Bücher von John Thieme

The Book of Francis Barber is the fictional autobiography of Dr Samuel Johnson's Jamaican-born manservant, whom Johnson made his residuary legatee. Francis believes his new-found wealth will propel him into the upper echelons of English society, but ensuing events gradually show him that "class" is not easily acquired. As his story unfolds, it becomes clear that his racial origins are an obstacle to his ambitions. The novel is both a major new contribution to eighteenth-century historical fiction, and a warm portrait of its sympathetic narrator's journey towards self-realization.

R.K. Narayan's reputation as one of the founding figures of Indian writing in English is re-examined in this comprehensive study of his fiction, which offers detailed readings of all his novels. Arguing against views that have seen Narayan as a chronicler of "e;authentic"e; Indianness, John Thieme locates his fiction in terms of its specific South Indian contexts and cultural geography and its non-Indian intertexts. The study also considers the effect that Narayan's writing for overseas publication had on novels such as Swami and Friends, The Guide and The Man-Eater of Malgudi. Narayan's imaginary small town of Malgudi has often been seen as a metonym for India. Thieme draws on recent thinking about the ways in which place and space are constructed to demonstrate that Malgudi is always a fractured and transitional site, an interface between older conceptions of Indianness and contemporary views that stress the ubiquitousness and inescapability of change in the face of modernity. The study also shows that Malgudi is seen from varying angles of vision and with shifting emphases at different points in Narayan's career. As well as offering fresh insights into the influences that went into the making of Narayan's fiction, this is the most wide-ranging and authoritative guide to his novels to have appeared to date. It provides a unique account of his development as a writer.

John Thieme provides a comprehensive study of Derek Walcott's writing from its beginning in the 1940s to his most recent work. Walcott's poetry and drama are set against the background of various contexts and intertexts - Caribbean, European and other - which have shaped him as a writer.