Bücher von John Anderson

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It is commonly assumed that the issue of religion declines in political significance as societies modernise. However, the upheaval associated with the shift from authoritarian to more open regimes can be accompanied by a revitalisation of religion. Individuals within these societies are struggling to find meaning in the seeming chaos of political change; religious elites are seeking to define their own role within the new order; and political elites are looking for new ways of ensuring legitimacy and building national unity. In this book John Anderson constructs a theoretical framework where he compares and contrasts the politics of religious liberty in two Southern European countries, two Central-Eastern European countries and the evolution of the former USSR, particularly Russia. Exploring these issues of religious 'recognition' and religious diversity, Anderson attempts to expose the wider problem of creating a democratic mentality in such transitional societies, through extensive original research and interviews.

The Way of the Living Ghost is a cautionary treatise. It is a work about being hollow and overfull, and about seeing "now" and "then" through darkened eyes. It is about hunger, need, loss, violence, and injustice. It is a meditation on paradox and inertia. All of these are hallmarks of ghosts, but the living ghost can change its fate.This enigmatic work by Dr Anderson combs through the Daodejing, line by line, in new translation giving robust commentary to the dark side of the Dao. It is a direct response to the pronounced current in Daoist literature which recognizes some form of "cultivated" or "perfected" person, but awards scant recognition of the "unwhole" or "imperfect" parts of a lived life. We invite you to delve into this work and explore the necromantic philosophy espoused herein and learn the ways of the living ghost.Featuring art by Bryan Paul Patterson and Joseph Uccello, and a foreword by Brandt Stickley.

Essays on various subjects relative to the present state of religion is an unchanged, high-quality reprint of the original edition of 1780.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Central Asia is a fascinating region yet remote and unfamiliar to many people. This new study provides an introduction to the politics of Kazakhstan, Kyrgzstan, Tajikistan, Turkestan, and Uzbekistan. -- .

This non-academic author has previously brought you reader's guides to the depths and subtle pleasures of works by Joyce and Faulkner. With this book he brings you to the ultimate pleasures of Gustave Flaubert's masterpiece. This author treats Madame Bovary as the Zen novel, working on the reader in the same way Zen works on a disciple. He shows how Flaubert uses a radically new style in order to create a literary breakthrough of a similar order as Zen and has composed the ultimate music of this novel in the counterpoint of style and plot. The style of the novel is grounded in Zen-like detachment and freedom whereas the plot is mired in desire, illusion and determinism. In the plot the inevitable demise of Madame Bovary is driven by her passionate nature and corresponding vulnerability to illusion. By contrast Flaubert's radical style is built on the philosophy of detachment. Flaubert finds a principal enemy of human freedom deep in the guts of mankind in the tapeworm of desire. The desire tapeworm feeds on freedom and excretes dissatisfaction. Emma or Madame Bovary is not free because she has the worm. Emma wants, Emma gets, but she is quickly dissatisfied and then the worm wants more. Emma could be a poster girl for our 21st century credit card society. Flaubert's novel shows through the fate of Emma Bovary the dangers of the worm. For those without freedom fate is in charge.