Bücher von Kathy Davis

Isnt it amazing that the God of the universe would speak to ordinary people like you and me? And its true! God wants to speak into our lives through His Holy Spirit and His Word, and we glorify and honor God each time we visit with Him in prayer or seek His wisdom in the Bible.He Speaks to the Ordinary is an inspiring collection of concise, uplifting reminders of the way we can both listen for the still, small voice of God in our daily lives, or call on Him for loving, compassionate guidance in our times of need. It is a book of hope, comfort, peace, and joy, and author Kathy Davis shares some of the transformational truths she has learned through spending quality time with God. With these heartfelt words of wisdom, we should be encouraged to cultivate an intimate personal relationship with God as we develop Christlike qualities. In a world with so many distractions, we should be encouraged and overjoyed that the greatest being in the universe, God, is always there for us to listen to our prayers and speak His love, direction, and hope into our lives. When God calls, He expects us to listen. And with our calling from God, we can receive the peace and the salvation that only He can provide.

Tangotanzen ist weltweit in Mode gekommen ¿ eine Erfolgsstory mit vielen Gesichtern. Neben ökonomischen, historischen und politischen Aspekten spielen Sinnlichkeit und Emotionalität eine große Rolle, wie dieses Buch am Beispiel von Buenos Aires und Amsterdam zeigt. Grenzüberschreitend können empathische Gemeinschaften entstehen, die der sozialen Deprivation der Spätmoderne entgegen wirken und der Debatte um die Beziehung von globalem Süden und Norden neue Facetten hinzufügen.Die AutorinProf. Dr. Kathy Davis, Freie Universität Amsterdam, ist eine international tätige Geschlechterforscherin.Die HerausgeberinnenProf. Dr. Helma Lutz, Johann Wolfgang Goethe-Universität Frankfurt a.M.Prof. i.R. Dr. Ursula Müller, Universität Bielefeld

This co-authored volume explores multiple links between academic and creative writing practices and writing methodologies from feminist and intersectional perspectives. It discusses what it means for academic writing processes to consciously write in and from intersectional in-between spaces between monolithic identity markers and power differentials such as gender, race, ethnicity, class, sexuality and nationality.

This work attempts to make sense of women's involvement in cosmetic surgery. Whereas traditional explanations have tended to look to female narcissism, this book situates cosmetic surgery in a feminist analysis of the cultural constraints of femininity.