Bücher von James Fenton

Listen to what they did.Don't listen to what they said.What was written in bloodHas been set up in lead.-from "Blood and Lead"The leading poet of his generation, James Fenton has over the course of his career built a body of work breathtaking in its range and sensibility. From the passionate political poems that launched him into fame to the intimate illuminations of love-and loss of love-in his later work, Fenton's poetry has always been marked by formal daring, wit, and an abiding empathy for the victims of war and political oppression. With selections from all of his published work since The Memory of War, the entire text of his libretto The Love Bomb, and new, previously uncollected poems, Selected Poems is an imaginative and formal tour de force.

"An engaging mix of the serious and the playful, and Fenton writes with a lightness of touch perfectly suited to the subject." --Alexander Urquhart, The Times Literary SupplementForget structure. Forget trees, shrubs, and perennials. As James Fenton writes, "This is not a book about huge projects. It is about thinking your way toward the essential flower garden, by the most traditional of routes: planting some seeds and seeing how they grow." In this light hearted, instructive, original "game of lists," Fenton selects one hundred plants he would choose to grow from seed. Flowers for color, size, and exotic interest; herbs and meadow flowers; climbing vines, tropical species--Fenton describes readily available varieties, and tells how to acquire and grow them.Here is a happy, stylish, unpretentious, and thought-provoking gardening book that will beguile and inspire both novice and expert alike.

A wise, absorbing, and surprising introduction to poetry written in English, from one of England's leading poetsJames Fenton is that rare scholar "not ashamed to admit that he mostly reads for pleasure" (Charles Simic, The New York Review of Books). In this eminently readable guide to his abiding passion, he has distilled the essense of a library's--and a lifetime's--worth of delight.The pleasures of his own verse can be found in abundance here: economy, a natural ease, and most of all, surprise. What is English poetry? Fenton argues that it includes any recited words in English that marshall rhythm for their meaning--among them prisoners's work songs, Broadway show tunes, and the cries of street vendors captured in verse. From these beginnings, Fenton describes the rudiments of--and, most important, the inspiration for--the musical verse we find in books, and concludes with an illuminating discussion of operas and songs. Fenton illustrates his comments with verse from all over the English-speaking world.Catholic in his taste, shrewd in his distinctions, and charmingly frank, Fenton is an ideal guide to everything to do with poetry, from the temperament of poets to their accomplishment, in all its variety. In all his writing, prose or verse, Fenton has always had the virtue of saying, in a way that seems effortless, precisely what lies at the heart of the matter. In this vein, An Introduction to English Poetry is one of his highest accomplishments.

Three Libretti-Ranging In Setting From Ancient Jerusalem To Pre-Apocalyptic London-From An Acclaimed PoetThis volume of libretti marks new work-and new terrain-for James Fenton. Commissioned by companies in New York and England, these musical pieces make the most of the poet's poignant, witty, and characteristically lyrical verse. Whether evoking modern-day London on the edge of apocalypse in The Love Bomb, a timeless land beyond the moon in this version of Salman Rushdie's children's novel Haroun and the Sea of Stories, or ancient Jerusalem in his stirring oratorio The Fall of Jerusalem, which was composed to mark the millennium, Fenton's lucid storytelling and stylish wordplay bring these pieces vividly to life-with equal power in performance or on the page.Haroun and the Sea of Stories was commissioned by the New York City Opera and had its premiere at Lincoln Center in September 2003."[James Fenton] writes as no one else dares to--with clarity, wit, and the simplest of rhymes."--Voice Literary Supplement

Sharp-eyed critiques and appreciations of the essential poets of our time. James Fenton is unique among contemporary writers in having achieved equal distinction as a poet and -- in his reportage and criticism -- as a master of trenchant prose. What is more, he has shown himself a devoted critic of both American and British modern poetry, an explainer of each tradition to the other and to itself. In these lectures, delivered at Oxford (where he succeeded Seamus Heaney as Professor of Poetry from 1994 to 1999), Fenton moves easily from Philip Larkin's laments for the British Empire, to Heaney's uneasy rebellion against it, to Robert Frost's celebrations of American conquest; from W. H. Auden on Shakespeare's homoeroticism to the vexed "feminism" of Elizabeth Bishop; from Wilfred Owen's juvenilia to Marianne Moore's youthful agitation for women's suffrage.In these lectures -- many of which appeared in The New York Review of Books -- Fenton makes sense of the last century in poetry, and explores its antecedents and its legacies, with the lucidity, wit, and gusto that have made his criticism famous.

Fenton's work is elegant, highly finished, reticent, witty. Disturbing and deeply affecting, Children in Exile remains an exhilarating and memorable performance."Quite simply, Fenton's poems are frightening." - The New York Times Book Review

Out of Danger (1994) was Fenton's first collection of poems in ten years, and the poems in it renew and amplify the qualities of unflinching observation and freewheeling verbal play that made his earlier Children in Exile so distinctive and distinguished. The poems in this book's title sequence address the dangers of love, and the love of danger; Fenton proposes that in love, politics, and poetry alike the truth is "something you say at your peril" and yet "something you shouldn't contain." Part II of the book, "Out of the East," is a series of ironical fight songs about political violence-- in Manila, the Middle East, Tiananmen Square, and elsewhere. Part III, "Maski Paps," reveals again Fenton's celebrated talents for light-verse nonsense. And in "The Manila Manifesto" he turns his gifts loose upon the world of poetry itself in ways that will both enrage and delight. Out of Danger is refined and daring, jocular and deeply challenging.

James Fenton (1820-1901), a pioneer, wrote this history of the island in 1884. It is an important work for those interested in colonialism and the history of Australia, as it documents the building of the colony (including the involvement of convicts) and the treatment of the native aborigines.