Bücher von George Bernard Shaw

George Bernard Shaw (1856-1950) was an Irish playwright, critic, polemicist and political activist. Born in Dublin, he moved to London when he turned twenty. Having rejected formal schooling, he educated himself by independent study in the reading room of the British Museum; he also began his career there by writing novels for which he could not find a publisher. His first success was as a music and literary critic, but he was drawn to drama and authored more than sixty plays during his career. Typically his work is leavened by a delightful vein of comedy, but nearly all of it bears earnest messages. He remains the only person to have been awarded both a Nobel Prize (1925) for his contribution to literature and an Oscar (1938) for Pygmalion.

George Bernard Shaw (1856-1950) was an Irish playwright, critic, polemicist and political activist. Born in Dublin, he moved to London when he turned twenty. Having rejected formal schooling, he educated himself by independent study in the reading room of the British Museum; he also began his career there by writing novels for which he could not find a publisher. His first success was as a music and literary critic, but he was drawn to drama and authored more than sixty plays during his career. Typically his work is leavened by a delightful vein of comedy, but nearly all of it bears earnest messages. He remains the only person to have been awarded both a Nobel Prize (1925) for his contribution to literature and an Oscar (1938) for Pygmalion.

The book, Captain Brassbound's Conversion , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

One of George Bernard Shaw's most performed and studied plays, "Arms and the Man" is a classic example of Shaw's comedic wit. First produced in 1894, the play is set during the Serbo-Bulgarian war and tells the story of Raina Petkoff, a young Bulgarian woman, who is engaged to Sergius, a soldier away at war whom she idolizes. While both her father and fiancé are away fighting, Raina, at home with her mother, has a very innocent and romantic idea of war and soldiers. Her views are challenged when she helps Captain Bluntschli, a Swiss mercenary fighting for the Serbian army, to hide from the Russian and Bulgarian troops. After the war ends and both her father and fiancé return home, Raina comes to see that Sergius is not the hero that she had fantasized him to be and she loses some of her naivete. Captain Bluntschli returns to visit Raina, she and Sergius decide not to marry, and Raina and Bluntschli fall in love instead. While humorous and witty, "Arms and the Man" remains a timely and biting social commentary on the foolishness of romanticizing war as wonderful fun. This edition is printed on premium acid-free paper.

Three of George Bernard Shaw's most famous plays with a preface by Oscar-winning actress Judi Dench.

Pygmalion, Heartbreak House, and Saint Joan are widely considered to be three of the most important in the canon of modern British theatre

Back To Methuselah: A Metabiological Pentateuch With Preface (The Infidel Half Century)This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Over the course of three decades, George Bernard Shaw and theatre critic Malcolm Watson of the Daily Telegraph carried out an extensive correspondence. My Dear Watson brings together in book form the previously unpublished letters from Shaw to Watson (those from Watson to Shaw are no longer extant): letters that are significant for the light they shed on the working relationship between Shaw and one of London's major newspapers.Many of the letters include self-drafted "interviews" with Shaw that Watson was able to use (sometimes with considerable embellishment) in his columns in the Telegraph. The letters reveal not only Shaw's views on his own plays, but also important theatrical initiatives of the time. Shaw's attempts to educate Watson on theatre censorship add new dimensions to Shaw's deep engagement with the controversial issue, while Watson's "interview" with Shaw about anticipated raucous audience behaviour at the opening night of Pygmalion, and Shaw's subsequent thank-you to Watson for his cooperation in trying to establish a "new code of manners in thetheatre," speak to Shaw's serious concern about giving actors a fair hearing. All but one of the letters deal with theatrical matters; the exception deals with a personal income tax question that Watson had raised with Shaw and, apart from revealing Shaw's knowledge of British tax legislation, suggests that the professional relationship between the two men had reached a level of comfort and respect that enabled such discussion of personal matters.Shaw's letters to Watson, and the self-drafted interviews that accompanied some of the letters, provide the backbone of the narrative of their relationship. Editor L.W. Conolly has provided relevant context to link the letters, including transcripts of Watson's columns on Shaw. The book also includes full transcripts of, or lengthy extracts from, Daily Telegraph reviews of Shaw's major plays during the years that Watson worked for the paper. The result is a work that sheds significant light not only on one of the English language's greatest playwrights but also on the practice and profession of theatre criticism."Conolly's editing, notes and references are thorough and illuminating, and his subtle editorial approach and impeccable scholarship make this slim volume highly entertaining as well as informative." --Dr. Anne Wright, The Shavian

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!