Bücher von Gevork Hartoonian

This book focuses on the first edition of Kenneth Frampton's Modern Architecture: A Critical History, published in 1980. It searches for clues and positions that will provide the reader with an unprecedented insight into the significance of Frampton's historiography of modern architecture.

This edited collection explores the visibility of modernization in architecture produced in different capitalist regions across the world and provides readers with a historico-theoretical and historico-geographical discussion.Focusing on a particular building type, an influential architect's work, as well as relevant texts and documents, each chapter addresses the many facets of "delay" which are central to the problematization of capitalism's progressive dissemination of technological and aesthetic regimes of modernism. This collection underlines the centrality of temporality for a critical understanding of colonialism, modernism, and capitalism. The book is primarily concerned with the historical timeline, the tangential point when a nation enters modernization processes. In exploring modernism in diverse regions such as East Asia, Pacific, Eastern Europe, and Iran, each chapter addresses the historiographic and architectonic unfolding of modernization beyond the western hemisphere.¿The exploration of these diverse case-studies will be of interest to students of architecture and researchers working on the collision of temporalities and the subject's critical importance for different country's built-environments.

Gevork Hartoonian presents a retrospective reading of the first edition of Kenneth Frampton's Modern Architecture: A Critical History, published in 1980. He provides novel insights into the significance of Frampton's historiography of modern architecture and beyond. In exploring selected themes from Frampton's ongoing criticism of contemporary architecture, this book leads us to a critical understanding of the past, the modernity of architecture's contemporaneity. It unpacks classificatory modes governing the three-part organization of Frampton's book, the constellation of which allowed him to hold on to an anteroom view of history amidst the flood of temporalities spanning the period 1980-2020. Contemplating Frampton's book as an artifact stripped of temporality, this original work reads Frampton's historiography in the intersection of selected epigraphs and three images illuminating the book's classificatory mode. Hartoonian presents a valuable companion to Frampton's A Critical History for readers interested in the successes and failures of contemporary architecture's philosophical and theoretical aspirations.

Focusing on six leading contemporary architects: Peter Eisenman, Frank Gehry, Bernard Tschumi, Zaha Hadid, Rem Koolhaas and Steven Hol, this book puts forward a unique and insightful analysis of "neo-avant-garde" architecture. It breaks new ground by opening up a dialogue between the study of the past and the design of the present.

This 1994 book explores theories of construction in modern architecture, in particular the relationship between nihilism of technology and architecture. Emphasising 'fabrication' as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to current debates in these areas.