Bücher von George Bernard Shaw

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Pigmalión, de George Bernard Shaw, es un clásico atemporal que explora los temas de la clase social, la identidad y la transformación. La obra gira en torno al profesor Henry Higgins, experto en fonética, que acepta el reto de transformar a Eliza Doolittle, una pobre florista con un fuerte acento cockney, en una refinada dama de habla impecable. A medida que Eliza se somete a este cambio lingüístico y social, no sólo cambia su apariencia externa, sino que también se enfrenta a cuestiones de autoestima y expectativas sociales.La obra satiriza hábilmente las rígidas estructuras de clase de la Inglaterra eduardiana y cuestiona las nociones de superioridad inherente basadas en el habla y los modales. Los ingeniosos diálogos de Shaw y sus agudas observaciones hacen de Pigmalión una exploración entretenida y sugerente de las complejidades del comportamiento humano y las normas sociales.Esta edición presenta el texto original de Shaw -que sirvió de base para el musical Mi bella dama- y ofrece a los lectores una ventana al panorama social de principios del siglo XX, al tiempo que ofrece una visión intemporal de la dinámica de poder del lenguaje y las expectativas sociales.

McCOMAS. Howled at! My dear good lady: there is nothing in any of those views now-a-days to prevent her from marrying a bishop. You reproached me just now for having become respectable. You were wrong: I hold to our old opinions as strongly as ever. I don't go to church; and I don't pretend I do. I call myself what I am: a Philosophic Radical, standing for liberty and the rights of the individual, as I learnt to do from my master Herbert Spencer.

Pigmalión, de George Bernard Shaw, es un clásico atemporal que explora los temas de la clase social, la identidad y la transformación. La obra gira en torno al profesor Henry Higgins, experto en fonética, que acepta el reto de transformar a Eliza Doolittle, una pobre florista con un fuerte acento cockney, en una refinada dama de habla impecable. A medida que Eliza se somete a este cambio lingüístico y social, no sólo cambia su apariencia externa, sino que también se enfrenta a cuestiones de autoestima y expectativas sociales.La obra satiriza hábilmente las rígidas estructuras de clase de la Inglaterra eduardiana y cuestiona las nociones de superioridad inherente basadas en el habla y los modales. Los ingeniosos diálogos de Shaw y sus agudas observaciones hacen de Pigmalión una exploración entretenida y sugerente de las complejidades del comportamiento humano y las normas sociales.Esta edición presenta el texto original de Shaw -que sirvió de base para el musical Mi bella dama- y ofrece a los lectores una ventana al panorama social de principios del siglo XX, al tiempo que ofrece una visión intemporal de la dinámica de poder del lenguaje y las expectativas sociales.

Candida, a comedy by playwright George Bernard Shaw, was written in 1894 and first published in 1898, as part of his Plays Pleasant. The central characters are clergyman James Morell, his wife Candida and a youthful poet, Eugene Marchbanks, who tries to win Candida's affections. The play questions Victorian notions of love and marriage, asking what a woman really desires from her husband. The cleric is a Christian Socialist, allowing Shaw-himself a Fabian Socialist-to weave political issues, current at the time, into the story.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

RICHARD (seriously). Because it's true. I was brought up in the other service; but I knew from the first that the Devil was my natural master and captain and friend. I saw that he was in the right, and that the world cringed to his conqueror only through fear. I prayed secretly to him; and he comforted me, and saved me from having my spirit broken in this house of children's tears.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Following the death of her father, Ann Whitefield becomes the ward of Jack Tanner and Roebuck Ramsden; Jack is a childhood friend, author of The Revolutionist¿s Handbook, and descendant of Don Juan, while Roebuck Ramsden is a respectable friend of her father¿s entirely opposed to Jack¿s philosophy. Also in mourning are Octavius Robinson, who is openly in love with Ann, and his sister Violet, who is secretly pregnant. So begins a journey that will take them across London, Europe, and to Hell.George Bernard Shaw wrote Man and Superman between 1901 and 1903. It was first performed in 1905 with the third act excised; a part of that third act, Don Juan in Hell, was performed in 1907. The full play was not performed in its entirety until 1915.Shaw explains that he wrote Man and Superman after being challenged to write on the theme of Don Juan. Once described as Shaw¿s most allusive play, Man and Superman refers to Nietzsche¿s concept of the Übermensch. It combines Nietzsche¿s argument that humanity is evolving towards a ¿superman¿ with the philosophy of Don Juan as a way to present his conception of society: namely, that it is women who are the driving force behind natural selection and the propagation of the species. To this end, Shaw includes as an appendix The Revolutionist¿s Handbook and Pocket Companion as written by the character Jack Tanner.

