Bücher von John Donne

John Donne's poems on heavenly and earthly love, delight and despair, beauty and betrayal, are rightly regarded as one of the glories of European civilisation, something every school child (and child of every age) should know

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Originally published in 1921, this volume contains two sermons by John Donne, delivered in 1621 and 1625, on the theme of death and resurrection. A short editorial introduction is also included. This book will be of value to anyone with an interest in Donne and his religious writings.

Originally published in 1923, this book contains an edition of John Donne's Devotions, which were first printed in 1624. Donne wrote these passionate and 'unadorned' meditations during a severe sickness that he feared was life-threatening, and the text consequently provides an intimate portrait of Donne that is lacking from many of his other writings.

This Modern Library edition contains all of John Donne's great metaphysical love poetry. Here are such well-known songs and sonnets as "A Valediction: Forbidding Mourning," "The Extasie," and "A Nocturnall Upon S. Lucies Day," along with the love elegies "Jealosie," "His Parting From Her," and "To His Mistris Going to Bed." Presented as well are Donne's satires, epigrams, verse letters, and holy sonnets, along with his most ambitious and important poems, the Anniversaries. In addition, there is a generous sampling of Donne's prose, including many of his private letters; Ignatius His Conclave, a satiric onslaught on the Jesuits; excerpts from Biathanatos, his celebrated defense of suicide; and his most famous sermons, concluding with the final "Death's Duell." "We have only to read [Donne]," wrote Virginia Woolf, "to submit to the sound of that passionate and penetrating voice, and his figure rises again across the waste of the years more erect, more imperious, more inscrutable than any of his time."