Bücher von Jeremy Mark Robinson

This is a study of the adaptations of Ghost In the Shell by Masamune Shirow.

FULLMETAL ALCHEMISTA CRITICAL STUDY: HIMORU ARAKAWA: THE MANGA AND THE ANIMEFullmetal Alchemist (Hagane no Renkinjutsushi, 2001-2010) is a long-running manga by Himoru Arakawa (b. 1973, Hokkaido), a masterwork of narrative art of recent times which led to the production of two truly magnficent animé series in 2003-2004 and 2009-2010. The Fullmetal Alchemist comic and animated series depict a fully realized steam-punk world in which alchemy is a science. The heroes, Ed and Al Elric, are alchemists who commit the ultimate taboo of trying to bring their mother back to life. The story follows their struggle to regain their former, damaged selves, and to save the country of Amestris from the villains, the homunculi. Fullmetal Alchemist may well be the most accomplished and profound manga and anime of recent years. Everything about it works - as absolutely thrilling storytelling, with compelling characters, truly awesome action scenes, and very contemporary political themes. Himoru Arakawa's artwork is sharp, elegant and witty, and her imagination knows no bounds. The two animated TV series render the world of Fullmetal Alchemist in a spectacular fashion. The Fullmetal Alchemist franchise includes movies, video games, soundtracks, audio tracks, light novels, guidebooks, artbooks, and toys. This new study features a complete survey of the Fullmetal Alchemist manga, chapter by chapter; a guide to the two animated TV series, episode by episode; chapters on the Fullmetal Alchemist movies and Original Video Animations; and chapters on Arakawa's other comics and anime (such as Arslan, Heroic Tales and Silver Spoon). This is the most comprehensive exploration of Fullmetal Alchemist anywhere. Fully illustrated with over 170 illustrations. Bibliography, filmography, resources and notes. 632 pages. Hardcover with a full colour case laminate cover. www.crmoon.com

THE ECSTATIC CINEMA OF TONY CHING SIU-TUNGBy Jeremy Mark RobinsonTony Ching Siu-tung (b. 1953) started out as an actor and stuntman, working in movies in the late 1960s and 1970s; he moved into television as martial arts co-ordinator, in the late 1970s and thru the 1980s (where on several historical TV series); he moved up to directing movies with 1983's Duel To the Death. This book is fully illustrated in colour. Tony Ching Siu-tung's two signature works are probably A Chinese Ghost Story and The Swordsman 2. Critically, those two films (and their movie series, the Chinese Ghost Story series and the Swordsman series) have garnered the highest criticial accolades (and they were big hits financially), and The Swordsman 2 has been the subject of numerous analyses of gender-bending issues in cinema. The sight of Brigitte Lin in drag and later fooling around with Jet Li as a 'woman' seems to drive film critics goo-goo. Tony Ching Siu-tung has won awards for the action choreography for The Witch From Nepal, Shaolin Soccer, New Dragon Gate Inn, Hero and The Swordsman. Like the other famous action directors in Hong Kong cinema (such as Yuen Woo-ping, Sammo Hung, Corey Yuen and Yuen Bun), Tony Ching Siu-tung has worked with every single star in Hong Kong, every producer, every cameraman, designer, stylist, costumier, etc, and probably every stuntman and stuntwoman. Ching Siu-tung had provided action direction for Tsui Hark, Johnnie To, John Woo, Wong Jing, Ringo Lam, Zhang Yimou, Peter Chan, Andy Lau, Kevin Chu, and Stephen Chow, among others. That is, practically all of the major filmmakers in China. Technically, the movies directed by Tony Ching Siu-tung are breathtaking - in every department of film production, Ching's movies excel. Costumes are lavish, the sets are super-detailed, and the cinematography is stellar. Sometimes you really are looking at something very close to a classical, Chinese painting, where the billowing robes that the actors wear fit in perfectly, and are spot-on equivalents for the spiritual mood of Chinese art. Fully illustrated in colour throughout (over 290 illustrations), with images from the films of Tony Ching and other Chinese/ Hong Kong productions. With filmography, bibliography and notes. 592 pages. Hardcover, with a full colour laminate cover. www.crmoon.com