Major Barbara is a three-act play that premiered at the Court Theatre in 1905, and was subsequently published in 1907. It portrays idealist Barbara Undershaft, a Major in the Salvation Army, and her encounter with her long-estranged father who has made his fortune as a ¿dealer of death¿ in the munitions industry. Barbara doesn¿t wish to be associated with her father¿s ill-gotten wealth, but can¿t prevent him from donating to the Salvation Army and eventually converting her family to his capitalist views on how best to help the poor.In the preface, Shaw addresses his critics and explicates his actual attitudes towards the Salvation Army, versus the attitudes and fates portrayed by his characters and responded to by the critics. He continues on to discuss the issues of wealth and poverty, religion and science, and how they all fit into his views of society.Major Barbara is one of the most controversial of Shaw¿s work and was greeted with decidedly mixed reviews, yet it endures as one of his most famous plays.

In the middle of the 1885 Serbo-Bulgarian war, an enemy soldier escapes a cavalry charge by climbing up a drainpipe into Raina Petkoff¿s room. Raina is the daughter of one Major and engaged to another, but she chooses to save the soldier¿s life by concealing him.Arms and the Man, named after the opening lines of Virgil¿s The Aeneid, is a play that humorously deals with the hypocrisy of humanity and the stupidity of war. It was among George Bernard Shaw¿s first commercial successes, and was included in a collection of plays he referred to as Plays Pleasant, along with Candida, You Never Can Tell, and The Man of Destiny. Having coined the term ¿chocolate soldier,¿ the play has been staged multiple times in London¿s West End and on Broadway, and has been adapted into operetta and film.

When Julius Caesar arrives in Egypt and finds Cleopatra in hiding, he encourages her to return to the palace and embrace her role as queen. Shaw depicts an unlikely pair that bond over a common goal. As Roman forces invade Egypt, Julius Caesar stumbles across a young Cleopatra hiding amongst the statues. He initially conceals his identity, as the queen expresses concern over Caesar and his impending army. When he convinces her to return to the palace, she soon discovers his true name. Following a brief exchange, the young woman is relieved as Caesar has quelled her worst fears. Yet, in the midst of a Roman occupation, Cleopatra and her brother Ptolemy engage in a bitter battle for the Egyptian throne. In Caesar and Cleopatra, George Bernard Shaw explores the unique dynamic between two of history's most notable figures. It's a cynical but entertaining view of the political warfare that ravaged Ancient Egypt. With his sharp prose, Shaw revitalizes the classic story and its infamous characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Caesar and Cleopatra is both modern and readable.

Como se verá más adelante, Pigmalión necesita, no un prefacio, sino un apéndice, que he puesto en su debido lugar. Los ingleses no tienen respeto a su idioma y no quieren enseñar a sus hijos a hablarlo. Lo pronuncian tan abominablemente que nadie puede aprender, por sí solo, a imitar sus sonidos. Es imposible que un inglés abra la boca sin hacerse odiar y despreciar por otro inglés. El alemán o el español suena claro para oídos extranjeros; el inglés no suena claro ni para oídos ingleses. El reformador que hoy le haría falta a Inglaterra es un enérgico y entusiástico conocedor de la fonética. Por esta razón, el protagonista de mi obra es el tal conocedor. Entusiastas por el estilo han existido en los tiempos pasados, pero clamaban en el desierto.

