Bücher von Henry James

Shakespeare is thought to have inspired only five of the 20 poems in William Jaggard's "The Passionate Pilgrim" (1599) anthology, which was given the "W. Shakespeare" credit on the title page. These two sonnets, along with three other poems taken from the play Love's Labour's Lost, were later included in the 1609 collection of Shakespeare's sonnets. Shakespeare is not who is claimed to be on the title page, according to both internal and external evidence. During his lifetime, two were published in other collections under an anonymous name, and five were credited to other poets. While the majority of critics rule out the remaining poems as not being Shakespearean due to stylistic differences, Ward Elliott and Robert Valenza's stylometric analysis placed two blocks of the poems within Shakespeare's style parameters. The Passionate Pilgrim was first published in octavo, probably in 1599 or possibly the year before. The first edition survives only in two sheets (poems 1-5, 16-18) preserved at the Folger Shakespeare Library. There are still two copies of the second edition (O2) from 1599. It is a collection of 20 poems that were first credited to William Shakespeare and was published in 1599 by William Jaggard.

American author Henry James's short story "The Figure in the Carpet" was initially published in 1896 and is sometimes regarded as a novel. The story is recounted in the first person; the unnamed narrator meets his favorite author and becomes fixated on learning the hidden meaning or purpose behind each of the author's works. "The Figure in the Carpet's" significance has eluded precise interpretation. Ford Madox Ford stated in his book Henry James (1913) that once it was released, James's contemporaries embarked on a search for the Figure as a recognizably physical being. We all look for the Figure in the Carpet these days. Eliot said in the introduction to his 1941 book A Choice of Kipling's Verse. It's possible that James's Figure is an actual thing that, like a talisman, makes it easier to understand his own creation. Vereker admits to the narrator that all of his detractors have missed his point, which is "Immense." Corvick and his fiancée, Gwendolen, pursue "the trick" without success until they are married. The knowledge of his late wife's major "secret" shocks and humiliates the widower husband. This novel by Henry James is written by Sir Henry James in interesting short stories.

American author Henry James wrote the travelog ''A Little Tour in France.'' The book En Province, which was serialized in The Atlantic Monthly from 1883 to 1884 under the title, describes a six-week trip James took to numerous provincial French cities, including Tours, Bourges, Nantes, Toulouse, Arles, and many others. In 1884, the first book was published. In 1900, a second, considerably updated version with pictures by Joseph Pennell was released. In the first line of the first chapter of the original magazine serial, James states: "Paris may be France, but Paris is not France." He intended the book to be a description of the provinces and perhaps even a tribute to them. Before deciding to settle in London in 1876, James had attempted to live in Paris. When he went back to France in 1882, he was able to see more of French rural life than he had before. Author Henry James visited France in 1882 and described his experiences in an easygoing, urbane, witty style. He was particularly interested in ancient cathedrals and castles, the less restored the better. There's little attempt at generalization or abstract theorizing; he is content to describe as accurately as possible.

The novel ''Daisy Miller'' by Sir Henry James first appeared in The Cornhill Magazine in June-July 1878 and was published as a book the following year. It features Daisy Miller, a beautiful American girl, being courted by Winterbourne, a sophisticated member of her country. Her flirtatiousness, which is frowned upon by the other expatriates when they gather in Switzerland and Italy, hinders his pursuit of her. In Vevey, Switzerland, Frederick Winterbourne and Annie "Daisy" Miller first cross paths. The novel presents a scenario of Winterbourne allegedly vacationing from his studies (an attachment to an older lady is rumored) They are introduced by Randolph Miller, Daisy's nine-year-old brother. Daisy Miller is described as a flower in full bloom, without inhibitions, and in the springtime of her life. Henry James uses Daisy's story to talk about the stereotypes he thinks Americans and Europeans have of one another as well as the prejudices that exist in all cultures. Novelist Henry James' Winterbourne is torn between attachment and his suffocating social milieu. The novella's final act has yet to unfold, but we cannot help but conclude that the real tragedy lies here in Winterbourne's relief over Daisy's behavior.