WALERIAN BOROWCZYK: THE BEAST ---- By Jeremy Robinson ---- Walerian Borowczyk (known as 'Boro') is one of cinema's one-offs. Quite simply, there is no filmmaker quite like Borowczyk. Borowczyk's films have an astonishing, magical quality. They reach a place very rare in contemporary cinema, and are quite unlike the films of any other auteur. Borowczyk's movies create their own space, with imagery, sounds and music of a really exceptional power. The appendices include a note on fairy tales, and on other versions of Beauty and the Beast (including the Jean Cocteau movie, and the 1991 Walt Disney musical movie). ---- Fully illustrated, with stills from The Beast, and Walerian Borowczyk's movies, plus influences, a bibliography, filmography, appendices, quotes from Borowczyk and notes. 168pp. www.crmoon.com

THE CINEMA OF HAYAO MIYAZAKI Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the 'Japanese Disney', a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki's films do is to bring you completely into a fantasy world that is instantly recognizable and familiar. It's as if these fantasy realms have always existed - very much like J.R.R. Tolkien's Middle-earth or Ursula Le Guin's Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements, so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees and make strange clicking noises. To write one hit animation movie is amazing, to write eleven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct eleven features is unheard-of in the world of contemporary commercial animation. This new study considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli ¿ on fellow director Isao Takahata ¿ Miyazaki's influences ¿ his contemporaries and colleagues ¿ his characters ¿ his movies' relation to Western animation (including the Walt Disney Company) ¿ his unmade films ¿ and his themes and motifs. Japanese animation, its production and style, some classics of anime, and digital animation are also explored. Includes quotes by Miyazaki; fans on Miyazaki; and resources. The second edition has been completely updated and revised. Fully illustrated. With filmography, bibliography and notes. 520 pages. ISBN 9781861713902. www.crmoon.comAUTHOR'S NOTE: I hope this book offers readers some new insights into the films of the incredible filmmaker Hayao Miyazaki, so they can go back and enjoy them all over again. I have looked at all of the key research for this book, which was begun years ago. I have focussed mainly on the movies themselves, exploring each one in detail. The book also includes technical info on animation, a chapter on the animation industry in Japan, and comparisons between Miyazaki's films and those in the West, including Walt Disney's work. There are chapters on the output of Studio Ghibli, and also Isao Takahata, Miyazaki's colleague.

TOMMY: KEN RUSSELL: THE WHO: POCKET MOVIE GUIDEBy Jeremy Mark Robinson. Tommy is a 1975 movie based on the rock opera by the British pop band Who and directed by British genius Ken Russell. Shamelessly over-the-top, silly, wild, dynamic, primitive, glitzy and violent, Tommy ain't subtle: it presents pop psychology which's crude as a sledgehammer, symbolism which's heavy-handed like a pinball machine hurled out of a hotel onto Sunset Strip; it's decked out in Pop Art colours and costumes by way of glam rock; it's proudly and bizarrely English and parochial and provincial; it's perverse and kinky; it's shrill and hysterical; and it contains some of the finest music every included in a musical movie. If Richard Wagner was making movies out of his music in the 1970s, this is what it would look like. Tommy would have to rank in the top three of anyone's Ken Russell films. It's one of those movies where every element comes together beautifully, and where everyone in the production seems to be working at their best. Tommy's not perfect, but you wouldn't want to change anything. This book features lengthy chapters on every aspect of director Ken Russell. A filmmaker like no other, Russell remains one of cinema's extraordinary talents, a creator of masterpieces such as The Devils, Tommy and The Music Lovers, and a body of work that flies from the pastoral, Romantic lyricism of Delius: Song of Summer and Elgar to the wild extremes of Lisztomania, Altered States and Mahler. Plus chapters on the Who; appendices on Quadrophenia; filmographies and discographies; and bibliography; quotes by Russell, resources, video and DVD availability, and fans on Tommy. Fully illustrated, including images of the Who, musicals of Tommy, and inspirations. Bibliography and notes. ISBN 9781861715050. 312 pages.www.crmoon.comJEREMY MARK ROBINSON has written many critical studies, including Hayao Miyazaki, Arthur Rimbaud, Jean-Luc Godard, and The Sacred Cinema of Andrei Tarkovsky, plus literary monographs on: J.R.R. Tolkien; Samuel Beckett; Thomas Hardy; André Gide; Robert Graves; and Lawrence Durrell.

