more flamboyant of them make significant additions to the imagery assembled by the core writers of the original school.