Henry James' 1903 book "The Ambassadors" was first released as a serial in the North American Review (NAR). The dark comedy book centers on Lewis Lambert Strether, the main character, as he travels to Europe to reintegrate the son of his widowed fiancée into the family company. The book is told from Strether's perspective in the third person. The novel consists of Lewis Lambert Strether (character in the novel) being sent to Paris by his fiancée to find her wayward son Chad. Strether's transition from an American to a European perspective is detailed in the book. Strether encounters Maria Gostrey, who provides him with insightful information on European culture (and the reader). Strether's personal introduction to Paris begins to widen his own head and heart to a more expansive understanding of the possibilities the world has to offer. Strether's friendship with Madame de Vionnet will be severed if Chad decides to go back to Woollett. Even for James's work, The Ambassadors' publishing history is convoluted. Before The Wings of the Dove (1902), between October 1900 and July 1901, he wrote the book, but he did not immediately find a publisher.

Between 1885 and 1886, Sir Henry James' work ''The Bostonians'' was first published as a serial in The Century Magazine before being turned into a book in 1886. The unusual triangle at the center of this bittersweet tragicomedy is formed by Basil Ransom, a political conservative from Mississippi, Olive Chancellor, a feminist from Boston, and Verena Tarrant, Olive's lovely, young apprentice in the feminist movement. Additionally, there are numerous political activists, journalists, and strange eccentrics in the book. The conflict that Ransom and Olive have over Verena's allegiance and dedication is at the heart of the story. Basil Ransom, a lawyer and Civil War veteran, sparks a romantic interest in the main character. He convinces her to move away from her home and pursue education in the feminist movement. The Bostonians deal with openly political topics, in contrast to much of James' writing. Due in part to prevailing customs at the time, Olive's potential lesbian desire for Verena is not made clear. A colorful supporting ensemble of would-be reformers, cynical journalists, and hangers-on surrounds the main characters. Verena Tarrant is a stunning young woman who, despite being passive and undecided, is an enthralling orator for women's rights, and Olive Chancellor.

Henry James' novel The Portrait of a Lady was first made available as a serial in The Atlantic Monthly and also in Macmillan's Magazine in the years 1880-1881 before being printed as a book in that same year. It is quite possibly one of James' most well-known long novels and is hailed by critics as one of his best works to date. The Portrait of Lady Volume II starts off in Rome where Isabel is seen rejecting Lord Warburton in the opening chapters while also being chased by Gilbert Osmond, the American expatriate she meets in the first volume of the novel. The book takes place in Europe, primarily in England and Italy, like the majority of James's works. The sequel majorly focuses on Isabel's life after her marriage to Gilbert Osmond and explores her relationship with Osmond's apparent daughter from his first marriage, Pansy. The novel gives the readers an open ending where they are free to interpret whether Isabel chooses to stay by Osmond's side in her loveless and abusive marriage or whether she rescues Pansy and leaves Osmond along with her. Isabel's tale of love and betrayal still touches audiences today because of its extreme poignancy.

Henry James released his little novel The Europeans: A Sketch in 1878. In essence, it is a comedy that contrasts the actions and viewpoints of two European tourists with those of their relatives who reside in the "new" world of New England. The Atlantic Monthly published the serialized version of the book from July to October of 1878. The story begins in Boston and New England in the middle of the 19th century and details the transition from the old to the new world for two European siblings. Eugenia Münster and Felix Young, the two protagonists, have been traveling between France, Italy, and Germany since they were young children.The patriarchal Mr. Wentworth, his son Clifford, 20, and his two daughters Gertrude and Charlotte captivate Felix. In contrast to Felix, who is content to accept the gift of a little house but values his independence, Eugenia's response is different. Her brother, on the other hand, is perfectly content to spend all of his time with Charlotte and Gertrude, spending countless hours painting portraits in their piazza or garden.

