Bücher von John Kinsella

A literary critical book which is a toolkit for (peaceful) concerted activism on behalf of environment and issues of human rights and justice. -- .

John Kinsella explores a contemporary poetics and pedagogy as it emerges from his reflections on his own writing and teaching, and on the work of other poets, particularly contemporary writers with which he feels some affinity. -- .

The Wound takes the form of two short books in conversation with each other; the first from the perspective of Sweeney, anti-hero of the epic poem Buile Suibhne, the second an 'interaction' with poems by Hoelderlin. Both books form a response to the destruction of the environment witnessed by the poet. This is Kinsella at his most powerful.

This book is concerned with the complexities of defining 'place', of observing and 'seeing' place, and how we might write a poetics of place. From Kathy Acker to indigenous Australian poet Jack Davis, the book touches on other writers and theorists, but in essence is a hands-on 'praxis' book of poetic practice. The work extends John Kinsella's theory of 'international regionalism' and posits new ways of reading the relationship between place and individual, between individual and the natural environment, and how place occupies the person as much as the person occupies place. It provides alternative readings of writers through place and space, especially Australian writers, but also non-Australian. Further, close consideration is given to being of 'famine-migrant' Irish heritage and the complexities of 'returning'. A close-up examination of 'belonging' and exclusion is made on a day-to-day basis. The book offers an approach to creating poems and literary texts constituted by experiencing multiple places, developing a model of polyvalent belonging known as 'polysituatedness'. It works as a companion volume to Kinsella's earlier Manchester University Press critical work, Disclosed Poetics: Beyond Landscape to Lyricism.

With an Introduction by Rod Mengham.In The Silo, John Kinsella's fifth book of poems (and the second published by Arc), the poet examines the role of the artist in the landscape and the unique character of rural life. Using Beethoven's 6th ('Pastoral') Symphony as the framework for the collection, he explores the music of an Australian rural landscape and the European impact on a tenacious yet fragile environment."Many of the poems are vintage Kinsella, suffused in the beautifully audacious language of his later pastorals ¿ the metonymical manipulations of time and place that set you down firmly in the Australian landscape-history, yet by the end of the poem leave you wondering how he ever arrived at such seamless transformations and transportations."Andy Brown, PQR"The Silo is a fine sequence of poems, giving us a tough, focused, loving picture of Kinsella's heartland."Peter Bland, The London Magazine"John Kinsella, in The Silo, shows himself to be an authentic poet, astonishingly individuated. There are only a handful (or fewer) English-language poets of his generation whose work is already so original, so fully formed, and so clearly destined to become part of the central tradition."Harold BloomJohn Kinsella was born in Perth, Australia in 1963. He studied at the University of Western Australia and travelled extensively through Europe, the Middle East and Asia. He is a prolific writer and author of over 25 books, and has published poems in literary journals internationally and has received a number of literary awards. Since 1998, he has been International Editor for Arc Publications, with whom he has published four collections, the first of which, The Undertow: New and Selected Poems, was his first UK edition. His second collection for Arc, The Silo: A Pastoral Symphony (1997) was followed in 1999 by Landbridge: An Anthology of Contemporary Australian Poetry, which he edited. Lightning Tree was published in 2003, and America in 2006. His most recent collections include The Hunt, Peripheral Light: Selected and New Poems, The New Arcadia and Shades of the Sublime & Beautiful. He is a Fellow of Churchill College, Cambridge University, and a Research Fellow at the University of Western Australia.

"We are poised before...what I prophesy will be a major art."-Harold Bloom