"The difference between a lady and a flower girl is not how she behaves, but how she's treated."- George Bernard Shaw, Pygmalion"What is life but a series of inspired follies ? The difficulty is to find them to do. Never lose a chance : it doesn't come every day."- George Bernard Shaw, Pygmalion"The greatest British dramatist since Shakespeare."- The GuardianA chance meeting between Henry Higgins, a professor of phonetics, and Cockney flower seller Eliza Doolittle leads to a bet that he can teach her how to speak proper English. While Higgins undertakes an effort to train Liza out of her Cockney accent to prove that it is one's manner of speaking that determines one's opportunities, Liza's refreshing candor and generosity of spirit effect a change in Higgins. Beguiling, relatable, and engaging, Pygmalion is an uproariously funny and ultimately touching tale of mutual transformation. All the while, beneath its irresistible charm, it offers a scathing critique of class, entitlement, and social prejudice.Ever since its wildly popular first production in 1913, Pygmalion has amused and entertained audiences the world over and has become one of the most adapted plays of all time. In 1938 Shaw provided the screenplay for a filmed version of Pygmalion for which he received an Academy Award.

One of his most important plays and one of the most renowned comedies, George Bernard Shaw'sArms and the Man talks about the 1885 Serbo-Bulgarian War. The story revolves around the incident of a Swiss soldier fighting in the Serbian army who bursts into a young Bulgarian woman's bedroom and begs her to hide him. A crafted combination of wit and humour, this classic is an epitome of a satire on the typical values about war, morality, love and class.

A witty retelling of the classic tale of a sculptor falling in love with his flawless creation, Pygmalion is a subtle attack on the British class system while highlighting Shaw's feminist ideology.Professor Higgins asserts to his friend, Colonel Pickering, that he can disguise a regular flower girl as a duchess just by teaching her the mannerisms and speech of the upper class society. In the course of the flower girl's 'upgradation,' she transforms into a beautiful and accomplished lady. To Higgins, however, she remains a mere successful experiment leaving her out of both the worlds: the one she stepped out of and the one she never felt a part of.

Pygmalion, a romance play in five acts, is written by George Bernard Shaw and named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. It is considered as a humane comedy about love and the English class system. Eliza Doolittle, fictional character, a flower girl who is transformed into a woman of poise and polish by Shaw in this play. According to playwright, character of Professor Henry Higgins was inspired by several British professors of phonetics.The last scene in Act V ends with another confrontation between Higgins and Eliza. Higgins asks if Eliza is satisfied with the revenge she has brought thus far and if she will now come back, but she refuses. Higgins defends himself from Eliza's earlier accusation by arguing that he treats everyone the same. Pygmalion was first produced in German in 1913 in Vienna. It was later on performed in England in 1914.

Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's Aeneid, in Latin: Arma virumque cano. The play discusses how war is made, how it is fought, and how parties sue for peace at the close of it. Indeed, the play's title is a direct quote from Virgil's Aeneid, the Roman epic that glorifies war. George Bernard Shaw's three-act comedy, Arms and the Man, follows Raina Petkoff as she learns the reality of the world around her. Set during the Serbo-Bulgarian War of 1885, Shaw's play takes a critical look at the romanticizing of love and war, the challenges of self-reflections, and the gray world of absolute truth.

As suggested by the reference to Nietzsche's "Übermensch" in the title of the play, George Bernard Shaw intended Man and Superman to be not only a light romantic comedy but also a deeply philosophical work. In this highly entertaining play, he lays out his perspective on life and the cosmos with unsurpassable wit and verve. Upon the death of her father, Ann Whitefield is left in the care of two guardians, Roebuck Ramsden and John Tanner. Tanner, author of The Revolutionist's Handbook and Pocket Companion, becomes the reluctant target of Ann's affections and marital ambitions. In the courtship that ensues, Ann's charm and sheer force of life are pitted against his protestations of disinterest and dedication to anarchy. This Warbler Classics edition presents the complete unabridged play, including the long third act, "Don Juan in Hell," along with The Revolutionist's Handbook and Pocket Companion, which is published with the play as an appendix as Shaw intended, and an extensive biographical timeline.