Bücher von Henry James

Henry James OM (1843-1916) was an Anglo-American novelist. He was one of the most important literary people of the late 19th century. James was the son of Henry James Senior, a clergyman, and the brother of William James, the psychologist and philosopher. He grew up mostly in the United States but spent the majority of his life in England. He became a British citizen in 1915. His sister, Alice James, was also a writer. In his novels, he wrote from the viewpoint of one of the characters. Some literary critics compared this to impressionist painting. In his own literary criticism, James insisted that writers be allowed the greatest possible freedom in how they looked at the world.

The Princess Casamassima is a novel by Henry James, first published as a serial in The Atlantic Monthly in 1885 and 1886 and then as a book in 1886. It is the story of an intelligent but confused young London bookbinder, Hyacinth Robinson, who becomes involved in radical politics and a terrorist assassination plot. The book is unusual in the Jamesian canon for dealing with such a violent political subject. But it is often paired with another novel published by James in the same year, The Bostonians, which is also concerned with political issues, though in a much less tragic manner.

The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880-81 and then as a book in 1881. It is one of James's most popular novels and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who, "affronting her destiny," finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.

The Princess Casamassima is a novel by Henry James, first published as a serial in The Atlantic Monthly in 1885 and 1886 and then as a book in 1886. It is the story of an intelligent but confused young London bookbinder, Hyacinth Robinson, who becomes involved in radical politics and a terrorist assassination plot. The book is unusual in the Jamesian canon for dealing with such a violent political subject. But it is often paired with another novel published by James in the same year, The Bostonians, which is also concerned with political issues, though in a much less tragic manner.

Henry James OM (1843-1916) was an Anglo-American novelist. He was one of the most important literary people of the late 19th century. James was the son of Henry James Senior, a clergyman, and the brother of William James, the psychologist and philosopher. He grew up mostly in the United States but spent the majority of his life in England. He became a British citizen in 1915. His sister, Alice James, was also a writer. In his novels, he wrote from the viewpoint of one of the characters. Some literary critics compared this to impressionist painting. In his own literary criticism, James insisted that writers be allowed the greatest possible freedom in how they looked at the world.

The Sacred Fount is a novel by Henry James, first published in 1901. This strange, often baffling book concerns an unnamed narrator who attempts to discover the truth about the love lives of his fellow guests at a weekend party in the English countryside. He spurns the "detective and keyhole" methods as ignoble, and instead tries to decipher these relationships purely from the behavior and appearance of each guest. He expends huge resources of energy and ingenuity on his theories, much to the bemusement of some people at the party.

The Sense of the Past is an unfinished novel by the American author Henry James that was published in 1917, a year after James' death. The novel is at once an eerie account of time travel and a bittersweet comedy of manners. A young American trades places with a remote ancestor in early 19th century England, and encounters many complications in his new surroundings.

The Tragic Muse is a novel by Henry James, first published as a serial in The Atlantic Monthly in 1889-1890 and then as a book in 1890. This wide, cheerful panorama of English life follows the fortunes of two would-be artists: Nick Dormer, who throws over a political career in his efforts to become a painter, and Miriam Rooth, an actress striving for artistic and commercial success. A cast of supporting characters help and hinder their pursuits.

The Spoils of Poynton is a novel by Henry James, first published under the title The Old Things as a serial in The Atlantic Monthly in 1896 and then as a book in 1897. This novel traces the shifting relations among three people and a magnificent collection of art, decorative arts, and furniture arrayed like jewels in a country house called Poynton. Mrs. Gereth, a widow of impeccable taste and iron will, formed the collection over decades only to have it torn away from her when her son Owen decides to marry a frivolous woman. The story is largely told from the viewpoint of Fleda Vetch, a keenly intelligent young woman of straitened circumstances who, shortly after becoming the intimate friend and companion of Mrs. Gereth, falls in love with Owen.

The Tragic Muse is a novel by Henry James, first published as a serial in The Atlantic Monthly in 1889-1890 and then as a book in 1890. This wide, cheerful panorama of English life follows the fortunes of two would-be artists: Nick Dormer, who throws over a political career in his efforts to become a painter, and Miriam Rooth, an actress striving for artistic and commercial success. A cast of supporting characters help and hinder their pursuits.

The Turn of the Screw is an 1898 horror novella by Henry James which first appeared in serial format in Collier's Weekly (January 27 - April 16, 1898). In October 1898, it was collected in The Two Magics, published by Macmillan in New York City and Heinemann in London. The novella follows a governess who, caring for two children at a remote estate, becomes convinced that the grounds are haunted. The Turn of the Screw is considered a work of both Gothic and horror fiction. In the century following its publication, critical analysis of the novella has undergone several major transformations. In the early 1970s, the influence of structuralism resulted in an acknowledgement that the text's ambiguity was its key feature. Later approaches incorporated Marxist and feminist thinking.