A father tries to prevent a relationship between his innocent daughter and the man he thinks wants to wed her for her money in Henry James' 1880 book Washington Square.Catherine Sloper, an innocent and reserved person, lives with her dictatorial father, Dr. Austin Sloper, in 1840s New York City. Lavinia Penniman, Catherine's idealistic aunt, offers her comfort. Dr. Sloper learns that Arthur Townsend has moved in with his widowed sister after squandering his previous bequest. Townsend believes he'll wed Catherine nevertheless, and the two are preparing to run away together.While Aunt Penniman extends Townsend an invitation to stay at the Sloper house while they are away, Sloper sends his daughter to Europe for a year in the hopes that she will forget about Townsend. Sloper tries to persuade Catherine out of her engagement when they are in Switzerland, but she resists, shocking Sloper with her determination. Catherine is so heartbroken that she won't even consider another love possibility. She devotes the ensuing years to charitable work and taking care of her ailing father. Townsend and Catherine have one final encounter, which Aunt Penniman arranges. She rejects his attempts now that she is older and wiser and accepts her existence as a spinster.

Henry James creates a harrowing analysis of society and its workings in The Awkward Age (1899) by exploring the English character and the conflict between new and old money along with a subtle satirical touch. James wrote The Awkward Age around the same time as The Turn of the Screw (1898) and What Maisie Knew (1896), both of which explore how the actions of the adults around young children threaten their innocence. In the beginning it seems like James' main concern in the novel is to resolve the vulnerability of Nanda so that she can thrive in an environment of questionable adult influences. But as the story progresses we see that James focuses on unimportant details like how much one character knows about another or what flimsy prior relationship can arise to disgrace someone. Nanda's parents and their acquaintances are such negative influences that we are led to assume she needs protection at the beginning of the book; nevertheless, by the end, she has developed the same cunning and deceitful tendencies as them. The Awkward Age is one of the most well-rounded and in some ways even the most intimate out of all James' masterpieces.

Published by Macmillan Company and William Heinemann in June 1896, Embarrassments written by Henry James is a collection of novellas which deal with a certain type of embarrassment in different ways. The book consists of four stories viz. "The Figure in the Carpet", "Glasses", "The Next Time", and "The Way It Came". The Figure in the Carpet was first published in Cosmopolis in January/February 1896 and it follows the story of an unnamed narrator as he obsesses over an author and his works. He goes to extreme lengths to figure out the secret meaning hidden in his works. In the second story, Glasses, which first appeared in the Atlantic Monthly in February 1896, we see an orphan woman whose only motive in life is to get a husband, and she would stop at nothing to realize that goal. The Next Time was first featured in The Yellow Book issue #6, in July 1895. It is the shortest story out of all and majorly focuses on the moral that the quality of writing does not ensure popularity and vice versa. Lastly, The Wait It Came, which was first published in Chapman's Magazine of Fiction (London) in May 1896 can be enjoyed for its romantic woes with a touch of the supernatural.

Henry James' story ''In the Cage'' was initially made available as a book in 1898. The protagonist of this lengthy tale is an anonymous London telegraphist. As she waits in the "cage" at the post office, she deciphers hints about the private lives of her clients from the frequently cryptic telegrams they send her. The telegraphist, who is perceptive and knowledgeable, eventually learns more information than she may have wanted to. An unnamed telegraphist works in a post office in a fashionable London neighborhood. She becomes "engaged" with Captain Everard and Lady Bradeen, a couple of lovers. By remembering certain code numbers in the telegrams, she manages to reassure them that their secrets are safe. The protagonist of in the Cage can be seen as a version of the artist, constructing a complex finished work from the slightest hints. Her knack for deducing details of her customers' lives from their brief, cryptic telegrams is similar in some ways to James' ability to invent stories from the tiniest suggestions. Her function was to dole out stamps and postal orders, weigh letters, answer stupid questions and give difficult change.

