Bücher von John Mullarkey

This introductory study looks at Bergson's use of philosophical form and aims to dispel the view that Bergson ever stuck to one type of philosophy at all, be it vitalism or phenomenology. This book is an important and lucid reassessment of an influential philosopher that sets his work in philosophical contexts.

This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Zizek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.