Bücher von Frank Moller

This book argues that we can capitalize on the tolerance of ambiguity-enhancing potentialities inherent in visual images ¿ their non-coherence ¿ and thus increase our capability of tolerating ambiguities. Studying international relations equals studying ambiguity. The international system is complex, and where there is complexity, there is also ambiguity. Crucially, in a world saturated not only with ambiguities but also with visual images, it is mandatory to think ambiguity and visuality together. The authors analyze the constructive and peaceful potentialities of ambiguities through an exploration of journalistic imagery in the context of post-war Bosnia and post-siege Sarajevo.The book is a theoretically sophisticated, yet accessible, and politically relevant exercise in inter-disciplinary thinking, uniquely combining literature on complexity, ambiguity and visuality thus offering important readings for international relations, peace and conflict research, and security studies.

This book introduces a new research agenda for visual peace research, providing a political analysis of the relationship between visual representations and the politics of violence nationally and internationally. Using a range of genres, from photography to painting, it elaborates on how people can become agents of their own image.

This study thinks with photography about peace. It asks how photography can represent peace, and how such representation can contribute to peace. The book offers an original critique of the almost exclusive focus on violence in recent work on visual culture and presents a completely new research agenda within the overall framework of visual peace research. Critically engaging with both photojournalism and art photography in light of peace theories, it looks for visual representations or anticipations of peace - peace or peace as a potentiality - in the work of selected photographers including Robert Capa and Richard Mosse, thus reinterpreting photography from the Spanish Civil War to current anti-migration politics in Europe. The book argues that peace photography is episodic, culturally specific, process-oriented and considerate of both the past and the future.