Bücher von Henry Norman

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

""An Account of the Harvard Greek Play"" is a historical book written by Henry Norman and published in 1881. The book details the production of the first Greek play at Harvard University, which was a performance of ""Antigone"" by Sophocles. The author provides a comprehensive overview of the play's production, including the casting of roles, the set design, and the costumes. He also discusses the significance of the play in the context of Harvard's intellectual and cultural history. The book is a valuable resource for anyone interested in the history of theater and the classics at Harvard University.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In May 1881, students of Harvard University performed Sophocles' masterpiece, Oedipus Tyrannus, in the original Greek. Witnessed by 6,000 people, this performance was reported far and wide, and has gone down in theatre history as a huge success which excited almost universal enthusiasm. Henry Norman's 1882 book commemorates the performance, providing a record of permanent value for every student of Sophocles. Norman describes the background to the decision to stage the play, and presents key information on Sophocles and the characteristics of Greek tragedy. He then recounts the performance in detail, describing the aspects of the play which made it such a memorable experience, including the music, the setting and the scholarship. The book includes a transcript of the programme and illustrations showing some of the costumes and key moments of the play. It provides a fascinating contemporary account of this landmark in the modern revival of classical Greek theatre.