Bücher von John Freeman

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Written from various perspectives-international actors, directors, playwrights, academics, dancers, and artists-this book examines and celebrates 14 theater events from a dozen countries. As it makes a case for what makes certain theater productions great, this record also offers examples of writing about theater that imbues the analysis with emotion and documentation. From Peter Brook's King Lear of 1962 through 2010's Oberammergau Passionsspiele, the performances described are seminal works indeed.

For John Freeman-literary critic, essayist, editor, poet, "one of the preeminent book people of our time" (Dave Eggers)-it is the rare moment when words are not enough. But in the wake of the election of 2016, words felt useless, even indulgent. Action was the only reasonable response. He took to the streets in protest, and the sense of community and collective conviction felt right. But the assaults continued-on citizens' rights and long-held compacts, on the core principles of our culture and civilization, and on our language itself. Words seemed to be losing the meanings they once had and Freeman was compelled to return to their defense. The result is his Dictionary of the Undoing.From A to Z, "Agitate" to "Zygote," Freeman assembled the words that felt most essential, most potent, and began to build a case for their renewed power and authority, each word building on the last. The message that emerged was not to retreat behind books, but to emphatically engage in the public sphere, to redefine what it means to be a literary citizen.With an afterword by Valeria Luiselli, Dictionary of the Undoing is a necessary, resounding cri de coeur in defense of language, meaning, and our ability to imagine, describe, and build a better world.

There's no question that e-mail is an incredible phenomenon that represents a kind of cultural and technological advancement. The first e-mail was sent less than forty years ago; by 2011, there will be 3.2 billion e-mail users. The average corporate worker now receives upwards of two hundred e-mails per day. The flood of messages is ceaseless and follows us everywhere. In The Tyranny of E-mail, John Freeman takes an entertaining look at the unrelenting nature of correspondence through the ages. Put down your smart phone and consider the consequences. As the toll of e-mail mounts, reducing our time for leisure and contemplation and separating us in an unending and lonely battle with the overfull inbox, John Freeman--one of America's preeminent literary critics--enters a plea for communication that is more selective and nuanced and, above all, more sociable.

As a major contribution to the field of postgraduate activity in drama, theatre, and performance, this resource identifies the essential characteristics of practice-based research across a range of countries, contexts, forms, and applications.