The Wings of the Dove is a 1902 novel by Henry James. It tells the story of Milly Theale, an American heiress stricken with a serious disease, and her effect on the people around her. Some of these people befriend Milly with honourable motives, while others are more self-interested. The Wings of the Dove has one of the strongest critical positions of any of James' works, although James himself sometimes expressed dissatisfaction with it. In his preface to the New York Edition, James spent much time confessing to supposed faults in the novel: defective structure, characters not as well presented as they could be, and a general failure to realise his initial plan for the book.

The Wings of the Dove is a 1902 novel by Henry James. It tells the story of Milly Theale, an American heiress stricken with a serious disease, and her effect on the people around her. Some of these people befriend Milly with honourable motives, while others are more self-interested. The Wings of the Dove has one of the strongest critical positions of any of James' works, although James himself sometimes expressed dissatisfaction with it. In his preface to the New York Edition, James spent much time confessing to supposed faults in the novel: defective structure, characters not as well presented as they could be, and a general failure to realise his initial plan for the book.

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, unemotional father. The plot of the novel is based upon a true story told to James by his close friend, British actress Fanny Kemble. The book is often compared with Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships.

What Maisie Knew is a novel by Henry James, first published as a serial in The Chap-Book and (revised and abridged) in the New Review in 1897 and then as a book later that year. It tells the story of the sensitive daughter of divorced, irresponsible and narcissistic parents. The book follows the title character from earliest childhood to precocious maturity. What Maisie Knew has attained a fairly strong critical position in the Jamesian canon. Edmund Wilson was one of many critics who admired both the book's technical proficiency and its judgment of a negligent and damaged society. When Wilson recommended What Maisie Knew to Vladimir Nabokov, the author of Lolita, Nabokov said he thought the book was terrible. F. R. Leavis, on the other hand, declared the book to be "perfection". The psychoanalytic critic Neil Hertz has argued for a parallel between James' narrative voice and the problem of transference in Freud's Dora case.

Henry James OM (1843-1916) was an Anglo-American novelist. He was one of the most important literary people of the late 19th century. James was the son of Henry James Senior, a clergyman, and the brother of William James, the psychologist and philosopher. He grew up mostly in the United States but spent the majority of his life in England. He became a British citizen in 1915. His sister, Alice James, was also a writer. In his novels, he wrote from the viewpoint of one of the characters. Some literary critics compared this to impressionist painting. In his own literary criticism, James insisted that writers be allowed the greatest possible freedom in how they looked at the world.

Picture and Text is a collection of essays by Henry James on the art of illustration, published in 1893. The essays are brief profiles of the principal illustrators for Harper and Brothers books and magazines, and has been remembered for extensive and perceptive essays on John Singer Sargent and Honoré Daumier. Included with the essays on black-and-white illustration of texts is a discussion in dialogue form about the similar relation between scenery and play in the theater.

The Ambassadors is a 1903 novel by Henry James, originally published as a serial in the North American Review (NAR). The novel is a dark comedy which follows the trip of protagonist Lewis Lambert Strether to Europe to bring the son of his widowed fiancée back to the family business. The novel is written in the third-person narrative from Strether's point of view.

Partial Portraits is a book of literary criticism by Henry James published in 1888. The book collected essays that James had written over the preceding decade, mostly on English and American writers. But the book also offered treatments of Alphonse Daudet, Guy de Maupassant and Ivan Turgenev. Perhaps the most important essay was The Art of Fiction, James' plea for the widest possible freedom in content and technique in narrative fiction.

Notes of a Son and Brother is an autobiography by Henry James published in 1914. The book covers James' early manhood and tells of "the obscure hurt" that kept him out of the Civil War, his first efforts at writing fiction, and the early death of his beloved cousin, Minny Temple, from tuberculosis.

Henry James OM (1843-1916) was an Anglo-American novelist. He was one of the most important literary people of the late 19th century. James was the son of Henry James Senior, a clergyman, and the brother of William James, the psychologist and philosopher. He grew up mostly in the United States but spent the majority of his life in England. He became a British citizen in 1915. His sister, Alice James, was also a writer. In his novels, he wrote from the viewpoint of one of the characters. Some literary critics compared this to impressionist painting. In his own literary criticism, James insisted that writers be allowed the greatest possible freedom in how they looked at the world.