PERFORMANCE: DONALD CAMMELL: NIC ROEG: POCKET MOVIE GUIDEby Jeremy Mark Robinson This book explores Performance, a classic movie co-directed by Donald Cammell and Nic Roeg and starring Mick Jagger, James Fox and Anita Pallenberg, released in 1970. Among the supporting cast were Michele Breton, Ann Sidney, Johnny Shannon and Anthony Valentine. 'A perverted love affair between Homo Sapiens and Lady Violence', was how Jagger and Cammell described Performance in their telegram to the president of Warners, Ted Ashley. Performance was a tale of a British gangster on the run who goes to ground in the basement of a reclusive pop star's mansion in London's Powis Square, Notting Hill. Like 1966's Blow-Up (directed by Michelangelo Antonioni, written by Antonioni, Tonino Guerra and Edward Bond), Performance has become a classic portrayal of late 1960s (British) pop culture, and of the London scene. The book includes chapters on the culture, gangster and pop music worlds of Performance, on directors Nic Roeg and Donald Cammell, on Mick Jagger, and on links to the movie, such as Kenneth Anger and Aleister Crowley. Although Donald Cammell's credits consist of a very few titles as a film director - Performance (1970), Demon Seed (1977), White of the Eye (1987) and Wild Side (1995) - he remains one of the most fascinating of British filmmakers. Appendices include films linked to Performance, such as Sympathy For the Devil, Fitzcarraldo, The Man Who Fell To Earth and Stoned. Fans and critics on Performance. Fully illustrated (including images from the movie, from Cammell's and Roeg's films, from the Rolling Stones, and from the 1960s period of Performance). Bibliography, filmographies and notes. ISBN 9781861715012. 292 pages.www.crmoon.comJEREMY MARK ROBINSON has written many critical studies, including Hayao Miyazaki, Arthur Rimbaud, Jean-Luc Godard, and The Sacred Cinema of Andrei Tarkovsky, plus literary monographs on: J.R.R. Tolkien; Samuel Beckett; Thomas Hardy; André Gide; Robert Graves; and Lawrence Durrell.

SEX-MAGIC-POETRY-CORNWALL: THE POEMS OF PETER REDGROVE A new study of the poems of one of Britain's best but underrated poets, Peter Redgrove (1932-2003). This book considers some of Redgrove's wildest and most passionate works, creating a 'flood' of poetry. Philip Hobsbaum called Redgrove 'the great poet of our time', while Angela Carter said: 'Redgrove's language can light up a page.' Redgrove ranks alongside Ted Hughes and Sylvia Plath. He is in every way a major poet. Jeremy Robinson's essay analyzes all of Redgrove's poetic work, including his use of sex magic, natural science, menstrual energy, psychology, myth, alchemy and feminism. This new edition has been completely rewritten. With a bibliography and resources. Illustrated. British Poets Series. Peter Redgrove wrote to Jeremy Robinson about this book: Sex-Magic-Poetry-Cornwall is a very rich essay... It is a very good piece... Your essay has an infectious enthusiasm, which I'm grateful for, and I especially like the places where you actually grapple with the language of my poems, which is like writing them again. It is a very good piece, which carries the reader with it... Your own approach is irreplaceable because it seems to me founded on your own individuality and personal experience of my poems - which is vastly gratifying... in the majority it is vastly stimulating and insightful. Always, I am grateful to you for your trouble, and your deep response to what I have written. I like very much the way you have resurrected poems I had forgotten worked, like the clothes magic-wet and the alchemical honeymoon - I thought they didn't work because nobody had put them in context before of the elemental life that nudges into them always - and I like the cragginess of the prose poems in contrast. Your choice of quotations is excellent throughout, and this is the real point - plus enthusiasm.. it is like a laser gas into which you pump your enthusiastic energy, there is a sudden shift of atomic orbits, and the texts shine with their own weird and natural light!