What Maisie Knew is an unchanged, high-quality reprint of the original edition of 1897.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

''Notes Of A Son And Brother'' is an autobiography written by Sir Henry James in 1914. The book details James' formative years, including his initial attempts at fiction writing, "the obscure hurt" that prevented him from serving in the Civil War, and the early death of his cherished cousin Minny Temple from illness. James starts using family letters in this second chapter of his autobiography, particularly those from his father Henry James Sr., and brother William. According to academic research, James added his own edits to the letters. James continued writing while earning his first fourteen dollars, which he excitedly examined. He started publishing critical essays and short tales in publications including The Nation, The North American Review, and The Atlantic Monthly. William, James' older brother, was torn between art and science before deciding on the latter, but it would be many years before he achieved the famed philosopher and psychologist status. James paints a vivid picture of his somewhat eccentric father, who pushed his kids "be something" rather than settle for "simple doing," in his book. Before having a stroke in December 1915 and passing away three months later.

In Henry James' widely acclaimed short story "The Private Life" written in 1893, the storyteller makes shocking realizations around two individuals from his holiday party while their stay in a village in the Swiss Alps. After an evening spent paying attention to the casual conversation of the London playwright Clarence "Clare" Vawdrey, he goes up to Vawdrey's room where he sees, "bent over the table in the attitude of writing", the person that he thought was left downstairs along with his other friends. Vawdrey, it appears, is double: the first one is his public self, which as per the storyteller is troubled by "neither moods nor sensibilities", and the second one is his private life, his writing persona, which remains concealed.The conveniently charming storyteller Lord Mellifont, in the meantime, experiences the "opposite complaint". According to the narrator, Lord Mellifont is "all public", and has "no corresponding private life". Behind the immaculate mask of his public persona, there is absolutely nothing. Lord Mellifont is all just a show.

Henry James wrote a book titled The Outcry in 1911. It was once intended to be a play. His final work, The Outcry, was finished just before he passed away in 1916. The plot centers on affluent Americans purchasing priceless works of art from Britain. The widower Lord Theign intends to sell American millionaire Breckenridge Bender his exquisite painting Duchess of Waterbridge by Sir Joshua Reynolds to pay off the gambling debts of his daughter Kitty Imber. Young art critic Hugh Crimble opposes the sale, saying that Britain's priceless works of art should remain in the nation. Lady Grace, Theign's astute daughter, lends him encouragement. When word of the Reynolds' impending sale reaches the media, a patriotic uproar erupts, much to Bender's delight. Crimble, meantime, has discovered another artwork in Theign's collection that he believes to be a Mantovano rare. (James believed this artist to be a fabrication; nevertheless, it was later discovered that a little-known painter by that name actually existed.) Crimble's suspicion on the Mantovano eventually proves to be accurate. Theign decides not to sell the Reynolds to Bender and instead chooses to gift the Mantovano to the National Gallery. His friend Lady Sandgate joins forces with Theign by giving her family's Sir Thomas Lawrence artwork to the Gallery.

This literary collection of short stories makes an effort to gather many of the timeless classics that have endured the test of time into one appealing volume and offer them so that everyone can take advantage of them, at a reduced, affordable price. This book has been valued throughout human history, and in order to ensure that it is never lost, we have taken steps to ensure its preservation by republishing it in a contemporary manner for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear. The Velvet Glove, Mora Montravers, a Round of Visits, Crapy Cornelia, and The Bench of Desolation are among the final tales by Henry James collected in The Finer Grain. James wrote some of his best-known works in his later years, including his autobiography A Small Boy and Others and Notes of a Son and Brother as well as The ambassadors where he mentioned failure to enjoy such as The turn of the screw, which gives a message to protect children from evil eyes, and The Wings of the Dove in which cultural clashes have occurred.

