Bücher von Iain Campbell

The best photographic field guide to Australia's birdsAustralia is home to a spectacular diversity of birdlife, from parrots and penguins to emus and vibrant passerines. Birds of Australia covers all 714 species of resident birds and regularly occurring migrants and features more than 1,100 stunning color photographs, including many photos of subspecies and plumage variations never before seen in a field guide. Detailed facing-page species accounts describe key identification features such as size, plumage, distribution, behavior, and voice. This one-of-a-kind guide also provides extensive habitat descriptions with a large number of accompanying photos. The text relies on the very latest IOC taxonomy and the distribution maps incorporate the most current mapping data, making this the most up-to-date guide to Australian birds.Covers all 714 species of resident birds and regularly occurring migrantsFeatures more than 1,100 stunning color photosIncludes facing-page species accounts, habitat descriptions, and distribution mapsThe ideal photographic guide for beginners and seasoned birders alike

Who, what, and where perceives, and how? What are the sedimentations, inscriptions, and axiologies of animal, human, and machinic perception/s? What are their perceptibilities? Deleuze uses the word 'visibilities' to indicate that visual perception isn't just a physiological given but cues operations productive of new assemblages. Perceptibilities are, by analogy, spatio-temporal, geolocative, kinaesthetic, audio-visual, and haptic operations that are always already memory. In the case of strong inscriptions, they are also epigenetic events.In physics, resonance is the tendency of a system to vibrate with increasing amplitudes at certain frequencies of excitation. In cybernetics and in theories of technology, it refers to systems' feedback. In Native science, resonance denotes the axiology of positions and events. It's a form of multi-species perception that emphasises emergent directionality and protean mnemonics.This transdisciplinary volume brings together key theorists and practitioners from media theory, Native science, bio-media and sound art, philosophy, art his- tory, and design informatics to examine: a) the becoming-technique of animal- human-machinic perceptibilities; and b) micro-perceptions that lie beneath the threshold of known perceptions yet create energetic vibrations. The volume shows distributed perception to be a key notion in addressing the emergence and peristence of plant, animal, human, and machine relations.

Technology is a host of social, material, and epistemic transformation techniques, tools, and methods. The common perception of digital technology today is that it is determined, even over-determined. This volume suggests a different view: the digital is indeterminate. Mobilising insights from philosophy, art and architecture theory, mathematics, computer science and anthropology, it situates digital indeterminacy within the wider context of material and immaterial processes, causations, triggerings, and their performative working. The book's tripartite structure reflects technology's inherent capacity to transform knowledges, practices, and time. Part I: Social-Digital Technologies juxtaposes arguments for machinic indeterminacy to those of overdetermination in blockchain, cognitive augmentation, and digital ideology. Part II: Spatial, Temporal, Aural and Visual Technologies delves deeper into received ideas about technologies for building spatial structures, manufacturing instruments and constructing the visual space. Part III: Epistemic Technologies analyses the use of plasticity in cognitive science, contingency in thinking habits, ontogenesis in experimental computing, and divination techniques with an inbuilt margin of indeterminacy.List of contributors: Franco 'Bifo' Berardi, Iain Campbell, Stephen Darren Dougherty, Aden Evens, Oswaldo Emiddio Vasquez Hadjilyra, Stavros Kousoulas, Natasha Lushetich, Peteer Muursepp, Luciana Parisi, Andrej Radman, Alesha Serada, Dominic Smith, Sha Xin Wei, Joel White, Ashley Woodward, and David Zeitlyn.

The first field guide to all of the world's major land habitats-richly illustrated and packed with essential information to help you get the most out of your outdoor adventuresAccurately identifying and understanding habitats in detail is essential to any birder, naturalist, outdoor enthusiast, or ecologist who wants to get the most out of their experiences in the field. Habitats of the World is the first field guide to the world's major land habitats-189 in all. Using the format of a natural history field guide, this compact, accessible, and comprehensive book features concise identification descriptions and is richly illustrated-including more than 650 color photographs of habitats and their wildlife, 150 distribution maps, 200 diagrams, and 150 silhouettes depicting each habitat alongside a human figure, providing an immediate grasp of its look and scale. Each major habitat has an illustrated "e;climate box"e; that allows easy comparisons between habitats. Thirty other illustrated boxes present clear explanations of complex phenomena affecting habitats-from plate tectonics and mountain formation to fire regimes and climate change. Requiring no scientific background, Habitats of the World offers quick and reliable information for anyone who wants a deeper understanding and appreciation of the habitats around them, whether in their own backyard or while travelling anywhere in the world.Covers 189 of the world's major land habitatsProvides all the information you need to quickly and accurately identify and understand habitats anywhere in the worldFeatures concise text, more than 650 color photographs of habitats and their wildlife, an up-to-date distribution map for each habitat, and hundreds of helpful diagrams and illustrations