Bücher von Karl Berger

Es war ein Leben, eine Leidenschaft für industrielle Anlagen, deren Ausmaße grösser sind als der Eifelturm, schwerer als die Donaubrücke und mehr Eisen und Stahl erzeugen können, als das Österreich je können wird. Mit Technologie und Automation konnten wir gegen unsere Konkurrenten punkten. Wir, die Anlagenbauer haben alles hintangestellt, Beziehungen und Familie ignoriert, wenn es darum ging unsere Gewerke, unsere Anlagen, zum Erfolg zu führen. Anlagenbau FIRST!This book doesn't speak about the big heroes, it speaks about the little ones, which did their (silent) job in the background.The "wild songs" of the decades were always in our mind either at work or at leisure.

'The Music Mind Experience' is all about how we can transform our playing and listening into convincing performances and satisfying meditations every time.. No neuroscience here: this book is thoroughly practical, intuitive, chock-full of simple practices and deep, common-sense insights."A fantastic resource. Karl's purpose is to reach beyond all intellectual concepts and feel the magic of intuitive playing and listening that we are all born with. Very easy to read and follow" says the world-renown keyboardist John Medeski. The Italian composer Luciano Troja adds: "Karl's book is miraculous because it speaks in a simple but profound way to musicians and listeners of any background. It opens worlds" 'The Music Mind Experience' speaks for all kinds of music and styles, because it addresses the elements common to all the music in the world. The great guitarist John Scofield comments: "Karl's book reminds me of what I've learned from conversations with the great musicians I've known. These masters spoke the truth about getting in the 'flow' and the best mental attitude while playing. I've found that these techniques are universal." In this book we emphasize the extraordinary power of our intuitive minds. The masters' 'techniques' that John Scofield is referring to are all explored here in surprisingly simple practices and exercises. We learn to integrate them into our daily routines of musical practice and listening with astounding results: our satisfaction and confidence is growing strong and steadily. Pianist/composer Carla Bley refers not just to this book only, but to Karl Berger's life-long work at the now world-renowned Creative Music Studio when she says: "Karl has made it ok for hoards of musicians to explore their particular and personal identities without fear of censure". The German composer Markus Stockhausen says: "Karl shows us that we all have a hidden capacity of unexplored, infinite creative potential". And he concludes: "Listening is the key to all the music mind."