Bücher von Fyodor Dostoevsky

Dostoesky's drama of sin, guilt and redemption transmutes the sordid story of an old woman's murder by a desperate student into the nineteenth century's profoundest and most compelling philosophical novel. Grim in theme and setting, the book nevertheless seduces by its combination of superbly drawn characters, narrative brilliance and manic comedy.

Crime and Punishment is one of the most important novels of the nineteenth century. It is the story of a murder committed on principle, of a killer who wishes to set himself outside and above society. It is marked by Dostoevsky's own harrowing experience in penal servitude, and yet contains moments of wild humour.

.it wasn't a human being I killed, it was a principle!'A troubled young man commits the perfect crime - the murder of a vile pawnbroker whom no one will miss.

Crime and Punishment (Russian: Преступление и наказание Prestuplenie i nakazanie) is a novel by Russian author Fyodor Dostoevsky that was first published in the literary journal The Russian Messenger in twelve monthly installments. It was later published in a single volume. It is the second of Dostoevsky's full-length novels after he returned from his exile in Siberia, and the first great novel of his mature period.Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Romanovich Raskolnikov, an impoverished St. Petersburg ex-student who formulates and executes a plan to kill a hated, unscrupulous pawnbroker for her money, thereby solving his financial problems and at the same time, he argues, ridding the world of an evil, worthless parasite. Several times throughout the novel, Raskolnikov justifies his actions by relating himself to Napoleon, believing that murder is permissible in pursuit of a higher purpose. About the author: Fyodor Mikhailovich Dostoevsky (11 November 1821 - 9 February 1881), sometimes transliterated as Dostoyevsky, was a Russian novelist, short story writer, essayist and journalist. Dostoevsky's literary works explore the human condition in the troubled political, social, and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed novels include Crime and Punishment (1866), The Idiot (1869), Demons (1872), and The Brothers Karamazov (1880). His 1864 novella, Notes from Underground, is considered to be one of the first works of existentialist literature. Numerous literary critics regard him as one of the greatest novelists in all of world literature, as many of his works are considered highly influential masterpieces. Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837 when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into Saint Petersburg's literary circles. However, he was arrested in 1849 for belonging to a literary group, the Petrashevsky Circle, that discussed banned books critical of Tsarist Russia. Dostoevsky was sentenced to death but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers. Dostoevsky's body of work consists of thirteen novels, three novellas, seventeen short stories, and numerous other works. His writings were widely read both within and beyond his native Russia and influenced an equally great number of later writers including Russians such as Aleksandr Solzhenitsyn and Anton Chekhov, poet Yegor Letov, philosophers Friedrich Nietzsche and Jean-Paul Sartre, and the emergence of Existentialism and Freudianism. His books have been translated into more than 170 languages, and served as the inspiration for many films. (wikipedia.org)

"The Grand Inquisitor" is a significant and widely read chapter from Fyodor Dostoevsky's novel "The Brothers Karamazov." Dostoevsky's novel was first published in 1880."The Grand Inquisitor" is a stand-alone section within the novel where Ivan Karamazov tells the story to his brother, Alyosha, of a Grand Inquisitor who questions and confronts Jesus Christ upon His return to Earth. In the story, the Grand Inquisitor represents the authority of the church and the state, while Jesus Christ represents spiritual and moral truth. The Grand Inquisitor's argument revolves around the idea that the church and state must control and limit individual freedom for the sake of the common people, who are not capable of handling true freedom.This section of the novel is often studied independently because it presents a thought-provoking exploration of religious, philosophical, and moral themes. Dostoevsky's work is celebrated for its deep and complex examinations of the human condition and the role of faith and morality in society. "The Grand Inquisitor" is a prime example of his ability to grapple with these profound questions.

