Bücher von Jody Rosen

Ein Wunder von einem Buch über eine phänomenale Erfindung: das FahrradEine einzigartige Liebeserklärung an das Fahrrad: Der Fahrradkurier und Journalist Jody Rosen erzählt mitreißend, klug und charmant von Geschichte und Gegenwart eines genialen Fortbewegungsmittels, das die Welt verändert hat.Eigentlich müsste ein Fortbewegungsmittel aus dem 19. Jahrhundert in unserer Welt mit ihren Smartphones, Ubers und selbstfahrenden Autos hoffnungslos veraltet sein. Doch das Gegenteil ist der Fall: Wir leben auf einem Fahrrad-Planeten! Das Fahrrad ist heute das meistgenutzte Transportmittel weltweit. Jody Rosen erzählt kenntnisreich und mitreißend von aristokratischen Jungspunden auf Drahteseln, von Frauen, denen das Fahrradfahren per Gesetz verboten wurde, weil sie ihren Männern davonfuhren, von Fahrradfriedhöfen bis hin zu den BLM-Protesten. Eine unvergessliche Lektüre und ein einzigartiges Geschenk!

"The bicycle is a vestige of the Victorian era, seemingly out of pace with our age of smartphones and ridesharing apps and driverless cars. Yet we live on a bicycle planet. Across the world, more people travel by bicycle than by any other form of transportation. Almost anyone can learn to ride a bike-and nearly everyone does. In Two Wheels Good, writer and critic Jody Rosen reshapes our understanding of this ubiquitous machine, an ever-present force in humanity's life and dreamlife-and a flashpoint in culture wars-for more for than two hundred years. Combining history, reportage, travelogue, and memoir, Rosen sweeps across centuries and around the globe, unfolding the bicycle's saga from its invention in 1817 to its present-day renaissance as a "green machine," an emblem of sustainability in a world afflicted by pandemic and climate change. Readers meet unforgettable characters: feminist rebels who steered bikes to the barricades in the 1890s, a prospector who pedaled across the frozen Yukon to join the Klondike gold rush, a Bhutanese king who races mountain bikes in the Himalayas, a cycle rickshaw driver who navigates the seething streets of the world's fastest-growing megacity, astronauts who ride a floating bicycle in zero gravity aboard the International Space Station"--

When Irving Berlin first conceived the song "White Christmas," he envisioned it as a "throwaway" -- a satirical novelty number for a vaudeville-style stage revue. By the time Bing Crosby introduced the tune in the winter of 1942, it had evolved into something far grander: the stately yuletide ballad that would become the world's all-time top-selling and most widely recorded song. In this vividly written narrative, Jody Rosen provides both the fascinating story behind the making of America's favorite Christmas carol and a cultural history of the nation that embraced it. Berlin, the Russian-Jewish immigrant who became his adopted country's greatest pop troubadour, had written his magnum opus -- what one commentator has called a "holiday Moby-Dick" -- a timeless song that resonates with some of the deepest themes in American culture: yearning for a mythic New England past, belief in the magic of the "merry and bright" Christmas season, longing for the havens of home and hearth. Today, the song endures not just as an icon of the national Christmas celebration but as the artistic and commercial peak of the golden age of popular song, a symbol of the values and strivings of the World War II generation, and of the saga of Jewish-American assimilation. With insight and wit, Rosen probes the song's musical roots, uncovering its surprising connections to the tradition of blackface minstrelsy and exploring its unique place in popular culture through six decades of recordings by everyone from Bing Crosby to Elvis Presley to *NSYNC. White Christmas chronicles the song's legacy from jaunty ragtime-era Tin Pan Alley to the elegant world of midcentury Broadway and Hollywood, from the hardscrabble streets where Irving Berlin was reared to the battlefields of World War II where American GIs made "White Christmas" their wartime anthem, and from the Victorian American past that the song evokes to the twenty-first-century present where Berlin's masterpiece lives on as a kind of secular hymn.