Bücher von Franz Cumont

Dieses umfassende Thema, welches wir später einmal behandeln zu können hoffen, bildet nicht den Gegenstand dieser Monografie. Sie beschäftigt sich nur mit einer Episode aus jener entscheidenden Revolution: Sie versucht nämlich mit möglichster Präzision zu zeigen, wie und warum eine Abart des Mazdaismus unter den Cäsaren beinahe zur vorherrschenden Religion des Römischen Reiches geworden ist. Dennoch hat die Religion der Magier, welche die vollendetste Schöpfung des iranischen Genius darstellt, dreimal die abendländische Kultur beeinflusst. Zunächst übte der Parsismus eine sehr merkliche Wirkung auf die Entstehung des Judentums aus und einige seiner Hauptlehren verbreiteten sich durch Vermittlung der jüdischen Kolonien im ganzen Mittelmeerbecken und wurden später von der katholischen Orthodoxie übernommen.

Anecdota Bruxellensia V1-3 (1896) est un livre �����crit par Franz Cumont. Il s'agit d'une collection d'anecdotes historiques et litt�����raires sur la ville de Bruxelles, en Belgique. Le livre est divis����� en trois volumes et contient des r�����cits sur des sujets tels que l'histoire de la ville, les personnalit�����s importantes qui y ont v�����cu et les �����v�����nements marquants qui s'y sont d�����roul�����s. Les anecdotes sont pr�����sent�����es dans leur langue d'origine, avec une traduction en fran�����ais en regard. Le livre est une source pr�����cieuse pour ceux qui s'int�����ressent ������ l'histoire de Bruxelles et de la Belgique, ainsi qu'������ la litt�����rature et ������ la culture de la r�����gion.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This study by the great Belgian historian Franz Cumont describes one aspect of the cultural meeting of east and west in the early Roman empire. It describes the great pagan religions of the orient, and tells how their religious thought and ceremonies permeated, altered, and revivified Roman paganism.It provides a coverage of all the more important eastern religions of the time, from their first appearance in Rome, 204 B.C., when the great Mother of the Gods was first imported from Syria:The ecstatic cults of Phrygia and Syria; the worship of Cybele, the Magna Mater, Attis, Adonis; their orgies and mutilatory rites. The mysteries of Egypt; the worship of Serapis, Isis, Osiris, their closely hidden secret rites, redemption ceremonies.The dualism of Persia; the elevation of cosmic evil, to a full and equal partnership with the deity; the mysteries of Mithra. The worship of Hermes Trismegistos, and the documents ascribed to him; Sabazios, Ishtar, Astarte.The magic, thaumaturgy, judicial astrology of the ancient near east.The emotional and intellectual impact of the great civilized traditions of Egypt and Babylonia upon still barbarian Europe.Cumont's 'Oriental Religions in Roman Paganism' is the best general picture, on an intermediate level, of this important moment in cultural history. It is also of great value in analyzing an era which shared certain cultural problems with our own time.

It is not, however, because it is combined with scientific theories, nor because it enters into the teaching of pagan mysteries, that astrology forces itself on the meditations of the historian of religions, but for its own sake . . . , because he is obliged to enquire how and why this alliance, which at first sight seems monstrous, came to be formed between mathematics and supersitition. . . . How could this absurd doctrine arise, develop, spread, and force itself on superior intellects for century after century? There, in all its simplicity, is the historical problem which confronts us. -from the IntroductionContentsIntroduction1. The Chaldeans2. Babylon and Greece3. The Dissemination in the West4. Theology5. Astral Mysticism. Ethics and Cult6. EschatologyFranz Cumont (1868-1947) was a Belgian archaeologist, linguist, and historian of ancient religions. He was Professor at the University of Ghent and later curator of the Brussels Royal Museum. His major works include ''The Mysteries of Mithra,'' ''The Oriental Religions in Roman Paganism,'' and ''After Life in Roman Paganism.''

At least we can distinguish the principal phases of the religious movement which caused imperial society to pass from incredulity to certain forms of belief in immortality, forms at first somewhat crude but afterwards loftier, and we can see where the movement led. The change was a capital one and transformed for the ancients the whole conception of life. The axis about which morality revolved had to be shifted when ethics no long sought, as in earlier Greek philosophy, to realise the sovereign good on this earth but looked for it after death. -from the Introduction Contents Preface Historical Introduction 1. After Life in the Tomb 2. The Nether World 3. Celestial Immortality 4. The Winning of Immortality 5. Untimely Death 6. The Journey to the Beyond 7. The Sufferings of Hell and Metempsychosis 8. The Felicity of the Blessed

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.