"Crime and Punishment," written by Fyodor Dostoevsky, is a monumental work in Russian literature and stands as one of the most significant novels in the psychological fiction genre. As a cornerstone among Dostoevsky's works, this novel explores profound themes of guilt, redemption, and the complex nature of human morality.The novel revolves around Rodion Raskolnikov, a penniless former student living in St. Petersburg, who conceives a theory that certain extraordinary individuals are above moral laws and have the right to commit acts that would otherwise be considered crimes. Driven by this belief, he murders a merciless pawnbroker, setting off a gripping tale of crime, morality, and existential torment.Following the crime, Raskolnikov is plunged into a mental labyrinth of guilt and paranoia. His intellectual justification for the murder clashes with his innate moral compass, causing an internal conflict that is central to the psychological drama of the novel.Dostoevsky's masterful depiction of Raskolnikov's internal turmoil provides a deep insight into the human psyche and the moral dilemmas that can torment it. This exploration of psychological complexity is a defining feature of modern existential literature.Alongside Raskolnikov's narrative, the novel presents an array of vivid characters, each grappling with their struggles and moral dilemmas. These character portraits enrich the novel's theme of moral ambiguity and social criticism, firmly placing the book in the tradition of 19th-century social narratives.The novel's setting in the grim and tumultuous streets of St. Petersburg further adds to the story's intensity, reflecting the characters' inner chaos. The city itself becomes a symbol of Raskolnikov's internal strife, contributing to the novel's status as a work of symbolic realism."Crime and Punishment" delves into questions of law, ethics, and the human condition. Dostoevsky's profound exploration of psychological conflict, moral ambiguity, redemption, and the underlying humanity within us all ensures that this novel continues to resonate with readers, scholars, and philosophers alike. Its impact on literature and thought remains unparalleled, making it an essential read for anyone interested in the depths of human complexity.

Step into the dark and brooding world of "Crime and Punishment" by Fyodor Dostoevsky, a literary masterpiece that delves deep into the complexities of the human psyche. Set against the backdrop of St. Petersburg in 19th-century Russia, this gripping tale explores the harrowing journey of Raskolnikov, a destitute student driven to commit a heinous crime. In this intense psychological thriller, Dostoevsky takes us on a haunting exploration of guilt, morality, and the pursuit of redemption. As Raskolnikov grapples with the consequences of his actions, the novel delves into the depths of his tormented conscience, revealing the profound internal struggle between his own rationalization and the weight of his guilt. Dostoevsky's vivid prose and masterful storytelling unravel a gripping narrative that probes the darkest corners of the human condition. Through richly drawn characters and complex moral dilemmas, "Crime and Punishment" challenges our notions of justice, punishment, and the inherent contradictions of human nature. A timeless classic that continues to resonate with readers today, "Crime and Punishment" stands as a testament to Dostoevsky's genius in capturing the complexities of the human soul. Prepare to be enthralled, disturbed, and ultimately moved as you journey through this profound exploration of crime, punishment, and the transformative power of redemption.

In the fictional town of Roulettenberg, Germany, a Russian tutor to the children of a seemingly wealthy general is enticed to play roulette at the local casino. First playing for others (including his beloved Polina Alexandrovna), he soon gets a taste for the experience himself, which can lead in only one direction.Dostoevsky wrote this story based at least partially on personal experience. After his second marriage (and the successful publication of Crime and Punishment) he and his wife took a honeymoon in Baden-Baden, where Dostoevsky lost large quantities of money at the roulette table. To get his financial situation back to normal he then set up a wager with his publisher: they¿d have the right to publish his work for free for nine years if he couldn¿t deliver this novel by November 1866. He succeeded in this, and was able to move on to writing The Idiot.The Gambler has been translated to screen and radio, and was even turned into an opera by Prokofiev. This edition is the 1915 translation by C. J. Hogarth.

