Bücher von Hanna Scolnicov

This study reveals the changing conventions of the theatrical space as expressions of the changing attitudes to woman and her sexuality. The theatrical space has shifted from the front of the palace, into the drawing room and bedroom, narrowing down the scope and infringing on privacy. From this unusual viewpoint the author looks at plays by a wide range of authors.

Selected contributions to the Ninth World Shakespeare Congress, which took place in July 2011 in Prague, represent the contemporary state of Shakespeare studies in thirty-eight countries worldwide. Apart from readings of Shakespeare's plays and poems, more than forty chapters map Renaissance contexts of his art in politics, theater, law, or material culture and discuss numerous cases of the impact of his works in global culture from the Americas to the Far East, including stage productions, book culture, translations, film and television adaptations, festivals, and national heritage. The last section of the book focuses on the afterlife of Shakespeare in the work of the leading British dramatist Tom Stoppard.Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Scolnicov highlights Harold Pinter as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation.