Bücher von John Dos Passos

Rosinante to the Road Again, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of History General and Eastern Hemisphere Spain, Portugal

Streets of Night is a novel by John Dos Passos, set in the early 1900s in Cambridge, Massachusetts, and focuses on the lives of two college students, Fanshaw and Cham. The story revolves around their experiences with women, particularly with Phoebe Sweeting and her friend, both of whom are chorus girls. Cham convinces Fanshaw to accompany him on a double date with Phoebe and her friend, despite Fanshaw's reluctance. They spend the day together, canoeing, picnicking, and visiting a hotel. Fanshaw is uncomfortable with the situation, but Cham insists that everything is innocent and that the girls are respectable. As the day progresses, Fanshaw becomes more and more disillusioned with the world around him, feeling trapped by the expectations of his social class and the narrow-mindedness of his peers. He struggles to reconcile his own desires and values with the society in which he lives. The novel explores themes of class, gender, and sexuality, as well as the tension between tradition and modernity. It is a portrait of a particular time and place but also speaks to universal human experiences of love, loss, and disillusionment.

Excerpts from the Book"John Andrews stood naked in the center of a large bare room, of which the walls and ceiling and floor were made of raw pine boards. The air was heavy from the steam heat. At a desk in one corner a typewriter clicked spasmodically."Say, young feller, d'you know how to spell imbecility?"John Andrews walked over to the desk, told him, and added, "Are you going to examine me?"This book is a Fiction, very nicely penned by the author. This book is a reproduction of an important historical work."

John Dos Passos's Manhattan Transfer follows the overlapping lives of four principal characters in a sweeping multi-faceted tale set to the soundtrack of the booming, rhythmic pulse of New York City in the 1920s. Peopled with wealthy professionals, struggling immigrants, actors, cab drivers, chefs, and shopkeepers, a portrait of New York City bursts into view with all the force of the city itself. Through a narrative collage of descriptions, snatches of conversations, music, flashbacks, streams of consciousness, and shifting perspectives, Dos Passos vividly portrays the profits and perils of the American dream. Considered by many to be his greatest novel, Manhattan Transfer is a landmark work of modernist fiction and a masterpiece of American literature.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Despite sickness in the final years of his life, Dos Passos presses on for adventure. He and his wife journey to Easter Island, where they explore the history behind the famous statues-called maois. "When I was a small boy," Dos Passos says, "some kind person took me to the British Museum. There I saw a statue, a huge, rough, dark-gray statue with [a] long, sad, dark-gray face. The statue stared back out of deep, sunken eyes. What was it trying to say? To this day I can remember the feeling it gave me of savage, brooding melancholy."

Part of the generation that produced Ernest Hemingway and Ford Madox Ford, John Dos Passos wrote one of the most grimly honest portraits of World War I. Three Soldiers portrays the lives of a trio of army privates: Fuselli, an Italian American store clerk from San Francisco; Chrisfield, a farm boy from Indiana; and Andrews, a musically gifted Harvard graduate from New York. Hailed as a masterpiece on its original publication in 1921, Three Soldiers is a gripping exploration of fear and ambition, conformity and rebellion, desertion and violence, and the brutal and dehumanizing effects of a regimented war machine on ordinary soldiers."It is unquestionably the best war story yet produced in America and I have every confidence that it will make a sensation" - H. L. Mencken

1921 reiste der später weltberühmte Autor John Dos Passos durch den Orient - schon damals eine hochexplosive Gegend - und hielt seine Eindrücke in einem Tagebuch fest. Diese abenteuerliche Reise führte den damals 25-Jährigen von der Türkei über Georgien, Armenien, den Iran und den Irak bis nach Syrien. Sein packender Bericht liest sich wie eine Mischung aus Abenteuerroman und der hellsichtigen Analyse eines dramatischen Umbruchs, der bis heute fortwirkt. Geschrieben in knapper Präzision, mit ansteckender Neugier und Beobachtungsgabe, ist das Werk, mit dem Dos Passos dabei war, zu einem der wichtigsten Schriftsteller der amerikanischen Moderne zu werden, jetzt erstmals auf Deutsch zu entdecken.

The book "" The Anglo-Saxon Century and the Unification of the English-Speaking People , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Eight Harvard Poets , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

Since its 1925 publication, Manhattan Transfer has been widely recognized as a landmark in American modernism both for its jaundiced portrayal of the American Dream and for its experimentation with the novel form. Clear, factual annotations by the world's leading expert on Dos Passos's fi ction guides readers through the novel's dense representation of life in New York City during the turbulent early decades of the new century.

Unique among American books for its epic scope and panoramic social sweep, U.S.A. has long been acknowledged as a monument of modern fiction. Now The Library of America presents an exclusive one-volume edition of this enduring masterwork by John Dos Passos, including for the first time detailed notes and a chronicle of the world events that serve as a backdrop.In the novels that make up the trilogy-The 42nd Parallel, 1919, and The Big Money-Dos Passos creates an unforgettable collective portrait of America, shot through with sardonic comedy and brilliant social observation. He interweaves the careers of his characters and the events of their time with a narrative verve and breathtaking technical skill that make U.S.A. among the most compulsively readable of modern classics.A startling range of experimental devices captures the textures and background noises of twentieth-century life: "Newsreels" with blaring headlines; autobiographical "Camera Eye" sections with poetic stream-of-consciousness; "biographies" evoking emblematic historical figures like J.P. Morgan, Henry Ford, John Reed, Frank Lloyd Wright, Thorstein Veblen, and the Unknown Soldier. Holding everything together is sheer storytelling power, tracing dozens of characters from the Spanish-American War to the onset of the Depression.The U.S.A. trilogy is filled with American speech: labor radicals and advertising executives, sailors and stenographers, interior decorators and movie stars. Their crisscrossing destinies take in wars and revolutions, desperate love affairs and harrowing family crises, corrupt public triumphs and private catastrophes, in settings that include the trenches of World War I, insurgent Mexico, Hollywood studios in the silent era, Wall Street boardrooms, and the tumultuous streets of Boston just before the execution of Sacco and Vanzetti.The volume contains newly researched chronologies of Dos Passos's life and of world events cited in U.S.A., notes, and an essay on textual selection.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

H.L. Mencken, then practising primarily as an American literary critic, praised the book in the pages of The Smart Set: "Until Three Soldiers is forgotten and fancy achieves its inevitable victory over fact, no war story can be written in the United States without challenging comparison with it--and no story that is less meticulously true will stand up to it. At one blast it disposed of oceans of romance and blather. It changed the whole tone of American opinion about the war; it even changed the recollections of actual veterans of the war. They saw, no doubt, substantially what Dos Passos saw, but it took his bold realism to disentangle their recollections from the prevailing buncombe and sentimentality.""Don't you know better than to sleep in your O.D. shirt? Take it off." "Yes, sir." "What's your name?" The man looked up, blinking, too dazed to speak. "Don't know your own name, eh?" said the officer, glaring at the man savagely, using his curt voice like a whip. -- "Quick, take off yer shirt and pants and get back to bed." The Officer of the Day moved on, flashing his light to one side and the other in his midnight inspection of the barracks. Intense blackness again, and the sound of men breathing deeply in sleep, of men snoring. As he went to sleep Fuselli could hear the man beside him swearing, monotonously, in an even whisper, pausing now and then to think of new filth, of new combinations of words, swearing away his helpless anger, soothing himself to sleep by the monotonous reiteration of his swearing. A little later Fuselli woke with a choked nightmare cry. He had dreamed that he had smashed the O.D. in the jaw and had broken out of the jug and was running, breathless, stumbling, falling, while the company on guard chased him down an avenue lined with little dried-up saplings, gaining on him, while with voices metallic as the clicking of rifle triggers officers shouted orders, so that he was certain to be caught, certain to be shot. He shook himself all over, shaking off the nightmare as a dog shakes off water, and went back to sleep again, snuggling into his blankets.