The Birthplace is a short story by Henry James that was first released in 1903 in his anthology. The tale shows James's doubts regarding Shakespeare's authorship and is a sharp satire on the excesses of bardolatry. The story also depicts a characteristically imaginative Jamesian protagonist creating another reality in his presentation on Bard's purported childhood activities, which goes beyond the specific scholarly topic. Morris Gedge receives a favorable offer to take on the role of custodian of Stratford-on-Shakespeare Avon's residence. James twice used Shakespeare's name in his notebooks as he was drafting the novel, so even though his name is not mentioned in the story, to Whom "the highest Mecca of the English-speaking people" is dedicated is obvious. After being appointed the custodian, Morris starts to question the explanations he is made to provide to visitors. He begins to qualify and fumble through his speech. His wife is distressed by this, and the owners of the temple issue a warning. He gives a funny lecture about how Shakespeare the child played around the house in the story's concluding scene. Of course, tourist revenue grows and Gedge gets paid more.

The Spoils of Poynton is a short novel which was first published in 1897 that addresses the issues of friendship, greed, the inherent strength found in familial connections and the nature of love. Mrs. Gereth is a willful widow who lives on her Poynton estate. Poynton is loaded up with "treasures" (the "spoils" of Poynton) that Mrs. Gereth and her late husband gathered, including paintings, tapestries, old chine, furnishings, object d'arts, etc. As per a senseless and unreasonable English law, everything in Poynton will be transferred to her child, Owen after the passing away of Mrs. Gereth's husband. Owen can do however he pleases with his mom. He can ask her to leave the house if he wishes, there is no legal obligation to stop him. Mrs. Gereth's companion, Fleda Vetch, is confronted with a dilemma. She adores Owen and he evidently cherishes her, yet she thinks it would be inappropriate for her to steal him away from Mona. The only way Fleda can get Owen to herself is if Mona decides to break off their relation with him. Owen is convinced that it his obligation to complete his marriage with Mona, despite the fact that on occasion he seems to prefer Fleda.

Not even a single piece of work created by Henry James is more remarkably exploratory than The Sacred Fount. As the book was written, at the pinnacle of James' artistic prowess, shortly after two major successes and not long before The Ambassadors, it did not have any problem catching the audience's attention. The Sacred Fount (1901) opens with a scene of a weekend party at the Newmarch, the incomparable English country house. Here James guides the reader down a peculiar garden path. The Sacred Fount -- the only work of writing by James which utilizes a first person narrator -- leaves us in the grasp of a compulsive novelist, who identifies disturbing changes in his colleagues. A lady known for her grace has lost her poise, a dull man turns appealing; a friend is unexpectedly aged, a plain lady shines brightly. Whenever one improves, another is seen to be suffering. With "plunges of insight," the storyteller follows his kindred visitors as the weekend progresses, eagerly attempting to figure out what he comes to accept are actual exchanges of the force of life.

The Real Thing - and other tales is an unchanged, high-quality reprint of the original edition of 1893.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

A manuscript written by the late governess of the unidentified narrator's sister is being read aloud. The text describes how she was hired by a guy who had taken on parental responsibility for his niece and nephew after their parents' passing. The governess's new employer, Flora's uncle, seems unconcerned with parenting the kids and leaves her in control entirely.She thinks the kids are aware that there are spirits in their house. Before her death, Miss Jessel, the previous governess, and another worker, Peter Quint, enjoyed a close friendship. Since Jessel and Quint spent a lot of time with Flora and Miles before they passed away, the governess believes that the two kids had been visited by ghosts.Flora denies seeing Miss Jessel, despite the governess's conviction that she has been conversing with her spirit. Miles, who finally speaks to her that night about his expulsion, is left behind when Mrs. Grose takes Flora away to her uncle. Quint's spirit appears to the governess at the window as she tries to view it. After telling Miles the ghost no longer influences him, she discovers that Miles had died in her arms.

A Landscape Painter by Henry James was published by Scott and Seltzer in 1919 in the US. The volume includes four stories written before Henry James reached his twenty-fifth year of age. James himself regarded stories as among our literature's most priceless works. The tales are reprinted, not from the English edition, but from the American periodicals, in which they were published in. The stories of James Howells are in every sense deserving of James at his finest and should be preserved. "A Most Extraordinary Case," the book's concluding piece, debuted in the Atlantic Monthly in April 1868. It dealt with a man's conscience who was deeply in love with a woman who was also in love with his competition. A wealthy young man who plays at being a poor artist-a landscape painter-and seeks sanctuary in a little beach community where he stays with an elderly sea captain and his daughter, the novel is a highly detailed tale told through his diary. This rare antique book is an exact replica of the original. Locksley, who was devastated by his broken engagement, relocates to a rural area of New England to pursue his artistic career.