Step into the dark and brooding world of "Crime and Punishment" by Fyodor Dostoevsky, a literary masterpiece that delves deep into the complexities of the human psyche. Set against the backdrop of St. Petersburg in 19th-century Russia, this gripping tale explores the harrowing journey of Raskolnikov, a destitute student driven to commit a heinous crime. In this intense psychological thriller, Dostoevsky takes us on a haunting exploration of guilt, morality, and the pursuit of redemption. As Raskolnikov grapples with the consequences of his actions, the novel delves into the depths of his tormented conscience, revealing the profound internal struggle between his own rationalization and the weight of his guilt. Dostoevsky's vivid prose and masterful storytelling unravel a gripping narrative that probes the darkest corners of the human condition. Through richly drawn characters and complex moral dilemmas, "Crime and Punishment" challenges our notions of justice, punishment, and the inherent contradictions of human nature. A timeless classic that continues to resonate with readers today, "Crime and Punishment" stands as a testament to Dostoevsky's genius in capturing the complexities of the human soul. Prepare to be enthralled, disturbed, and ultimately moved as you journey through this profound exploration of crime, punishment, and the transformative power of redemption.

Acclaimed by the 20th-century Russian critic Mikhail Bakhtin for its ¿polyphony¿ (a literary concept introduced by Bakhtin to describe a plurality of voices within a narrative), The Idiot is regarded by modern critics as one of Dostoevsky¿s most experimental and artistically uneven novels.The novel follows the entrance of the epileptic Prince Muishkin¿a character Dostoevsky meant to represent a ¿positively good and beautiful man¿¿into a circle of Russian high society characterized by vanity, greed, and social ambition. Thanks to his epileptic condition and his simplicity, earnestness, and kindness of heart, Muishkin is frequently branded by his newfound social circle as the titular ¿idiot¿; but in reality, he¿s a man of extraordinary sensitivity and insight. His arrival in society sets off a series of dramatic events and interpersonal strife centered around himself and his distant relations.The Idiot drew upon many of Dostoevsky¿s significant personal experiences, such as his Russian Orthodox faith, his experience of nearly being executed in 1849, and his own struggle with epilepsy, all of which inform his depiction of Prince Muishkin¿s distinctive psychology.

Taken to be an idiot, the naïve Prince Myshkin visits his distant relative General Yepanchin and hopesto charm him, his wife and his three daughters, but his life changes drastically after he stumblesupon a photograph of Nastasya Filippovna. Deeply infatuated with her, he finds himself caught ina love triangle, which leads him into a web of blackmail, betrayal and finally, murder. Inspired byChrist's suffering, Dostoyevsky portrays the Russian Holy Fool's purity as of a 'truly beautiful soul'and navigates through the perils that innocence and goodness face in a corrupt world. The Idiot hasbeen titled a classic beyond the temporal and spatial bounds.

Por fin he regresado al cabo de quince días de ausencia. Tres hace ya que nuestra gente está en Roulettenburg. Yo pensaba que me estarían aguardando con impaciencia, pero me equivoqué. El general tenía un aire muy despreocupado, me habló con altanería y me mandó a ver a su hermana. Era evidente que habían conseguido dinero en alguna parte. Tuve incluso la impresión de que al general le daba cierta vergüenza mirarme. Marya Filippovna estaba atareadísima y me habló un poco por encima del hombro, pero tomó el dinero, lo contó y escuchó todo mi informe. Esperaban a comer a Mezentzov, al francesito y a no sé qué inglés. Como de costumbre, en cuanto había dinero invitaban a comer, al estilo de Moscú. Polina Aleksandrovna me preguntó al verme por qué había tardado tanto; y sin esperar respuesta salió para no sé dónde. Por supuesto, lo hizo adrede. Menester es, sin embargo, que nos expliquemos. Hay mucho que contar. Me asignaron una habitación exigua en el cuarto piso del hotel. Saben que formo parte del séquito del general. Todo hace pensar que se las han arreglado para darse a conocer. Al general le tienen aquí todos por un acaudalado magnate ruso. Aun antes de la comida me mandó, entre otros encargos, a cambiar dos billetes de mil francos. Los cambié en la caja del hotel. Ahora, durante ocho días por lo menos, nos tendrán por millonarios. Yo quería sacar de paseo a Misha y Nadya, pero me avisaron desde la escalera que fuera a ver al general, quien había tenido a bien enterarse de adónde iba a llevarlos. No cabe duda de que este hombre no puede fijar sus ojos directamente en los míos; él bien quisiera, pero le contesto siempre con una mirada tan sostenida, es decir, tan irrespetuosa que parece azorarse. En tono altisonante, amontonando una frase sobre otra y acabando por hacerse un lío, me dio a entender que llevara a los niños de paseo al parque, más allá del Casino, pero terminó por perder los estribos y añadió mordazmente: «Porque bien pudiera ocurrir que los llevara usted al Casino, a la ruleta. Perdone ¿añadió-, pero sé que es usted bastante frívolo y que quizá se sienta inclinado a jugar. En todo caso, aunque no soy mentor suyo ni deseo serlo, tengo al menos derecho a esperar que usted, por así decirlo, no me comprometa...».

