Bücher von Joseph Goddard

""The Philosophy of Music: A Series of Essays"" is a book written by Joseph Goddard and published in 1862. This book is a collection of essays that explore the philosophical aspects of music. The author delves into the nature of music, its purpose, and its effects on human emotions and behavior. The book covers a wide range of topics, including the history of music, the relationship between music and language, the role of music in education, and the connection between music and spirituality. Goddard also discusses the different theories of music and their implications for the understanding and appreciation of music. The book is a valuable resource for anyone interested in the philosophy of music and the impact of music on human life and culture.Entitled, Respectively, The Relationship Of Music To The Other Fine Arts; The Moral Theory Of Music; And The Laws Of Life In Art.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The Rise and Development of Opera: Embracing a Comparative View of the Art in Italy is a book written by Joseph Goddard and published in 1912. The book provides a comprehensive overview of the history and evolution of opera, with a particular focus on the Italian opera tradition.Goddard begins by tracing the origins of opera in Italy, exploring its early development in the 16th and 17th centuries. He then delves into the various styles and forms of Italian opera, including the opera seria, opera buffa, and melodrama.Throughout the book, Goddard provides detailed analyses of some of the most important operas in the Italian tradition, including works by composers such as Monteverdi, Handel, Mozart, and Verdi. He also examines the role of opera in Italian society, discussing its impact on politics, culture, and the arts.In addition to its focus on Italian opera, The Rise and Development of Opera also provides a comparative view of the art form in other countries, including France, Germany, and England. Goddard explores the ways in which opera developed differently in these countries, and how it was influenced by local traditions and cultural norms.Overall, The Rise and Development of Opera is a valuable resource for anyone interested in the history and evolution of this important art form. With its detailed analysis and comparative approach, the book provides a nuanced understanding of the role that opera has played in shaping the cultural landscape of Italy and beyond.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Published in 1862, these essays present the theories of the philosopher and historian Joseph Goddard (1833-1910) on the connection between music and the human mind. They show how musical phenomena such as rhythm, tone and phrase are more effective than any other art form in expressing thought and morality.

Joseph Goddard (1833-1910) was a philosopher, theorist and historian of the music of the late eighteenth and early nineteenth centuries, who developed some highly influential ideas about the relationship between music and human evolution. First published in 1868, this study presents Goddard's theory on the connection between music and the human spirit, in which he argues that two major counterparts of emotion - instinctive and abstract - correlate directly with two key elements of music: melody and harmony. He demonstrates this through a fascinating and thorough comparative analysis of the works of Mozart, Beethoven, Haydn and Mendelssohn, and moves on to show how emotion is expressed in the melodic and harmonic styles of sacred music and opera. Concluding with a detailed analysis of how mental progress has influenced the development of music, this thorough and judicious work remains of interest in the fields of music history, philosophy, and theory.