Henry James' novel Madame de Mauves was first presented in The Galaxy Magazine in 1874. The story is mainly written from the perspective of a male friend of the wife and revolves around the unhappy marriage of a meticulous American wife and a far-from-scrupulous French husband. The story illustrates James' passionate interest in the "international subject,", especially at the beginning of his career. The smoothly delivered tale, one of the longest fictions he had ever tried, demonstrates how quickly James was developing his style and technique. The Comte Richard de Mauves' wife Euphemia is married to an unscrupulous and dissipated man who married his wife for her money alone. The Comte wishes her to take a lover so that he may pursue his own affair and tries to sublimate his love for her into friendship. Madame de Mauves has a very high opinion of Longmore and wants him to leave her alone. Longmore agonizes over whether or not to continue his daily visits. She asks him to break off contact, and that he does so simply because it is the honorable thing to do.

The poignant and insightful short tale "The Diary of a Man of Fifty" by Henry James explores aging and coming to terms with one's history. The narrator returns to Italy, where he previously spent some time, and revisits recollections of a love relationship that finally ended in failure. Some of these memories are unpleasant, while others are enlightening. This story is one of James' lesser-known works, and the 24-volume New York Edition of his Novels and Tales omitted it entirely (1907-09). It's written in the style of a journal, which makes it rather unusual as well. James typically preferred to use a first-person or omniscient third-person narrator to closely control the narrative and point of view. The general begins to question his own judgment in light of this and begins to wonder if he might have erred. An English army general of fifty-two returns to Florence after a romance with Countess Falvi. He meets Edmund Stanmer, a young English traveler of twenty-five who is acquainted with the Countess's daughter Bianca. The General warns Stanmer that Bianca is an actress and coquette, just like her mother.

The August night was dark, and Beacon Street, with its double chain of lighting, appeared to be a foreshortened desert. Because "everyone" was out of town, it's possible that the servants were profaning the tables in their excess of leisure. A leisurely passage-which at that time of year would probably also be a lovely one-was a guarantee of ten to twelve days of fresh air because America was sweltering and England would very well be stuffy. It was also clear that one was old and the other was young, and that their differences did not preclude them from becoming mother and daughter. One of the guests in Mrs. Nettlepoint's home described how "low" Mr. Mavis Porterfield had been; the other, a young girl, was too upset by the thought of being left alone with her frail, maybe terminally ill father to care for him. The Patagonia was slow but spacious and comfortable, and there was motherly decency in her long nursing rock and her rustling old-fashioned gait. It seems as though she didn't want to arrive in port with the splashing enthusiasm of a youthful creature.

The elderly guy opened the door to the little salon de lecture and remarked, "I guess my daughter is in here." When George Flack discovered Mr. Dosson sitting on the hotel's court, he asked him where Miss Francina was. There were indistinct prostrations on seats of exhausted heads of American families, flittings of tray-bearing waiters and unheeded bells, discussions with landladies and sayings-fourth of admonitory landlady. Mr. Flack visited every day for the next month to lead them in the correct direction, pointing out its benefits in a way that made them realize how greatly they had erred. He had accepted from the beginning the notion that she was his enemy, and he made this point frequently enough to become grating. However, he purposefully kept quiet because he didn't want to attract any attention from strangers. While Francie gave the two guys coffee, he was smoking cigarettes with a buddy, which she found to be extremely nice. She had the same effect on the man who was with him and who never looked away from her as she continued to work on a number of completed and incomplete paintings. The night they accompanied Mr. Probert to the circus, Delia had erupted; she had apostrophized Francie while they were each sitting on red-damask chairs in their own rooms.

The Marriages, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Nona Vincent , has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.