Demons is a novel by Fyodor Dostoevsky, first published in the journal The Russian Messenger in 1871-72. It is considered one of the four masterworks written by Dostoevsky after his return from Siberian exile, along with Crime and Punishment, The Idiot, and The Brothers Karamazov. As Dostoyevsky predicted, The Devils, or The Possessed, was indeed denounced by radical critics as the work of a reactionary renegade. But radicals aside, it enjoyed great success both for its literary power and for its explicit and provocative politics; and for its story of Russian terrorists plotting violence and destruction, only to murder one of their own numbers.

A las nueve de la mañana de un día de finales de noviembre, el tren de Varsovia se acercaba a toda marcha a San Petersburgo. El tiempo era de deshielo, y tan húmedo y brumoso que desde las ventanillas del carruaje resultaba imposible percibir nada a izquierda ni a derecha de la vía férrea. Entre los viajeros los había que tornaban del extranjero; pero los departamentos más llenos eran los de tercera clase, donde se apiñaban gentes de clase humilde procedentes de lugares más cercanos. Todos estaban fatigados, transidos de frío, con los ojos cargados por una noche de insomnio y los semblantes lívidos y amarillentos bajo la niebla.

Alexei Fiodorovitch Karámazov era el tercer hijo de un terrateniente de nuestro distrito llamado Fiodor (Teodoro) Pavlovitch, cuya trágica muerte, ocurrida trece años atrás, había producido sensación entonces y todavía se recordaba. Ya hablaré de este suceso más adelante. Ahora me limitaré a decir unas palabras sobre el «hacendado», como todo el mundo le llamaba, a pesar de que casi nunca había habitado en su hacienda. Fiodor Pavlovitch era uno de esos hombres corrompidos que, al mismo tiempo, son unos ineptos ¿tipo extraño, pero bastante frecuente¿ y que lo único que saben es defender sus intereses. Este pequeño propietario empezó con casi nada y pronto adquirió fama de gorrista. Pero a su muerte poseía unos cien mil rublos de plata. Esto no le había impedido ser durante su vida uno de los hombres más extravagantes de nuestro distrito. Digo extravagante y no imbécil, porque esta clase de individuos suelen ser inteligentes y astutos. La suya es una ineptitud específica, nacional.

Presented in a new translation by Roger Cockrell, The Village of Stepanchikovo and Its Inhabitants was originally conceived as a play and first published in 1859, shortly after the author's release from forced military service. Gogolian in style and tone, and waspish in its description of the villainous Opiskin, it is a sustained exercise in caricatural cruelty and a comedic tour de force. The young Sergei is summoned from St Petersburg by his uncle, the retired colonel Yegor Rostanev, to the remote country estate of Stepanchikovo. Rostanev's household, populated by a medley of remarkable characters, is dominated by the figure of Foma Opiskin, a devious, manipulative hanger-on who has everyone in thrall and plots to marry the colonel to the woman of his choice, Tatyana Ivanova. When Opiskin finds that his plans are being thwarted, a confrontation with Rostanev ensues, and all hell is let loose.